"Chopin" Quotes from Famous Books
 ... German word for cut and dried fruit. Schnitz, schnitzen,(Ger.) - To chop, chip, snip. Schönheitsidéal,(Ger.) - The ideal of beauty. Schopenhauer - A celebrated German "philosophical physiologist." Schoppen,(Ger.) - A liquid measure, chopin, pint. Schrocken(Erschrocken) - Frightened. Schwaben - Suabia. Schwan,(Ger.) - Swan. Schweinblatt - (Swine) Dirty paper. Schweitzer kase,(Ger.) - Swiss cheese. Schwer,(Ger.) - Heavy. Schwig, Swig, verb. - To drink by large draughts. Schwigs, Swig, n. - A large draught. Schweinpig,(Ger.) - Swinepig. ...
— The Breitmann Ballads • Charles G. Leland
... these vases folded slips of paper called spills were kept. A modern note was struck by the presence of a baby Grand—a jolly, clumsy, disproportioned youthful piano, rather like a colt, on which Daphne played Chopin to Mrs. Foster, and sometimes The Chocolate Soldier to Cyril; and Mrs. Foster, at twilight, sometimes played and even sang, "I cannot sing the old songs, they are too dear to me," which her mother used to sing, or, coming a little nearer to the present, "Ask nothing more, nothing ...
— The Limit • Ada Leverson
... rhythmic pulses | | which come most naturally to us are in twos and threes and | | their multiples; while even to beat time in fives requires a | | special effort. In music 5/8 or 5/4 time is extremely rare. | | There is an example of the latter in Chopin's Sonata I (the | ...
— The Principles of English Versification • Paull Franklin Baum
... lads relax, the balcony dames in the rear rows sit down, there are nods and becks and wafted whispers to a Calder and an Avery, to tall Numa, Dolhonde and short Eugene Chopin, to George Wood and Dick Penn and Fenner and Bouligny and Pilcher and L'Hommedieu; and Charlie sends up bows and smiles, and wipes the beautiful brow he so openly and wilfully loves best on earth. Anna smiles back, but Constance bids her look at Maxime, ...
— Kincaid's Battery • George W. Cable
... like this!" cried Bixiou, ruffling his locks till they stood on end. Gifted with the same talent for mimicking absurdities which Chopin the pianist possesses to so high a degree, he proceeded forthwith to represent the character ...
— A Man of Business • Honore de Balzac
... saw Chopin, not with her, although he lives with her, and has for the last twelve years. I went to see him in his room with one of his friends. He is always ill, and as frail as a snow-drop, but an exquisite genius. He played to me, and I liked his talking scarcely less. ...
— Memoirs of Margaret Fuller Ossoli, Vol. II • Margaret Fuller Ossoli
... the adorable Angela was receiving a friend. Hilary Meredith, spotlessly garbed, was lounging in the drawing-room, drinking in the strains of a Chopin Nocturne. Not only were his ears gladdened by romantic music, but his eyes were equally exercised by the radiant figure of Angela, bending over the piano, with the red-shaded lights throwing her bare shoulders into perspective and turning her hair to liquid gold. ...
— Colorado Jim • George Goodchild
... a man whose huge stature, thews, sinews, and bulk ... would have enabled him to enact "Colbrand," "Ascapart," or any other giant of romance, without raising himself nearer to heaven even by the altitude of a chopin.—Sir ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.
... always add musical accompaniment to the confusion of tongues, and Mr. Koenig, who has a choral company, goes to the cream of the cream of such gatherings, and sings and plays from Grieg and Schumann, and Liszt and Wagner, and Chopin and Paderewski, and the place intended for me in this grand organization would appear to be that of jester to my lords and ladies. 'Ach Gott!' says Mr. Koenig, who 'speaks ver' bad de Englisch,' 'your great ...
— The Christian - A Story • Hall Caine
... piano. She played really well. Otherwise she would not have played to him, or to any one. She was specially at home in the music of Chopin, and had studied minutely many of the "Etudes." Now she began to play the Etude in E flat. As she played she felt that the intense nervous irritation which had possessed her was diminishing slightly, was becoming more bearable. She played several of the Etudes, and presently began the one in Thirds ...
— In the Wilderness • Robert Hichens
... graceful, set off by a simple tight-fitting, high-necked dress of ivory silk draped with lace, with a spray of Neapolitan violets at the throat. They sat in a niche of the spacious and artistically furnished drawing-room, in the soft light of the candles, talking quietly while Addie played Chopin. ...
— Children of the Ghetto • I. Zangwill
... funebre upon her piano, even though Chopin's romantic lamentation was then at the top of nine-tenths of the music-racks in the country, American youth having recently discovered the distinguished congeniality between itself and this deathless bit ...
— The Magnificent Ambersons • Booth Tarkington
... past. It begins with Mendelssohn's Spring Song, pianissimo. Then comes Rubinstein's Melody in F, with a touch of forte toward the close, and then Nevin's "Oh, That We Two Were Maying" and then the Chopin waltz in A flat, Opus 69, No. 1, and then the Spring Song again, and then a free fantasia upon "The Rosary" and then a Moszkowski mazurka, and then the Dvorak Humoresque (with its heart-rending cry in the middle), and then ...
— A Book of Burlesques • H. L. Mencken
... seemed, never to be referred to except in the most jocular fashion. When Rose had entrusted to the oven a wedding-cake or a pan of jumbles she would repair to the piano for a ten-minute indulgence in Chopin. Similarly indifferent to fate, Nan at intervals in the day drew a tablet and fountain-pen from her sewing-table and recorded some whimsicality which she had seemingly found embedded in the mesh of a shopping-bag she was embellishing. And ...
— Otherwise Phyllis • Meredith Nicholson
... enforced stay in his unhappy native land, Poland. Like Goethe or Stendhal, Conrad can write in the midst of war's alarums about the hair's-breadth 'scapes of his characters. But, then, the Polish is the most remarkable race in Europe; from leading forlorn hopes to playing Chopin the Poles are unequalled. Mr. Conrad has returned to his old habitat in fiction. An ingenious map shows the reader precisely where his tragic tale is enacted. It may not be his most artistic, but it is an engrossing story. Compared with ...
— Ivory Apes and Peacocks • James Huneker
... of modern times at the piano. I have heard all the others scores of times, so don't argue with me. You may all worship whom you will, but the whole musical part of my heart is at Madame Carreno's feet, with a small corner saved for Vladimir de Pachmann, when he plays Chopin. She claims to be an American, but she plays with a heart of a Slav, and as one whose untamed spirit can never be held in leash even by her music. Her playing is so intoxicating that it goes through my veins like ...
— Abroad with the Jimmies • Lilian Bell
... wonder that composers revere their art? We are told of Chopin that art was for him a high and holy vocation.[8] Do you wonder? Let me read you a few words about his devotion: "In order to become a skilful and able master he studied, without dreaming of the ... fame he ...
— Music Talks with Children • Thomas Tapper
... best. From Mozart to Beethoven. From Beethoven to Schubert. From Schubert to Chopin. She listened with all the will in the world to be pleased. She thanked me again and again. She tried, at my invitation, to play herself; choosing the familiar compositions which she knew by ear. No! The abominable Dubourg, having got ...
— Poor Miss Finch • Wilkie Collins
... it well enough to stand it, but the domestic article suits me. I like the kind of beer that this man Bach turned out in the spring of the year, but I don't seem to be able to care much for his music. And so far as Chopin is concerned, I hope you'll all do your Christmas ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb
... written in elegant French originally, and relate to the social position of artists and the state of the art of music in certain cities or even an entire country. A part of his works is devoted to the music of gypsies, and to a true and honest history of the life of his friend Chopin. ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... if he should infer from such passages as abound in her letters that George Eliot had any particular weakness for domestic or any other kind of idolatry. George Sand, in Lucrezia Floriani, where she drew so unkind a picture of Chopin, has described her own life and character as marked by 'a great facility for illusions, a blind benevolence of judgment, a tenderness of heart that was inexhaustible; consequently great precipitancy, many ...
— Critical Miscellanies (Vol 3 of 3) - The Life of George Eliot • John Morley
... Near by, a laburnum drooped in shower of gold over a bush of delicate white guelder-rose as Zeus over Danae. Upon the wall of the home wistaria hung her pastel-shaded pendants of flower, like the notes of some beautiful melody, sweet and sad, along the giant staves of her stem. A Chopin could have harmonized the melody, weaving in little trills and silvery treble notes from the joy-song of the ...
— Swirling Waters • Max Rittenberg
... rounds the whole with a dramatic touch of infallible instinct. I know nothing with which the poem may be compared: its method and its magic are alike its own. We might hear it or fancy it perhaps in one of the Ballades of Chopin, with its entrancing harmonies, its varied and delicate ornamentation, its under-tone of passion and sadness, its storms and gusts of wind-like lashing notes, and the piercing shiver that thrills through its ...
— An Introduction to the Study of Browning • Arthur Symons
... there is, let him be brought forward—not to be chucked out of the window, as Mrs. F.'s AUNT might suggest,—but to be thanked and wondered at as an inchoate OFFENBACH, who might, under other circumstances, have written an American opera-bouffe, or, better still, as a possible CHOPIN, who might have written a second "March Funebre" as hopeless and desolate and fascinating as that of the despairing and poetic Pole. (I am coming to "FRITZ" in a moment, but I won't be ...
— Punchinello, Vol. 1, No. 18, July 30, 1870 • Various
... playing. The single notes of the opening motif of Chopin's Fifteenth Nocturne fell pensively into the waiting room. Miriam, her fatigue forgotten, slid to a featureless freedom. It seemed to her that the light with which the room was filled grew brighter and clearer. She felt that she was looking at nothing and yet was aware of ...
— Pointed Roofs - Pilgrimage, Volume 1 • Dorothy Richardson
... and began to fan herself gently with the brim. Here, in the shade, bees were humming; from the house came faint notes of a piano—Fanny practising a mazurka of Chopin. ...
— Born in Exile • George Gissing
... pile of music that lay on the table next to Miss Stanton's dolls' cabinet in the corner of the room opposite the piano. He observed the Beethoven Concerto for pianoforte which had Helene Stanton's name on it, also the C Minor and F Minor concertos of Chopin, besides other compositions for pianoforte of an exceedingly difficult character; all this music was marked with her ...
— The Music Master - Novelized from the Play • Charles Klein
... printed in it." The Story of a Ranch is listed here to illustrate how titles often have nothing to do with subject. It is without either story or ranch; it is about some dilettanteish people who go out to a Kansas sheep farm, talk Chopin, and wash ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie
... through those vast halls until the ear catches only a faint echo from some far, dim aisle. "How many centuries elapsed before this subterranean organ gave forth its delightful tones!" It lacked only the soul of a Beethoven or Chopin to interpret them aright. How like many noble lives whose talents perhaps shall only bud "unseen" or waste upon the desert air of environment. One thinks of Keats, whose wonderful Ode to the Nightingale and lovely Nature Poems might never have been ...
— See America First • Orville O. Hiestand
... stately heads of men With poets' faces heartsome, dear and pale — Sweet visages of all the souls of time Whose loving service to the world has been In the artist's way expressed and bodied. Oh, In arms' reach, here be Dante, Keats, Chopin, Raphael, Lucretius, Omar, Angelo, Beethoven, Chaucer, Schubert, Shakespeare, Bach, And Buddha (sweetest masters! Let me lay These arms this once, this humble once, about Your reverend necks — the most containing clasp, For all in all, this world e'er saw!) and there, Yet ...
— The Poems of Sidney Lanier • Sidney Lanier
... not confine herself to mere sighs and exclamations, but pronounced several criticisms on his acting, which were as remarkable for sound judgment as for womanly penetration. Mikhalevich mentioned music; she sat down to the piano without affectation, and played with precision several of Chopin's mazurkas, which were then only just coming into fashion. Dinner time came. Lavretsky would have gone away, but they made him stop, and the General treated him at table with excellent Lafitte, which the footman had been hurriedly sent out to ...
— Liza - "A nest of nobles" • Ivan Sergeevich Turgenev
... close of 1831 that Liszt met Chopin in Paris. From the first, these two men, so different, became fast friends. Chopin's delicate, retiring soul found a singular delight in Liszt's strong and imposing personality. Liszt's exquisite perception enabled him perfectly to live in the strange dreamland of Chopin's fancies, while ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... occupations and pleasures of the summer Jacques kept as near as he could to Serena. If he learned a new tune, by listening to the piano—some simple, artful air of Mozart, some melancholy echo of a nocturne of Chopin, some tender, passionate love-song of Schubert—it was to her that he would play it first. If he could persuade her to a boat-ride with him on the lake, Sunday evening, the week was complete. He even learned to know the more shy and delicate forest-blossoms that she preferred, ...
— The Ruling Passion • Henry van Dyke
... melodist could only be either the Viennese Schubert or the French Pole Chopin, but with my English pronunciation I failed to make the distinction. Then a young lady, who had been sitting near, proposed to clear the matter up by playing a piece composed by Sciupe, and if I would listen attentively I should understand why he is known as the German ...
— Castellinaria - and Other Sicilian Diversions • Henry Festing Jones
... spirit overflowed into the lives around her with delicate sympathy and merry cheer. But it was in music that her nature found its widest outlet. In the lengthening evenings of late August she would play from Schumann, or Chopin, or Grieg, interpreting the vague feelings of gladness or grief which lie too deep for words. Ballads she loved, quaint old English and Scotch airs, folk-songs of Germany, "Come-all-ye's" of Ireland, Canadian ...
— The Blue Flower, and Others • Henry van Dyke
... born a Pole, and for a large part of his life a resident of France, among the German composers, may require an explanatory word. Chopin's whole early training was in the German school, and he may be looked on as one of the founders of the latest school of pianoforte composition, whose highest development is in contemporary Germany. He represents German music by his affinities and ...
— The Great German Composers • George T. Ferris
... stock nor stone reviewed, But were punished as we stood. Seest thou now, licentious wight? That, to us, yon flaring sun Is the Heidelbergers' tun; Castles, mountains, trees, and towers, Seem like chopin-cups of ours. Learn'st thou now, licentious wight? Learn ...
— The Works of Frederich Schiller in English • Frederich Schiller
... the darkened room, Four rings of light upon the ceiling overhead, An atmosphere of Juliet's tomb Prepared for all the things to be said, or left unsaid. We have been, let us say, to hear the latest Pole Transmit the Preludes, through his hair and finger tips. "So intimate, this Chopin, that I think his soul Should be resurrected only among friends Some two or three, who will not touch the bloom That is rubbed and questioned in the concert room." —And so the conversation slips Among velleities and carefully caught regrets Through ...
— Prufrock and Other Observations • T. S. Eliot
... andantino for an andante. At her solicitation he took her place at the instrument, and executed the andantino as few but professional artists could do. Mlle. Moiseney, ever ready with her enthusiasm, declared that he must be a Liszt or a Chopin, and implored him to play her something else, to which he consented with good grace. After this they talked about music and many other things. The man with the green eyes possessed one quality in common with Socrates, he was master ...
— Samuel Brohl & Company • Victor Cherbuliez
... piano, as was a not infrequent custom of hers before going to bed, not so much because of her enthusiasm for music, but because she did not want to retire to rest too early. On such occasions she played, for the most part, the few pieces which she still knew by heart—mazurkas by Chopin, some passages from one of Beethoven's sonatas, or the Kreisleriana. Sometimes she improvised as well, but never pursued the theme beyond a succession of chords, which, indeed, ...
— Bertha Garlan • Arthur Schnitzler
... began to play one of Chopin's nocturnes. Her fingers rattled against the ivory on a run up the piano. She stopped and took a ring from her right hand; Drake noticed that it was the emerald ring which he had seen winking in the firelight on that evening when she had covered her face from ...
— The Philanderers • A.E.W. Mason
... contemporary; and some of the writing is formal and old-fashioned, and, at times, too thin to attract the sympathy or to excite the interest of pianists of the present day, who enjoy the richer inheritance of Beethoven, the romantic tone-pictures of Schumann and Brahms, the fascinating miniatures of Chopin, and the clever glitter of Liszt. Still it does not deserve utter oblivion. Hear what Fr. Rochlitz says of it in the Allg. Mus. Zeit.: "It (the sonata) is indeed a tragic scene, one so clearly thought out and so definitely expressed, that it is by ...
— The Pianoforte Sonata - Its Origin and Development • J.S. Shedlock
... the winding stairs of the courts: "A fine rabble of asses and dolts these Parisians!" he muttered between his teeth; "they come to hear a mystery and don't listen to it at all! They are engrossed by every one, by Chopin Trouillefou, by the cardinal, by Coppenole, by Quasimodo, by the devil! but by Madame the Virgin Mary, not at all. If I had known, I'd have given you Virgin Mary; you ninnies! And I! to come to see faces and behold only backs! to be a poet, and ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo
... in presently, but Marilyn was already at the piano playing softly a bit from the Angel Chorus, a snatch of Handel's Largo, a Chopin Nocturne, one of Mendelssohn's songs without words. The two came in hilariously, the young man pretending to lean heavily on the girl, and finding much occasion to hold her hands, a performance to which she seemed to be not at all averse. They came ...
— The City of Fire • Grace Livingston Hill
... on a visit to Spohr, who gave him no encouragement. He now began to study law, but on going to Paris he came under the influence of Paganini, and definitely adopted the career of a violin virtuoso. He made his first appearance in company with Ernst and Chopin at a concert of his own in Paris in 1832. Successful tours in Italy and England followed soon afterwards, and he was not long in obtaining European celebrity by his brilliant playing of his own pieces and arrangements. ...
— Encyclopaedia Britannica, 11th Edition, Volume 4, Part 4 - "Bulgaria" to "Calgary" • Various
... From the time of Liszt, who not only revolutionized the performance of music on the piano, but also the way of writing it, authors give to performers all necessary indications, and they have only to carefully observe them. There are, however, some interesting remarks applicable to the music of Chopin which recent editions unfortunately are commencing to falsify. Chopin detested the abuse of the pedal. He could not bear that through an ignorant employment of the pedal two different chords should be mixed in tone together. Therefore, he has given ...
— On the Execution of Music, and Principally of Ancient Music • Camille Saint-Saens
... clouds. He plays truant from earth, slips through the wicket of fancy into heaven's meadow, and goes gathering stars. Here we have that absolute virgin-gold of song which is the scarcest among human products, and for which we can go to but three poets—Coleridge, Shelley, Chopin, {8} and perhaps we should add Keats. Christabel and Kubla-Khan; The Skylark, The Cloud, and The Sensitive Plant (in its first two parts). The Eve of Saint Agnes and The Nightingale; certain of the Nocturnes;—these things ...
— Shelley - An Essay • Francis Thompson
... tall silver vases on the piano—her piano!—the spirit of desire which had so long possessed him, waking and sleeping, returned,—returned to torture him now with greater skill amidst these her possessions; her volume of Chopin on the rack, bound in red leather and stamped with her initials, which compelled his glance as he passed, and brought vivid to his memory the night he had stood in the snow and heard her playing. So, he ...
— The Crossing • Winston Churchill
... I know; that was bad—and I won't again, truly," promised Billy. But her eyes danced, and the next moment she had whirled about on the piano stool and dashed into a Chopin waltz. The room itself, then, seemed to be full of the twinkling feet ...
— Miss Billy's Decision • Eleanor H. Porter
... Headquarters in Newburgh, bears the name of "Geo. Astor & Co., Cornhill, London;" while still another in my immediate neighborhood in Washington has the inscription of "Astor and Camp, 79 Cornhill, London." Their octaves were few in number, and a pupil of Chopin would have regarded them with scorn; but upon these little spindle-legged affairs a duet could be performed. My first knowledge of instrumental music was derived from one of these pianos, and among the earliest recollections of my childhood is that of ...
— As I Remember - Recollections of American Society during the Nineteenth Century • Marian Gouverneur
... Mozart depicts him as one of intensely active affections and highly impressionable temperament. Various anecdotes represent Beethoven as very susceptible and very passionate. Mendelssohn is described by those who knew him to have been full of fine feeling. And the almost incredible sensitiveness of Chopin has been illustrated in the memoirs of George Sand. An unusually emotional nature being thus the general characteristic of musical composers, we have in it just the agency required for the development of recitative ...
— Essays on Education and Kindred Subjects - Everyman's Library • Herbert Spencer
... it but to draw down the blinds and shut out this angry gloom in the glow of the lamps within. And, with a half hour of such glow to cozen them, the two women were soon merry again over their reminiscences, Mrs. Pollard at her embroidery, Mrs. Reeves at the piano, strumming something from Chopin in the intervals ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... gently, and his sorrows and his temptations faded from him. He glided into Bach, and then into Chopin and Mendelssohn, and at last drifted into dreamy improvisation, his fingers moving almost of themselves, his eyes, half closed, seeing only ...
— Merely Mary Ann • Israel Zangwill
... nearly always unwittingly so! The other evening I was at Dargenty's, the musician. There were but a few guests, and he was asked to play. Hardly had he begun one off those pretty mazurkas with a Polish rhythm, which make him the successor of Chopin, when his wife began to talk, quite low at first, then a little louder. By degrees the fire of conversation spread. At the end of a minute I was the only listener. Then he shut the piano, and said to me with ...
— Artists' Wives • Alphonse Daudet
... note, of course, but I knew what it meant. I see now well enough that my fingers were rather stiffer than I realized, and that my 'Twinkling Sprays' and 'Fluttering Zephyrs' were not quite up to date. They wanted Grieg and Lassen and Chopin. 'Very well,' said I, 'just wait.' Now, I never knuckle under. I never give up. So I sent right out for a teacher. I practised scales an hour a day for weeks and months. Granger thought I was going crazy. ...
— With the Procession • Henry B. Fuller
... intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, and we may always have recourse to it, while the secrets of Beethoven, Mendelssohn, Chopin, Schumann lie hidden between leaves, in the keeping of crabbed little hieroglyphs, and a voice, an instrument, or perhaps an orchestra, is needed to reveal them. The picture, the statue, has no secrets but open secrets. ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... consequent irritation that followed came upon the kindly German, and, after his wont, he was caught up and borne above the world. On one sublime theme after another he executed variations, putting into them sometimes Chopin's sorrow, Chopin's Raphael-like perfection; sometimes the stormy Dante's grandeur of Liszt—the two musicians who most nearly approach Paganini's temperament. When execution reaches this supreme degree, the ...
— Cousin Pons • Honore de Balzac
... defence of those who cannot understand or win emotions from such things as classical music or the "advanced" drama. Pray, in pity's name, what is to be said against the commonplace man who hears an accomplished musician play Beethoven, Bach, or Chopin in his—the commonplace one's—drawing-room, and who says in agony, "Very fine! Very deep! Very profound—profound indeed, sir! Full of breadth and symmetry and that sort of thing! Now do you think we might vary that noble masterpiece with a waltz?" Can we blame the poor fellow? Wagner ...
— Side Lights • James Runciman
... as at a fair, he assembled the mangled masterpieces of Bach, Gluck, Beethoven, Weber, Schubert, Schumann, Chopin, and to a gullible public sold the songs of these music-lords—songs that should swim on high like great swan-clouds cleaving skies blue and inaccessible. And his music was operatic, after all, grand opera saccharine with commonplace melodies ...
— Visionaries • James Huneker
... wind wandering, forever grieves Low overhead, Above grey mosses whispering of leaves Fallen and dead. And through the lonely night sweeps their refrain Like Chopin's prelude, sobbing ...
— Flint and Feather • E. Pauline Johnson
... come to a timely end, if that which is without tempo may be said to have any relation with time, and the trio of Chopin's "Funeral March" was already in uneven progress. The legless man sat on the bare pavement, his back against the handsome area railing of No. 1 Fifth Avenue, and steadily revolved the mechanism of the organ with his hairy, ...
— The Penalty • Gouverneur Morris
... occasions the attendance was extremely fashionable, the Duke and his court usually being present. It was not until this time, however, that Chase felt that he could sit through a concert without being bored to extinction. He loved music, but not the kind that the royal orchestra rendered; Wagner, Chopin, Mozart were all the same to him—he hated them fervently and he was not yet given to stratagems and spoils. He sat at a table with the French attache just below the box occupied by the Princess and her party. In spite of the fact that he was a gentleman, born ...
— The Man From Brodney's • George Barr McCutcheon
... the man were vain—he had elements in his character that made him akin to Keats, Shelley, Burns, Byron, Chopin and Stephen Crane. With these his name will in brotherhood be forever linked. He was one made to suffer, sin and die—a few short summers, and autumn came with yellow leaves and he was gone. And the principal legacy he left us is the thought of wonder as to what ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... served in the drawing-room, Hood, again dominating the company (much to Deering's disgust), suggested music. Pierrette contributed a flashing, golden Chopin waltz and Pantaloon Schubert's "Serenade," which he played atrociously, whereupon Hood announced that he would sing a Scotch ballad, which he proceeded to do surprisingly well. The evening could not last forever, and Deering chafed at his inability ...
— The Madness of May • Meredith Nicholson
... Bungalow, and it was now a Queen Anne Chateau dripping with Dew-dads of Scroll Work and congested with Black Walnut. The Goddess took her Mocha in the Feathers, and a Music Teacher came twice each week to bridge the awful chasm between Dorothy and Chopin. Dinner had been moved up to Milking Time. Sweetbreads and Artichokes came into the Lives of the ...
— Ade's Fables • George Ade
... Chopin's Marche Funebre affects me very disagreeably. The music is, to me, absolutely repugnant. The beautiful melody in the second movement is, however, to me exceedingly agreeable and affords me intense pleasure and gratification. The lower animals ...
— The Dawn of Reason - or, Mental Traits in the Lower Animals • James Weir
... have probably had occasion to observe the susceptibility of dogs to music. It may here suffice to give one personal observation. A dog (of mixed breed, partly collie), very well known to me, on hearing a nocturne of Chopin, whined and howled, especially at the more pathetic passages, once or twice catching and drawing out the actual note played; he panted, walked about anxiously, and now and then placed his head on the player's lap. ...
— Studies in the Psychology of Sex, Volume 4 (of 6) • Havelock Ellis
... place. On the last morning, master and pupil spoke but little. Ivan sat drearily strumming out one of the nocturnes of that young countryman of Ludmillo's, lately dead but already hailed immortal by a select few, Monsieur Chopin; and the heart-break in its strange harmonies seemed to express all that neither of them dared attempt to say. Fortunately, the strain did not last long. It was barely ten o'clock when Casimir, having imprinted a ...
— The Genius • Margaret Horton Potter
... literary woman who says she can never talk business except in a linen collar! Mark Twain, in his last days, insisted that he wrote more easily in his night-shirt. Richard Wagner deliberately put on certain rich materials in colours and hung his room with them when composing the music of The Ring. Chopin says in a letter to a friend: "After working at the piano all day, I find that nothing rests me so much as to get into the evening dress which I wear on formal occasions." In monarchies based on militarism, royal princes, as soon as they can walk, are put into military uniforms. It cultivates ...
— Woman as Decoration • Emily Burbank
... begun to play, an invisible figure came and stood by and listened; a frail man, dressed in the fashion of 1840; the shade of none other than Frederic Chopin. Behind whom, a moment later, came a woman of somewhat masculine aspect and dominant demeanour, mounting guard over him, and, as it were, ready to catch him if he fell. He bowed his head lower and lower, he looked up with an ecstasy more and more intense, according to the ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... at the piano and began mechanically to play scales, but the somnolent monotony of the tones only added to her nervousness. Later she played some of Chopin's Nocturnes, lingered over those mysterious tones that seemed like strains from another world, full of tears, pain, cries of anguish, and bleak despair; the radiance of cold moonlight nights, moans like the whisper of departing souls, the laughter of parting, ...
— The Comedienne • Wladyslaw Reymont
... is it not "sham antique"? It does not remind one of the really classic. Moreover, the naked foot should be of antique beauty, which in most of these cases it is not. Advertisements tell us that these dance are interpretations of classic music—Chopin, Weber, Brahms, etc.; they are not really interpretations, but distractions! We can hardly imagine that these composers intended their work for actual dancing. One can listen and be entranced; one sees the dancer's "interpretations" ...
— The Dance (by An Antiquary) - Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. • Anonymous
... is laid on listening; if you see a picture you reproduce it, if the music makes you think of trees or wind, thunder or goblins, you become what you think of. It is astonishing to see how little children learn in this way to care for music by Schumann, Mendelssohn, Grieg, Dvorak, Brahms, Chopin, and Beethoven. The music is of course selected with skill, and care is taken that the "expression" shall not make the children foolishly self-conscious. Emphasis is always placed on listening, and the children's appreciation is apparent. Such ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... wreath suspended on a corner of the frame. The photograph represented a young man with a poetic necktie and untrammelled hair, leaning negligently against a Gothic chair-back, a roll of music in his hand; and beneath was scrawled a bar of Chopin, with the words: " ...
— Tales Of Men And Ghosts • Edith Wharton
... to clear up my head while I'm working. He is—how one would always like to work. Sometimes Chopin and those others, but ...
— Tono Bungay • H. G. Wells
... opera. You are a genuine music lover, genuinely musical, but you can't play. You long to reproduce and express at home the music you have heard elsewhere. If only, after hearing Paderewski play your favorite Chopin nocturne, which, as with so many other music lovers, is the exquisite one in G major, Opus 37, No. 2, you could go to your own pianoforte and play it! You think it is one of the most beautiful compositions in the ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb
... the piano cannot have been more than ten feet from the reader's chair; and the strain of reading aloud for an hour against a powerful rendering of the most vigorous compositions of Liszt, Wagner, Beethoven, Brahms and Chopin was a most trying ordeal for voice, brain and nerves. Mr. Pulitzer could apparently enjoy the music and the reading at the same time. Often, when something was played of which he knew the air, he would follow the notes by means of a sort ...
— An Adventure With A Genius • Alleyne Ireland
... that local records had to show up to that time, the profits amounting to $16,000, Mme. Sembrich sang an aria; then came upon the stage and played a violin obbligato to Mme. Nilsson's performance of the familiar Bach-Gounod "Ave Maria"; again she appeared and this time played a Chopin Mazourka on the pianoforte. In every instance she was the complete artist, and the public, who had been charmed by her witcheries as Mozart's Zerlina and melted by the pathos of her singing in the last act of "La Traviata," were at a loss to say if she ...
— Chapters of Opera • Henry Edward Krehbiel
... from Alexandria were making the Natchez pilgrimage and came unwarned upon "Goat Castle." Lovely strains of music could be heard, coming from an old piano, sometimes improvised, sometimes a bit of Bach, Mozart, Chopin, played with much feeling. As the strangers approached the house they were shocked at the dilapidation—sash missing in the windows, doors off hinges, boards decayed and missing from the house and porch. Embarrassed, they hesitated to enter when to the door came a man, the musician. ...
— Seaport in Virginia - George Washington's Alexandria • Gay Montague Moore
... corner. The company had strayed in, one by one, to the large salon with the great piano, where a young Russian musician, a pupil of Chopin, sat down to play, with no conventional essay of preliminary chords, an expected morsel. The strains of it wailed in just then, through the heavy, screening curtains; a mad valse of his own, that no human feet could dance to, a pitiful, passionate thing that thrilled the nerves painfully, ringing ...
— The Poems And Prose Of Ernest Dowson • Ernest Dowson et al
... looking very much better than you did a month after your illness, Mrs. Fullerton," said Joseph Fleming, who was to take a hand, while Hadria played Grieg or Chopin, or Scottish melodies to please the old people. The whist-players ...
— The Daughters of Danaus • Mona Caird
... hear the piano. Then, after a while I heard it again, played in quite an unusual manner. The player had got beyond "Irish Eyes" and the rest of those tunes. He was playing, with the tenderest feeling, one of Chopin's Nocturnes. He asked me afterwards if I could by any means borrow for him a volume of Beethoven, one which contained the "Waldstein" if possible. He confessed that he could not play the "Waldstein" without the score. He was an elderly man, elderly compared to most of those round him. He was ...
— A Padre in France • George A. Birmingham
... lives for himself: a general, like Caesar, he was to conquer the world and die murdered in a great marble hall; a wandering minstrel, he would go through all countries singing and have intricate endless adventures; a great musician, he would sit at the piano playing, like Chopin in the engraving, while beautiful women wept and men with long, curly hair hid their faces in their hands. It was only slavery that he had not foreseen. His race had dominated for too many centuries for that. And yet the world was made of ...
— Three Soldiers • John Dos Passos
... Huferschingen; but it had been made the headquarters of the keepers, and just outside this room there were a number of pegs for them to sling their guns and bags on when they came in of an evening to have a pipe and a chopin of white wine. Ziska's uncle and aunt were both large, stout, and somnolent people, very good-natured and kind, but a trifle dull. Ziska really had the management of the place, and she was not slow to lend a hand if the servants were remiss in waiting on us. But ...
— Stories By English Authors: Germany • Various
... leave Paris.... Of course I was playing Chopin bits, with an ache in my heart to match, that I couldn't bear and was enjoying to the utmost. What do girls play now? Then all of us had attacks of Chopin. Madame used to laugh and say, 'I hear the harbour bar still ...
— O Henry Memorial Award Prize Stories of 1919 • Various
... soulful friends-refined Maiden Ladies with ideals and long noses, who live at Hampstead or Putney, and play Chopin with passion. On sad autumn afternoons I would go and have tea with them, and talk of the spiritual meaning of Beethoven's late Sonatas; or discuss in the twilight the pathos of life and ...
— More Trivia • Logan Pearsall Smith
... Authors, musicians, newspaper men, actors, and artists are the inhabitants of these mansions. A child could control them. They assault and batter nothing but pianos; they steal nothing but ideas; they murder nobody except Chopin and Beethoven. Not through these shall an ambitious young ...
— The Man with Two Left Feet - and Other Stories • P. G. Wodehouse
... Rossini's Il Barbiere (introducing therein the air with variations by Proch) in Italian; and in the course of the same scene sing, in German, "Ich liebe dich," by Grieg, and play the Andante and Rondo Russe, for violin, by de Beriot, and a valse by Chopin on ...
— Style in Singing • W. E. Haslam
... the little piece delightfully, and has promised me to let it exercise its charms upon you. I shall, therefore, ere long send you a copy of the new version of the "Berceuse" addressed "to the Princess Marcelline Czartoryska, Klostergasse 4." [A pupil of Chopin's] Wend yourway thither—and, in case you do not find the Princess at home, leave the manuscript with your card. I have already told her of your contemplated visit, and have spoken of you as my heart's kinsman and friend. You will find the Princess Cz. possessed of a rare and ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... piano sonata is to me anathema as a rule, there are none of MacDowell's works that I like better than his writings in this form. They are to me far the best since Beethoven, not excepting even Chopin's (pace his greatest prophet, Huneker). They seem to me to be of such stuff as Beethoven would have woven had he known in fact the modern ...
— Contemporary American Composers • Rupert Hughes
... and somewhat relieved. "Haven't we? And what a friendship it has been! A triangular affair, like a loving cup—you and I and some one of the great masters of melody. Shall it be Chopin to-night, or shall we begin with something lighter and finish with the Twelfth Nocturne, ...
— An American Suffragette • Isaac N. Stevens
... quiet evenings were spent by the mother in reading and writing, while the daughter gave herself up to the indulgence of her one great passion, music. Scales and exercises, Schubert and Chopin, and invariably at the end—before retiring for the night—Beethoven, the Master, the ...
— The Petticoat Commando - Boer Women in Secret Service • Johanna Brandt
... with music, Beautiful music; Somehow they'd rather be kissed To the strains of Chopin or Liszt. A melody mellow played on a cello Helps Mister Cupid along— So say it with ...
— The Plastic Age • Percy Marks
... minutes, Ethel," said Larry. "Won't you give us a little Chopin, a nocturne or two, ...
— The Major • Ralph Connor
... it was a little harsh and was likened to the taste of a bitter orange. But it was just the voice for a tragedy or an epic, for it was superhuman rather than human. Light things like Spanish songs and Chopin mazurkas, which she used to transpose so that she could sing them, were completely transformed by that voice and became the playthings of an Amazon or of a giantess. She lent an incomparable grandeur to tragic parts and to the ...
— Musical Memories • Camille Saint-Saens
... speeches had so charmed and captivated the lady on his right, would, when once in this room, sit astride some chair, a pipe in one hand, a mug of beer in the other. Here he would discuss with Simmons or Jack or Oliver his preference of Chopin over Beethoven, or the difference between Parepa-Rosa and Jenny Lind, or any topic which had risen out of the common talk, and all too with a grotesqueness of speech and manner that would have frozen his hostess of the dinner-table ...
— The Fortunes of Oliver Horn • F. Hopkinson Smith
... the little nest that sheltered his pal wife and the kiddies. Here he could be truly himself, a man's man, loving the simple things of life. Here, in his library, surrounded by his books, or in the music room playing over some little Chopin prelude, or on the lawn romping with the giant police dog, he could forget the public that would not let him rest. Nor had he been spoiled in the least, said the interviewer, by the adulation poured out upon him by admiring women and girls in ...
— Merton of the Movies • Harry Leon Wilson
... you are all for Beethoven," the professor is saying. "Young people find such melody in 'Songs without Words.' But I want you to listen to this nocturne of Chopin's, though it is ...
— Floyd Grandon's Honor • Amanda Minnie Douglas
... appeared in his twelfth year, and soon his songs and two and four hand piano-pieces began to attract the attention of musicians. In 1840 Villoing took him to Paris and placed him in the Conservatory, where he attracted the attention of Liszt, Chopin, and Thalberg. He remained in that city eighteen months, devoting himself to unremitting study, and then made some professional tours, in which he met with extraordinary success, particularly in England. From ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... his cause by eloquent writing as well as by obtaining him a hearing in Paris. Liszt was another enthusiastic "Glinkite," and Schumann, unfailingly keen to notice new talent pursuing a new path, speedily drew attention to a Russian who was doing for the music of his country what Chopin and Moniusco had done for Poland. Rubinstein, who was still a boy when Glinka's sun was near setting, grew up with a warm admiration for the founder of his native school, and in 1855 he spent some of ...
— Russia - As Seen and Described by Famous Writers • Various
... circles of two worlds, took his place on the little country platform and played for them on his 'cello. The Judge and Mrs. Ellis enjoyed it just as the Robbinses did. It was a novel treat to hear the strains of Lizst and Chopin sounding in the purple silences of those old country hills, but when he had finished, Cynthy leaned over to Kit, who sat next to her and who was in ...
— Kit of Greenacre Farm • Izola Forrester
... letting of the house, before the local seat of Themis. The case was heard, and the judge at Tours broke the lease, the hauntings being insupportable nuisances. But this he did without letters royal. The lessors then appealed, and the case came before the Cour de Parlement in Paris. Maitre Chopin was for the lessors, Nau appeared for the tenant. Chopin first took the formal point, the Tours judge was formally wrong in breaking a covenant without letters royal, a thing particularly bad in the case ...
— Cock Lane and Common-Sense • Andrew Lang
... had he been. It was that Phillida, with the large dark eyes, and she was playing something that Lettice sometimes played, and very nearly, though naturally not quite, as well. Pocket would have said that it was Mendelssohn, or Chopin, "or something," for his love of music was greater than his knowledge. But it was not exactly the music that detained him; he was thinking more of the musician, who had shown him kindness, after ...
— The Camera Fiend • E.W. Hornung
... Fiorelli, Settignano, near Florence, and he will serve you for my sake as he would for your own if he knew you. I think I have played better since I have known you, my rose. One must suffer much before one can express the divine sorrow of Chopin. I said I would not write, but some promises are made to be ...
— Olive in Italy • Moray Dalton
... cab within a hundred yards of home, and had read the stinging paragraph beneath a lamp-post almost at his own doorstep. He entered the house noiselessly, and from Madge's music-room there floated down to him the sound of Chopin's great Funeral March. She played this and some other favourites of her own as few musicians play them, for music had been the one delight of her life, and but for the fleeting theatrical ambition, and for Paul, she might have become famous as an executant He stood in the hall to ...
— Despair's Last Journey • David Christie Murray
... unsuccessful efforts of a literary nature, she wrote Indiana, which immediately made her success. Her articles were sought by the journals, and from about 1830 her life was that of the average artist and writer of the time. Her relations with Chopin and Alfred de Musset are too well known to require repetition. After 1850 she retired to her home, the Chateau de Nohant, where she enjoyed the companionship of her son, her daughter-in-law, and her grandchildren; she died there ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... people. Oh! I can do it very well. Won't you come and hear me play the castanets, if Monsieur Enguerrand can spare you? There is a young Polish pianist who is to play our accompaniment. Ah, there is nothing like a Polish pianist to play Chopin! He is charming, poor young man! an exile, and in poverty; but he is cared for by those ladies, who take him everywhere. That is the sort of life I should like—the life of Madame Strahlberg—to be a young widow, free to ...
— Jacqueline, v2 • Th. Bentzon (Mme. Blanc)
... so long and so faithfully served the expressional needs of the modern composer, tend now to give issue to musical forms that are beginning to seem clichee: forms too rigidly patterned, too redolent of outworn formulas—in short, too completely crystallized. Chopin, Liszt, Wagner, and after them the modern Germans and their followers, found in a scale of semitones a limited avenue of escape from the confinement of the modern diatonic modes, and bequeathed to contemporary music an inheritance of ...
— Debussy's Pelleas et Melisande - A Guide to the Opera with Musical Examples from the Score • Lawrence Gilman
... upon velvet, does not know a word of that accursed French language, breaks down in the "forward and back" of a cotillon, and cannot with spider fingers spin upon the piano the swiftest Tarantelle of Chopin.— 2558 Metronome? We will find something better and braver than all that, my little Alice! Confound your Italianos!—the birds shall be the music-masters of my tiny dame. Moonrise, and sunset, and the ...
— Atlantic Monthly, Vol. II., November, 1858., No. XIII. • Various
... about music. And long before we reached the hotel she who had played—I cannot say for certain what she played that day in the Luxembourg Gardens; my love of music was not then fully awakened; could it have been?—the names of Bach and Chopin come up in my mind—"I can't speak about music," she said, as we turned into the Rue du Bac, and she ran up the stairs of the hotel possessed completely by the other Mildred. She asked her mother to play ...
— Memoirs of My Dead Life • George Moore
... few, who hold communion in the love of classical quartet and trio music by the great masters,—in the piano poems of Chopin, Mendelssohn, and Beethoven, there will be abundant opportunities. The Mendelssohn Quintette Club, the German Trio, Mr. Satter, the pianist, and would we might add Otto Dresel, will give series of concerts in the pleasant Chickering Saloon, that ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... the piece that you played Is naught but a copy of Chopin or Spohr; That the ballad you sing is but merely "conveyed" From the stock of the Ames and the Purcells of yore; That there's nothing, in short, in the words or the score, That is not as out-worn as the "Wandering Jew"; Make answer—Beethoven ...
— The Home Book of Verse, Vol. 4 (of 4) • Various
... thinking, sends to mine.... But I cannot. I can only wave a hand back to the child, and be thankful and full-hearted. Often enough I wish I could have a piano and find out whether my fingers will still play Chopin, Beethoven, and Bach; often I hanker after a sight of a certain picture or a certain statue in the Louvre or Luxembourg, for a concert, a theatre, a right-down good argument on some intellectual point, or for the books I want ...
— A Poor Man's House • Stephen Sydney Reynolds
... his knife from the door. Hearing the clatter of a horse at the porch, he stopped as he was descending the stairs. A German voice said, 'Sure enough, my jolly landlord, she's there, in Worms—your Bormio. Found her at the big hotel: spoke not a syllable; stole away, stole away. One chopin of wine! I'm off on four legs to the captain. Those lads who are after her by Roveredo and Trent have bad noses. "Poor nose—empty belly." Says the captain, "I stick at the point of the cross-roads." Says I, "Herr Captain, I'm back to you first of the lot." My business ...
— The Shaving of Shagpat • George Meredith
... the gift of singing speech, but his poetry lacks intellectual content. In the volume Nocturne of Remembered Spring (1917), there is a dreamy charm, like the hesitating notes of Chopin. ...
— The Advance of English Poetry in the Twentieth Century • William Lyon Phelps
... to his father. [We have here a suggestion of the tempo rubato as played by Chopin according to the testimony of Mikuli, who said that no matter how free Chopin was either in melody or arabesque with his right hand, the left always adhered strictly to the time. Mozart learned the principle from his father who in his method for the violin ...
— Mozart: The Man and the Artist, as Revealed in his own Words • Friedrich Kerst and Henry Edward Krehbiel
... sort of temperament in her work, but there is no sentiment, no fire. When she plays Chopin, she interprets his sureness and neatness. She is the master of Chopin's technique, but she never walks where Chopin walks on the heights. Somehow, she stops short of ...
— The Mutiny of the Elsinore • Jack London
... of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed advantageously, powerfully stimulated all composers later than himself, nevertheless ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... phase that should be produced by the prosecution, not by the eloquent advocate for the defence. Moreover, I do not believe Mr. Arthur Symons admires them any more than I do; he never mentions them in his text. 'Le Debris d'un Poete,' the 'Coiffing,' 'Chopin's Third Ballad,' and those for Salome would have sufficed. With these omissions the monograph might have been smaller; but it would have been more truly representative of Beardsley's genius ...
— Masques & Phases • Robert Ross
... they are bright, piquant, genial, affectionate; nor is it enough to speak of their artistic worth, the subtile appreciation of painting in the first series, and of music in the second; it is not enough to refer to the glimpses which they give of eminent artists,—Chopin, Rossini, Donizetti, Hiller, and Moscheles,—nor the side-glances at Thorwaldsen, Bunsen, the late scholarly and art-loving King of Prussia, Schadow, Overbeck, Cornelius, and the Duesseldorf painters; nor is ...
— The Atlantic Monthly, Volume 15, No. 87, January, 1865 • Various
... commoner than physical courage, the whole catalogue seemed ridiculous and tawdry until the being came to the two words, "Victoria Cross". The being, having lived his glorious moments, withdrew. The Funeral March of Chopin tramped with its excruciating dragging tread across the ruins of the soul. And finally the cathedral was startled by the sudden trumpets of the Last Post, ...
— The Pretty Lady • Arnold E. Bennett
... Chopin, born a Pole, and for a large part of his life a resident of France, among the German composers, may require an explanatory word. Chopin's whole early training was in the German school, and he may be looked on as one of the founders of the latest school of pianoforte composition, whose highest ...
— The Great German Composers • George T. Ferris
... younger hysterical Niobe. There were perfume-bottles enough to start a coiffeur in business, and woolly lambs enough for a dozen pastoral poems or as many bucolic butchers. But the piano was piled high with Beethoven's sonatas and Chopin's delicious dream-music, while a deluge of French novels had evidently surged over that ...
— Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880. • Various
... behind. But for this melancholy monument the stage was now empty. Thick clouds of black smoke arose from braziers on either side and obscured the steps and the platform. Through the smoke came the distant sound of Chopin's Marche Funebre, and as the air became clearer white figures could be dimly seen moving around the black pall in a solemn dance of mourning. Behind them the columns shone ghostly and unreal against the glimmering mauve rays of an uncertain ...
— The Practice and Theory of Bolshevism • Bertrand Russell
... voice and piano. I make it a point to know the accompaniments, for in case I am ever left without an accompanist, I can play for myself, and it has a great effect on audiences. They may not know or care whether you can play Beethoven or Chopin, but the fact that you can play while you ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower
... was rewarded. He had carelessly taken up a paper-bound volume of Chopin, and was on the point of commenting upon it, for he had lately begun to understand the difference between a Litolff and a Mikuli. But it slipped from his hand, and he was obliged to crawl under the piano to pick it up; on a corner of the cover, in a big, black, ...
— Maurice Guest • Henry Handel Richardson
... withdrew her eyes at last, letting her gaze wander vaguely over the music-room, about which the other guests were seated. They were lined on gilded settees against the white French-paneled walls, while a young man played Chopin's Ballade in A flat on a grand piano in the far corner. Not being in the music-room itself, but in the large, square hall outside, the two young people could talk in low tones without disturbing the company. If ...
— The Side Of The Angels - A Novel • Basil King
... bred in the bone-'" said Jock. "What's that? Chopin? Sydney, will you condescend to ...
— Magnum Bonum • Charlotte M. Yonge
... is in store for the artistic world, and we shall see babies executing replicas of the old masters, and the Infant Slapdash painter painting the portraits of Society beauties. As a welcome relief to Chopin's Nocturne in D flat, played by Baby Hegner at St. James's Hall, we shall step across to Bond Street and behold "Le Petit Americain" dashing off his "Nocturne" on canvas. I sometimes wonder if I might have been made such an infant ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... silence until the room was quite dark, lit only by the vague lamplight which shone in through the fine lace curtains from the street. Then Mary rose and played a little, very softly, in the darkness, morsels of Chopin, until the footman came in with a bright lamp, announcing that dinner was on the table. And Charles Sylvester ...
— A Comedy of Masks - A Novel • Ernest Dowson and Arthur Moore
... again, and her smile in the moonlight reminded him of a rippling passage of Chopin. Prosaic enough, however, was what she went on to tell him of her struggle for life by day and for learning by night. 'Of course, I could only attend the night medical school. I lived by lining cloaks with fur; my bed was the corner of a room inhabited by a whole family. A would-be graduate ...
— Ghetto Comedies • Israel Zangwill
... Pierrot and Pierrette at His Majesty's Theatre he interrupted the orchestra in order to request some members of the audience to stop talking. These speakers were people in the stalls, and the composer-conductor could hear that their conversation was about shopping—not Chopin, which, alas! is sometimes pronounced as if ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... While Chopin probably did not time his "Minute Waltz" to exactly sixty seconds, some auditors insist that it lives up to its name. Mme. Theodora Surkow-Ryder on one of her tours played the "Minute Waltz" as an encore, first telling her audience what it was. Thereupon ...
— More Toasts • Marion Dix Mosher
... books in the room, hardly any pictures, a statuette perhaps. The owner evidently sets beauty of form before beauty of colour. It is a woman's room and it has a certain delicate austerity. By the time you have observed everything MRS. FARRANT has played Chopin's prelude opus 28, number 20 ...
— Waste - A Tragedy, In Four Acts • Granville Barker
... my fingers were stiff and my touch was wooden—so it was small wonder my poor lord and master tried to bury himself in his four-day-old newspaper. Then I tried Schubert's Rosamonde, though that wasn't much of a success. So I wandered on through Liszt to Chopin. And even Chopin struck me as too soft and sugary and far-away for a homesteader's ...
— The Prairie Mother • Arthur Stringer
... him towards the fence. Then, losing his breath, Derevenko said, "Leave the boy alone, you scoundrel! You,—you call yourself a Russian sailor? You? Have this...." and the slap on Pashinsky's face sounded to me like Chopin's First Nocturne. What ...
— Rescuing the Czar - Two authentic Diaries arranged and translated • James P. Smythe
... more ambitious spirits spin The web of life for weal or woe, Whilst I above my violin Shall sit and watch the vale below All crimson in the afterglow; And when the patient stars grow bright I'll draw across the strings my bow Till Chopin ushers ...
— Punch, 1917.07.04, Vol. 153, Issue No. 1 • Various
... faire reculer les divines étoiles." I know not what instrument to compare with his verse. I suppose I should say a flute; but it seems to me more like a marvellously toned piano. His hands pass over the keys and he produces Chopin-like fluidities. ...
— Confessions of a Young Man • George Moore
... in long lances through crimson and blue windows. Then the functionaries began to form an aisle among the spectators, and emotion grew tenser. The organ was silent for a moment, and when it recommenced its song the song was the supreme expression of human grief, the dirge of Chopin, wrapping the whole cathedral in heavy folds of sorrow. And as that appeal expired in the pulsating air, the fresh voices of little boys, sweeter even than grief, rose in ...
— Buried Alive: A Tale of These Days • Arnold Bennett
... which had something of hesitation in it, and which reduced all music to a succession of soft chords, The Maid of Dundee and Annie Laurie, The Banks of Banna and The Last Rose of Summer, then one of the simpler nocturnes of Chopin, and, following these, a quaint, slow melody which was like all of the ...
— The Early Bird - A Business Man's Love Story • George Randolph Chester
... her hands on the keys. She was a good musician and had the well-taught executant's certainty and grace of movement. It may be the fancy of an outer Philistine, but I love to forget the existence of the instrument and to feel the music coming from the human finger-tips. She found a volume of Chopin's Nocturnes on the rest. In fact she had left it there a fortnight before, the last time she had played for me. I am very fond of Chopin. I am an uneducated fellow and the lyrical mostly appeals to me both in poetry and in music. Besides, ...
— The Red Planet • William J. Locke
... disappointing! Would you believe it, I am always so unfortunate! May I most respectfully ask you to present my compliments to Alexandra Michailovna, and remind her... tell her, that with my whole heart I wish for her what she wished for herself on Thursday evening, while she was listening to Chopin's Ballade. She will remember. I wish it with all sincerity. General Ivolgin ...
— The Idiot • (AKA Feodor Dostoevsky) Fyodor Dostoyevsky
... every sense was pleasantly attuned to the small, as well as great, harmonies of nature, paused for a moment to listen to the luscious piping of the feathered minstrel, that in its own wild woodland way had as excellent an idea of musical variation as any Mozart or Chopin. Leaning against one of the park benches, with his back turned to the main thoroughfare, he did not observe the approach of a man's tall, stately figure, that, with something of his own light, easy, swinging step, had followed him rapidly along for some little ...
— Ardath - The Story of a Dead Self • Marie Corelli
... produced on February 20, at the Paris Opera House. The success of this masterpiece so disheartened Rossini that he resolved to write no more operas, and withdrew to Bologna. Charles Francois Gounod, on the other hand, now began his musical career by entering the Paris Conservatory. Frederick Chopin, the Polish composer, at this time was at the height of his vogue as the most recherche pianist of Paris. He was the favorite of a circle of friends consisting of Meyerbeer, Bellini, Berlioz, Liszt, Balzac, and Heine. It was during this year that Liszt ...
— A History of the Nineteenth Century, Year by Year - Volume Two (of Three) • Edwin Emerson
... A group of Chopin Preludes and a Brahms Rhapsodie Hongroise brought the first half of the concert to a close, and Gregory watched with amusement, during the ensuing scene, the vagaries of the intoxicated crowd. People rose to their feet, ...
— Tante • Anne Douglas Sedgwick
... artist. As an interpreter of Chopin she had no rival among women, and only one man was her equal. She had fire, tenderness, passion, strength; she had beyond all these, soul, which is worth more in true expression than the most marvelous technique. She had chosen Chopin for his ...
— The Place of Honeymoons • Harold MacGrath
... to behave as mutes. But we won't talk about them. They are the mere body-snatchers of literature. The dust is given to one, and the ashes to another, and the soul is out of their reach. And now, let me play Chopin to you, or Dvorak? Shall I play you a fantasy by Dvorak? He ...
— Intentions • Oscar Wilde
... ought you to treat her? Unless you are an ingrate infinite you will treat her well. You will treat her better than any one in the universe except your God. Her name will have in it more music than in all that Chopin, or Bach, or Rheinberger composed. Her eyes, swollen with three weeks of night watching over a child with scarlet fever, will be to you beautiful as a May morning. After the last rose petal has dropped out of her cheek, after the last feather of the raven's ...
— The Wedding Ring - A Series of Discourses for Husbands and Wives and Those - Contemplating Matrimony • T. De Witt Talmage
... arcades, flushed with pomegranate, glowing with orange, silvered with lemon blossoms, came the tinkling music of contadini bells, the bleating of kids, the twittering of happy birds, the distant chime of an Angelus; all the subtle harmony, the fragmentary melody that flickers through an Impromptu of Chopin or Schubert. She saw the simulacrum of her former self, the proud, happy Beryl of old, singing from the score of the "Messiah", in the organ loft of a marble church; she heard the rich tenor voice of ...
— At the Mercy of Tiberius • August Evans Wilson
... went into the living-room where our new piano is, and he played for us—Hungarian things, I think. Then he drifted into Chopin, and Alicia stood by and turned his music ...
— A Woman Named Smith • Marie Conway Oemler
... assassin, George Sand. The man was a Polish musician, of delicate constitution, who seemed to leave a portion of his existence in each one of his works, and who felt himself dying at twenty-nine years of age. He was called Frederic Francois Chopin. The children belonged to the novelist, who was ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez
... much, not only for her children but for the peasants—for the poor and oppressed. Yes, and for the poets, the painters—the singers and the musicians, with their temperaments of genius, their loves, jealousies, and their shattered nerves. For upwards of six years she treated Chopin with a mother's care; she had the passion of maternity in her towards them all, with whatever feelings it may have been complicated in her life of manifold experiences and with her artist temperament. She may have leant heavily on it at times, it may have served as a weapon of defence ...
— Cobwebs of Thought • Arachne
... watch, the three others rolling up in their blankets among the luggage. It occurred to me for the first time that we had a phonograph under the cargo. I went down after it. At random I chose a record and set the machine going. It was a Chopin Nocturne played on a 'cello—a vocal yearning, a wailing of frustrate aspirations, a brushing of sick wings across the gates of heavens never to be entered; and then the finale—an insistent, feverish repetition of the human ache, ceasing as ...
— The River and I • John G. Neihardt
... Autumn Leaves, where her bloom is blown away by the fierce ardour of the Wind, and she is left to die forsaken, she recalled a little the moving sadness of her Dying Swan. It was a "choreographic poem" of her own making—to music of CHOPIN—and I think I have never seen anything more fascinating than the colour and movement of the Autumn Leaves and the "splendour and speed" of the Autumn Wind. This was danced by Mr. STOWITTS, and it couldn't have been in better hands or feet. M. VOLININE ...
— Punch, or the London Charivari, Vol. 158, May 12, 1920 • Various
... to the composer I must here quote a criticism which since I wrote the above appeared in the Athenaum (January 21, 1888):—"The last-named work [the Allegro de Concert, Op. 46] is not often heard, and is generally regarded as one of Chopin's least interesting and least characteristic pieces. Let us hasten to say that these impressions are distinctly wrong; the executive difficulties of the work are extremely great, and a mere mastery of them is far from all that is needed. When M. de Pachmann commenced to play it was quickly evident ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... would have much rather waited on ourselves, and we wished Mrs. Martin had forgone the usual number of courses. When it was over we all went into the long drawing-room, and Jill played soft snatches of Chopin, while Sara and Colonel Ferguson whispered together on ...
— Uncle Max • Rosa Nouchette Carey
... painter; and all the musicians, famous or otherwise, that passed through Antwerp made his rooms a favorite resort and house of call. And Barty was introduced into a world as delightful to him as it was new—and to music that ravished his soul with a novel enchantment: Chopin, Liszt, Wagner, Schumann—and he found that Schubert had written a few other songs ...
— The Martian • George Du Maurier |
