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Chanson   Listen
noun
Chanson  n.  A song.






Collaborative International Dictionary of English 0.48








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"Chanson" Quotes from Famous Books



... contribute new ideas to poetry, nor invent new forms, but he rendered the old material and made the accepted moulds of verse charming by a gracious personality and an exquisite sense of art. Ballade, rondeau, chanson, each is manipulated with the skill of a goldsmith setting his gems. He sings of the beauty of woman, the lighter joys of love, the pleasure of springtide, the song of the birds, the gliding of a stream or a cloud; or, as an elder man, ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden

... to the Arthurian legends than Sir Thomas Malory, their compiler, or Walter Map and Chrestien de Troyes, their possible inventors. But, of course, to study the Middle Ages, as it really was, one must go not to Tennyson and Scott, but to the "Chanson de Roland," and the "Divine Comedy," and the "Romaunt of the Rose," and the chronicles of Villehardouin, Joinville, ...
— A History of English Romanticism in the Eighteenth Century • Henry A. Beers

... France, for instance, he would write a chanson; In England a six canto quarto tale; In Spain he'd make a ballad or romance on The last war—much the same in Portugal; In Germany, the Pegasus he'd prance on Would be old Goethe's—(see what says De Stael);[195] In Italy he'd ape the "Trecentisti;" In Greece, he'd ...
— The Works of Lord Byron, Volume 6 • Lord Byron

... swarming of the insects about the dead lion is expressed as forcibly as in the most sarcastic passage of the chanson. In "La Faridondaine" every sound is a witticism, and levels to the ground a bevy of what Byron calls "garrison people." "Halte la! ou la systeme des interpretations" is equally witty, though there the form seems to be ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli

... hour of irksome work. Now at last he could master the strings, but both his ear and his voice were not of the best, so that it was well perhaps that there was so small and so unprejudiced an audience to the Norman-French chanson, which he sang in a high reedy voice with great earnestness of feeling, but with many a slip and quaver, waving his yellow head in cadence to ...
— Sir Nigel • Arthur Conan Doyle

... the letter-press, taken from George Sand's Histoire de ma Vie, is accompanied by two instrumental pieces, extracts from the last movement of the E minor Concerto and the Bolero, the latter being called Chanson de Zingara. ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... COR. 1828. The story of the surprise of the rearguard of Charlemagne by the Moors and of the death of Roland (Orlando in the Italian poems) is told in the Chanson de Roland (end of the eleventh century), the finest of the old French heroic poems. 19. FRAZONA ; this name is not found on ordinary maps or in descriptions of this region. MARBOR, a mountain of the Pyrenees. 21. GAVES, name given in the Pyrenees ...
— French Lyrics • Arthur Graves Canfield

... delicate, tender warmth and spiritual voice is lost in larger spaces. In a small auditorium, and from the fingers of a sympathetic pianist, the nocturnes should be heard, that their intimate, night side may be revealed. Many are like the music en sourdine of Paul Verlaine in his "Chanson D'Automne" or "Le Piano que Baise une Main Frele." They are essentially for the twilight, for solitary enclosures, where their still, mysterious tones—"silent thunder in the leaves" as Yeats sings— become eloquent and disclose the poetry and pain ...
— Chopin: The Man and His Music • James Huneker

... tamer, if possible, than it now seems. Here are found the original airs of "Agincourt," "All in the Downs," "Barbara Allen," "The Barley-Mow," "Cease, rude Boreas," "Derry Down," "Frog he would a-wooing go," "One Friday morn when we set sail," "Chanson Roland," "Chevy Chace," and scores of others which have rung in our ears ...
— Atlantic Monthly, Volume 6, No. 38, December, 1860 • Various

... an able account of the important role that folk-melodies are taking in modern music see Chapter V of La Chanson Populaire ...
— Music: An Art and a Language • Walter Raymond Spalding

... round the great name of the French King Charlemagne as about that of the English King Arthur. Some versions are in French and some in Italian. The four stories beginning with "The Treason of Ganelon" make up the great epic song of France, the "Chanson de Roland" and the battle they celebrate was fought in ...
— The Junior Classics, V4 • Willam Patten (Editor)

... in the pages of Vauvenargues a distinct revival of that passion for the very soil of France, "la terre sainte, la douce France," which inspired the noble "Chanson de Roland" and has been so strongly accentuated in the recent struggle for Alsace-Lorraine. But he recalled to the memory of a generation which had grown densely material the forgotten ideal of France as the champion ...
— Three French Moralists and The Gallantry of France • Edmund Gosse

... the crystal, the printed announcement of a friend's death. She had not consciously read the Times, but remembered that she had held it up before her face as a firescreen. This kind of revival, as she says, corresponds to the writing, with planchette, of scraps from the Chanson de Roland, by a person who had never consciously read a line of it, and who did not even know what stratum of Old French was represented by the fragments. Miss X. seems not to know either; for she calls it 'Provencal'. Similar ...
— Cock Lane and Common-Sense • Andrew Lang

... "Et ardirent la ville et violerent l'abbaye." ("And burnt the town and violated the abbey.") Froissart, quoted by Littre. As early as Le chanson de Roland we find: "Les castels pris, les cites violees." ("The castles ...
— The Life of Joan of Arc, Vol. 1 and 2 (of 2) • Anatole France

... dinner, and Maude sat alone at work in the banquet-hall. She was almost unconsciously humming to herself the air of a troubadour chanson—an air as well-known to ourselves as to her, though we have turned it into a hymn tune, and have christened it Innocents, or Durham. A fresh stave was just begun, when the hall door opened, and a voice ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt



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