"Fresco" Quotes from Famous Books
 ... opportunity had so far been afforded to the amateur of our own times of judging for himself the interior of a Roman dwelling in full working order, and with all its furniture, paintings, and utensils complete. Up to this, almost every object of value had been removed at once for safety, every fresco even of importance had been cut bodily out of its setting and placed in one of those immense halls on the ground floor of the Museum in Naples. How well do we remember those gaunt chilly chambers, filled from ...
— The Naples Riviera • Herbert M. Vaughan
... reign of Henry III. onwards till the Reformation, our churches were decorated with frescoes. This evidence is of two kinds; first, entries in royal and other accounts, directing payment for specified work; and secondly, the remains of fresco painting in our cathedrals and churches. The former is of little interest except to the antiquary. The latter has suffered so much from neglect or actual destruction as to be considered unworthy of the attention of either the artist in search of inspiration or the critic in pursuit of ...
— Six Centuries of Painting • Randall Davies
... first hall, designed for the lackeys and royal servants, we were all obliged to thrust our feet into cloth slippers to walk over the polished mosaic floor. The walls are of scagliola marble and the ceilings ornamented brilliantly in fresco. The second hall, also for servants, gives tokens of increasing splendors in the richer decorations of the walls and the more elaborate mosaic of the floor. We next entered the audience chamber, in which the court-marshal receives the guests. The ceiling is of arabesque sculpture ...
— Seeing Europe with Famous Authors, Volume V (of X) • Various
... last rays of the sun; and I still see your look of absolute unconcern. You wore a long blue apron that came all round you and a bodice of the same colour. In that blue faded by the sun, with your hair a pale cloud in the gold of the sunset, you looked like an archangel taken from some Italian fresco. ...
— The Choice of Life • Georgette Leblanc
... house, the rooms, are almost absolutely the same; there may be changes of detail, but they don't modify the general effect. There are the same precious pictures on the walls of the salon—the same great dusky fresco in the concave ceiling. The daughter is not rich, I suppose, any more than the mother. The furniture is worn and faded, and I was admitted by a solitary servant, who carried a twinkling taper before me up ...
— The Diary of a Man of Fifty • Henry James
... hands, and was sobbing as if her heart would break. It was a moment Drusus would not soon forget. The whole scene in the atrium was stamped upon his memory; the drops of the fountain seemed frozen in mid-air; the rioting satyr on the fresco appeared to be struggling against the limitations of paint and plaster to complete his bound; he saw Cornelia lift her head and begin to address him, but what she said was drowned by the buzzing and swirl which unsteadied ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis
... the other side is arranged for bedroom conveniences. Of this, Fig. 4 shows the front side;—covered first with strong canvas, stretched and nailed on. Over this is pasted panel-paper, and the upper part is made to resemble an ornamental cornice by fresco-paper. Pictures can be hung in the panels, or be pasted on and varnished with white varnish. To prevent the absorption of the varnish, a wash of gum isinglass (fish-glue) must ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... narrow chamber, were arranged the rich apparatus of worship and the golden or gilded images, adorned to-day with fresh flowers, among them that image of Fortune from the apartment of Antoninus Pius, and such of the emperor's own teachers as were gone to their rest. A dim fresco on the wall commemorated the ancient piety of Lucius Albinius, who in flight from Rome on the morrow of a great disaster, overtaking certain priests on foot with their sacred utensils, descended from the wagon in which he rode and yielded it to the ministers ...
— Marius the Epicurean, Volume One • Walter Horatio Pater
... of the church. To such a height did the excitement reach amongst the crowd privileged to witness it, that the friars judged it prudent to bring its performances to a close by removing it from the church, and shutting it up in a press in the convent. The second madonna is a fresco in the open piazza as one approaches the church and convent. It is a recent painting, of life-size, with eyes lowered on the spectators looking at it from below, in such a manner that the movements of the pupils ...
— The Mysteries of All Nations • James Grant
... of Santa Croce, containing an invaluable Cenacolo, if not by Giotto, at least one of the finest works of his school, is used as a carpet manufactory. In order to see the fresco, I had to get on the top of a loom. The cenacolo (of Raffaelle?) recently discovered, I saw when the refectory it adorns was used as a coach-house. The fresco, which gave Raffaelle the idea of the Christ of the Transfiguration, is in an old ...
— Modern Painters Volume II (of V) • John Ruskin
... "A fresco painting represents, in a hemicycle, the Empress in her bridal dress, offering to the Virgin a diamond necklace; young girls are kneeling around her in prayer; admiration and fervent faith ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various
... Franco pr. n. m. Franco. franja f. fringe, band, border. frentico, -a frenzied, mad, furious, frantic. frente f. brow, face, head, forehead, intellect; —— a opposite, in front of, before; a su —— straight ahead. fresco, -a fresh. frescura f. coolness, luxuriant verdure, freshness. fro, -a cold, indifferent, unsympathetic, unruffled; sangre fra sang-froid, coolness, calmness. fro m. cold. frvolo, -a frivolous. fruncir knit (the ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup
... young ladies" out into the woods, fern-hunting and flower-gathering, the vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco tea ready for ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... in this church, to see some painting which was being executed in fresco by a French artist and his pupil, I was led to observe more closely than I might otherwise have done, a great number of votive offerings with which the walls of the different chapels were profusely hung. I will not say decorated, for they were very roughly and comically ...
— Pictures from Italy • Charles Dickens
... group was gathered round A time-worn fresco, world-renowned, Whose central glory once had been The face of Christ, ...
— Reviews • Oscar Wilde
... is chiefly in the "Requiem" that Berlioz revealed himself in all the grandeur and might of his being. For in it all the aristocratic coolness and terseness of "La Damnation de Faust" and of "Harold en Italie," all the fresco-like calm of "Les Troyens a Carthage," find their freest, richest expression. "Were I to be threatened with the destruction of all that I have ever composed," wrote Berlioz on the eve of his death, "it would be for that work that I would beg life." And he was ...
— Musical Portraits - Interpretations of Twenty Modern Composers • Paul Rosenfeld
... Let it be said, however, that the general opportunities for acquiring correct and elevated taste are, on the whole, greater in Germany than in England; and that in many cities there is a profusion of exterior ornament, more especially in Munich, in the shape of the fresco paintings of the Palace Garden, on Isar Thor, and in the Basilica and churches generally, so that the eye is better educated in artistic combinations; and the same necessity does not exist for special art instruction with them as with us. Then, let ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... Fiesole, whence he removed to Florence, and finally to Rome, where he died; devoted his life to religious subjects, which he treated with great delicacy, beauty, and finish, and conceived in virgin purity and child-like simplicity of soul; his work in the form of fresco-painting is to be found all ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... once, were in themselves a series of delicate alterations of relative conduct spread over many months—many winter months of long evenings and bad weather, which bring out discords of character, as a dash of cold water brings out the fading colours of an old fresco. ...
— Wives and Daughters • Elizabeth Cleghorn Gaskell
... pavilions nearest to that of the sun were reserved for the Princes of the blood and the ministers; the rest were occupied by persons holding superior offices at Court, or invited to stay at Marly. Each pavilion was named after fresco paintings, which covered its walls, and which had been executed by the most celebrated artists of the age of Louis XIV. On a line with the upper pavilion there was on the left a chapel; on the right a pavilion called ...
— Memoirs Of The Court Of Marie Antoinette, Queen Of France, Complete • Madame Campan
... another look to the cup or the poster; and that Perugino or Wagner would have died of despair if his suggestion of the Madonna's sorrows or of Isolde's love-agonies had been so efficacious as to prevent anybody from looking twice at the fresco or listening to the end of the opera. This inversion of the question is worth inquiring into, because, like the analogous paradox about the pictorial "realisation" of cubic existence, it affords an illustration of some of the psychological intricacies ...
— The Beautiful - An Introduction to Psychological Aesthetics • Vernon Lee
... testaments are of no value or authority but by the death of the testators. If we are drowned, will it not be drowned too? Prithee, who will transmit it to the executors? Some kind wave will throw it ashore, like Ulysses, replied Panurge; and some king's daughter, going to fetch a walk in the fresco, on the evening will find it, and take care to have it proved and fulfilled; nay, and have some stately cenotaph erected to my memory, as Dido had to that of her goodman Sichaeus; Aeneas to Deiphobus, upon the Trojan shore, near Rhoete; Andromache to ...
— Gargantua and Pantagruel, Complete. • Francois Rabelais
... so rarified that the kettle refuses to boil properly. That is why we always have cold tea at literary gatherings. My dear fellow, it's a damned world. It talks all day and does nothing all night. The ragged Italian in front of the fresco in his village church or at the back of the gallery at the opera of his town knows more essentials of painting and music than any of us. It's a hollow sham of a world filled with empty words. ...
— Septimus • William J. Locke
... or so little tables covered by red cloths with a white design stood ranged at right angles to the deep brown wainscoting of the underground hall. Bronze chandeliers with many globes depended from the low, slightly vaulted ceiling, and the fresco paintings ran flat and dull all round the walls without windows, representing scenes of the chase and of outdoor revelry in mediaeval costumes. Varlets in green jerkins brandished hunting knives and raised on high tankards ...
— The Secret Agent - A Simple Tale • Joseph Conrad
... of a great hall with a vaulted roof, and over the altar is a large painting in fresco, the subject of which I did not trouble myself to make out. More appropriate adornments of the place, dedicated as well to martial reminiscences as religious worship, are the long ranges of dusty ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... of grand and imposing sublimity were prominent The day was among the peaks above them, while the shades of night still lay upon the valleys, forming a landscape like that exquisite and poetical picture of the lower world, which Guido has given in the celebrated al-fresco painting of Aurora. The ravines and glens were covered with snow, but the sides of the rugged rocks were bare in their eternal hue of ferruginous brown. The little knoll on which the Refuge stood was also nearly naked, the wind having driven the light particles of the snow into the ravine of ...
— The Headsman - The Abbaye des Vignerons • James Fenimore Cooper
... intrusted to two distinguished artists, Prof. Steinle, Director of Staedel's Institute in Frankfort a/M. and the historical painter Steinheil in Paris, a native Alsacian. The former is charged with the execution of the fresco-paintings in the chancel and lateral naves, whilst the latter undertook the reestablishment of the paintings that represent the Dooms-day on the upper wall of the chancel, in front of the great nave. Both works, begun in 1876, came in sight for the ...
— Historical Sketch of the Cathedral of Strasburg • Anonymous
... Newport, by a way filled with delight, one reaches Shorwell, a little village beautifully placed, and with a curious old church full of interest. Upon one of the walls is an old fresco illustrating the life and adventures of St. Christopher, and there is a quaint memorial brass erected by Barnabas Leigh in honor of his two deceased wives, and with a flattering allusion to wife No. 3, then living! One wife is followed by a troop of children—the other is forlornly ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 12, No. 32, November, 1873 • Various
... Hour before Aurora, In Guido's famous fresco which alone Is worth a tour to Rome, although no more a Remnant were there of the old world's sole throne. The 'tout ensemble' of his movements wore a Grace of the soft ideal, seldom shown, And ne'er to be described; ...
— Don Juan • Lord Byron
... Borromeo. It was over this gateway as well as over the gateway of Fenis (no. 53), that he told me there ought to be a fresco of Fortune with her Wheel (Memoir, ch. xx.) The Rocca Borromeo, Angera, and Arona are mentioned in Alps and Sanctuaries, ch. xxiv. (new edn., ch. xxiii.), and several times in the Memoir, e.g. ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... overhead with such superb loftiness. But in all the world there is no cathedral whose marble or onyx columns can vie with those straight, clean, brown tree-boles that teem with the sap and blood of life. There is no fresco that can rival the delicacy of lace-work they have festooned between you and the far skies. No tiles, no mosaic or inlaid marbles, are as fascinating as the bare, russet, fragrant floor outspreading about their feet. They are ...
— Legends of Vancouver • E. Pauline Johnson
... have I not an Air about my Face and Eyes, that distinguish me from the Croud of common Lovers? By Heav'n, Cupid's Quiver has not half so many Darts as her Eyes— Oh such a Bona Rota, to sleep in her Arms is lying in Fresco, ...
— The Works of Aphra Behn, Vol. I (of 6) • Aphra Behn
... defense, breastwork, rampart, battlement, bulwark, parapet, fortification. Associated Words: mural, murage dado, buttress, coping, intramural, wainscot, alcove, niche, abutment, pointing, fresco, studding, underpinning. ...
— Putnam's Word Book • Louis A. Flemming
... not, indeed, a loose or sketchy painter, but he was by no means a delicate one. His lines, as the story of the circle would lead us to expect, are always firm, but they are never fine. Even in his smallest tempera pictures the touch is bold and somewhat heavy: in his fresco work the handling is much broader than that of contemporary painters, corresponding somewhat to the character of many of the figures, representing plain, masculine kind of people, and never reaching any thing like the ideal refinement of the conceptions ...
— Giotto and his works in Padua • John Ruskin
... people reach their highest power in art is precisely that in which they appear to sign the warrant of their own ruin; and that, from the moment in which a perfect statue appears in Florence, a perfect picture in Venice, or a perfect fresco in Rome, from that hour forward, probity, industry, and courage seem to be exiled from their walls, and they perish in a sculpturesque paralysis, or ...
— The Two Paths • John Ruskin
... ever a boarding-house in the world where the seemingly prosaic table had not a living fresco for its background, where you could see, if you had eyes, the smoke and fire of some upheaving sentiment, or the dreary craters of smouldering or burnt-out passions? You look on the black bombazine and ...
— The Professor at the Breakfast Table • Oliver Wendell Holmes (Sr.)
... English, and therefore from the Italian, not from the French), 'cameo', 'canto', 'caricature', 'carnival', 'cartoon', 'charlatan', 'concert', 'conversazione', 'cupola', 'ditto', 'doge', 'domino'{17}, 'felucca', 'fresco', 'gazette', 'generalissimo', 'gondola', 'gonfalon', 'grotto', ('grotta' is the earliest form in which we have it in English), 'gusto', 'harlequin'{18}, 'imbroglio', 'inamorato', 'influenza', 'lava', 'malaria', ...
— English Past and Present • Richard Chenevix Trench
... "Hallo! al fresco Euclid!" exclaimed Uncle John, as Sam with a blush ran after his blotted diagrams, as a sudden gust of wind blew them dancing over the garden. Captain Merrifield caught one, and restored it to Sam, with a pat on the back that made his teeth rattle in his head, but which made him as happy ...
— The Stokesley Secret • Charlotte M. Yonge
... house of Vanno began to rise from the dregs and become a house at all. And the imperator knows it, and is jealous of the fact, too, or else he would the better acknowledge it. What, now, is that?' he added, pointing to the central fresco of ...
— Continental Monthly , Vol. 6, No. 1, July, 1864 - Devoted to Literature and National Policy. • Various
... cumulative easy-going treatment of the Breviary had made this the usual time for it, as the name of noon still testifies. The boys' attention, it must be confessed, was chiefly expended on the wonderful miracles of the Blessed Virgin in fresco on the walls of the chapel, all tending to prove that here was hope for those who said their Ave in any extremity of ...
— The Armourer's Prentices • Charlotte Mary Yonge
... oblivion. These pictures, which, like most monumental works, represent funeral feasts and games, according to Braun, are valuable for a mass of details relating to antique athletic art, which were before unknown. A Pompeiian fresco, representing the twelve gods, hitherto little esteemed, is made the subject of a profound investigation by E. Gerhard. Among the essays on vases, a long one by Welcker deserves especial mention. It discusses all the known representations of the Death of Troilus. The sphere ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... in addition to the black and white of his mother's skin, he had gray and yellow mottled in all over him. Jim thought it looked as if his skin had been painted, so he named him Fresco. ...
— The Hunter Cats of Connorloa • Helen Jackson
... the north side of this room a pointed doorway leads into the chapel, which keeps some of its special characteristics. At the east end a square space is sunk in the wall above the spot where the altar stood, and in this space the faint traces of a fresco can still just be seen. In the wall that shuts off the guard-room is a cinquefoiled piscina and a four-light window, the stonework of which is like that in the east window, and this window allowed anyone ...
— Devon, Its Moorlands, Streams and Coasts • Rosalind Northcote
... convenient to them than the San Francisco wharves. The beach was utilized for the mending of nets and sails, and thus became half picturesque. In spite of the keen northwestern trades, the cloudless, sunshiny mornings tempted these southerners back to their native al fresco existence; they not only basked in the sun, but many of their household duties, and even the mysteries of their toilet, were performed in the open air. They did not seem to care to penetrate into the desolate region behind them; their half-amphibious habit kept them near ...
— Mr. Jack Hamlin's Mediation and Other Stories • Bret Harte
... present occasion to give any detailed account of the fresco decorations painted by Giorgione and Titian on the facades of the new Fondaco de' Tedeschi, erected to replace that burnt down on the 28th of January 1505. Full particulars will be found in Crowe and Cavalcaselle's often-quoted ...
— The Earlier Work of Titian • Claude Phillips
... guide, and went first through the royal palace. The new chapel, which is being built by the present prince, is circular in form, with a dome one hundred and thirty feet high. The space between the doors is occupied by three circular recesses, with figures of prophets and apostles in fresco. Over one door is the Nativity,—over the other, the Resurrection,—also in fresco. On the walls around were pictures somewhat miscellaneous, I thought; for example, John Huss, St. Cecilia, Melanchthon, Luther, several ...
— Sunny Memories of Foreign Lands V2 • Harriet Beecher Stowe
... whose three broad windows, always open to the veranda, gave an al fresco effect to every meal, was a pathetic endeavor of the Southern-bred Peyton to emulate the soft, luxurious, and open-air indolence of his native South, in a climate that was not only not tropical, but even austere in its most fervid moments. Yet, ...
— Susy, A Story of the Plains • Bret Harte
... In 1531 he "became alarmingly ill, and the Pope ordered him to quit most of his work and to take better care of his health." That the illness was a storm merely of the surface is evidenced sufficiently in that his fresco of the "Last Judgment," probably the most famous single picture in the world, was begun years later and completed in his sixty-sixth year. In the work of this epoch there is more than ever the evidence of a pouring forth of energy amounting almost to what the critics ...
— Popular Science Monthly Volume 86
... it was more comfortable. Should not every apartment in which man dwells be lofty enough to create some obscurity overhead, where flickering shadows may play at evening about the rafters? These forms are more agreeable to the fancy and imagination than fresco paintings or other the most expensive furniture. I now first began to inhabit my house, I may say, when I began to use it for warmth as well as shelter. I had got a couple of old fire-dogs to keep the wood from the ...
— Walden, and On The Duty Of Civil Disobedience • Henry David Thoreau
... the last ten years, in the study of Italian art, has been the rediscovery of an all but forgotten great master, Pietro Cavallini. The study of his fresco at S. Cecilia in Rome, and of the other works that readily group themselves with it, has illuminated with an unhoped-for light the problem of Giotto's origin and development. I felt stimulated to a fresh ...
— The Florentine Painters of the Renaissance - With An Index To Their Works • Bernhard Berenson
... I found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless ...
— The Morals of Marcus Ordeyne • William J. Locke
... weather with little sheds, bearing the image of the Saviour, crowned with thorns and frightfully dashed with streaks and drops of red paint, to represent the blood that flowed from his wounds. The outer walls of the better kind of houses were ornamented with paintings in fresco, and the subjects of these were mostly sacred, such as the Virgin and Child, the Crucifixion, and the Ascension. The number of houses of worship was surprising; I do not mean spacious or stately churches such as we meet with in Italy, but most commonly little chapels ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... in tentative surveys. Alice and Bertha were our chain-men, intelligent and obedient. I drove for George his stakes, or I cut away his brush, or I raised and lowered the shield at which he sighted and at noon Polly appeared with her baskets, and we would dine al fresco, on a pretty point which, not many months after, was wholly covered by the eastern end of the dam. When the field- work was finished we retired to the cabin for days, and calculated and drew, and drew and calculated. Estimates for feeding Irishmen, estimates of hay for mules,—George ...
— The Brick Moon, et. al. • Edward Everett Hale
... in the busiest, most bustling part of the town, its fresco and bronze and iron quaintly suggestive of mediaeval times. Within, all was cool and dim and restful, with the faintest whiff of lingering incense rising and pervading the gray arches. Yes, the Virgin would know and have pity; the sweet, white-robed Virgin at the pretty flower-decked altar, or the ...
— The Goodness of St. Rocque and Other Stories • Alice Dunbar
... grease that thing?" I asked, as he tum-tummed in vain, for the eggs had glued into a fresco showing a rising and setting sun on opposite sides ...
— Cupid's Middleman • Edward B. Lent
... which it was, however, not peculiar. (See Rossi, pp. 34, &c.) It is perhaps worth while mentioning that by the antro dell' Aurora was no doubt intended the room in the castle, said to have formed part of the private apartments of Leonora, still known as the sala dell' Aurora, from a wretched fresco on the ceiling by the local artist ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... question of the decoration of the new Houses of Parliament, sat to examine witnesses, but Haydon was not summoned before them, a slight which he deeply felt. With an anxious heart he set about making experiments in fresco, and was astonished at what he regarded as his success in this new line of endeavour. During the past year, the Anti-Slavery Convention picture, and one or two small commissions, had kept his head above water, but now the clouds were beginning to gather again, his difficulties ...
— Little Memoirs of the Nineteenth Century • George Paston
... the girl chatted merrily all through the al fresco meal, in her turn inwardly giving thanks for the Arab's perfect manners and knowledge of table methods, for in her heart she, particular to the point of becoming finicky about the usually so unpleasant process of eating, had looked forward with absolute horror to the moment ...
— Desert Love • Joan Conquest
... elsewhere; furnished with piano to dance to, play, or sing with; first-class pictures as fast as our own funds, aided by donations and bequests, can procure them for us—but bare wall or handsome paper or fresco rather than any daub to fill a panel; fine engravings in portfolios; cosy open fire-places; unblemished taste in furniture and carpets; in fine, an air of the highest ideal of a private family's handsomest assembling-room. I propose ...
— The Opium Habit • Horace B. Day
... but the gratification of sensuous indolence, if existence were but luxurious dozing and half-waking, then the palace of the Ptolemies were indeed an Elysium, with its soft-footed, silent, swift, intelligent Oriental servants; rooms where the eye grew weary of rare sculpture or fresco; books drawn from the greatest library in the world—the Museum close at hand; a broad view of the blue Mediterranean, ever changing and ever the same, and of the swarming harbour and the bustling city; and ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis
... the chase. A painting on the right occupies one side of the large room, and here are represented wild animals, the lion chasing a bull, &c. The upper part of the house is raised, where stands a gaily-painted column—red and yellow in festoons; behind which, and over a doorway, is a fresco painting of a summer-house perhaps a representation of some country-seat of the proprietor, on either side are hunting-horns. The most beautiful painting in this room represents a Vulcan at his forge, assisted by three dusky, aged figures. In the niche of the outward room a small statue ...
— The Illustrated London Reading Book • Various
... made their way up town and presently entered the door of a ramshackle structure standing midway of a block lined by similar buildings. They walked into a darkened room, and the Wildcat saw a fresco of gleaming white ...
— Lady Luck • Hugh Wiley
... hendecasyllabic verses, and in his apparent absence of form, a true and genuine passion suddenly showed itself. The same voluntary renunciation of outward effect, through confidence in the power of the inward conception, can be observed some years later in fresco-painting, and later still in painting of all kinds, which began to cease to rely on color for its effect, using simply a lighter or darker shade. For an age which laid so much stress on artificial form in poetry, ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... Stable-Door; so that every Customer was alike well served according to his Chance, and every Horse ridden with the same Justice: From whence it became a Proverb, when what ought to be your Election was forced upon you, to say, Hobson's Choice. This memorable Man stands drawn in Fresco at an Inn (which he used) in Bishopsgate-street, with an hundred Pound Bag under his Arm, with this Inscription upon the ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... marble, relieved, by a scarlet curtain behind, the effect of which is simple, singular, and good. Round the choir is a row of chapels, which are wholly wanting to the nave. The walls of these chapels have also been covered with fresco paintings; some with figures, others with foliage. The chapels contain many grave-stones displaying indented outlines of figures under canopies, and in other respects ornamented; but neglected, and ...
— Account of a Tour in Normandy, Vol. I. (of 2) • Dawson Turner
... and relate to America, are: Columbus before the Council of Salamanca, Columbus in chains, Columbus before Queen Isabella, Washington crossing the Delaware, Washington at Monmouth, and Washington at Princeton. One of his last works is the fresco in the Capitol at Washington, "Westward the star of empire takes its way." He died ...
— The Medallic History of the United States of America 1776-1876 • J. F. Loubat
... frescoes, I do not think it needful to speak here; neither of the level of sublime temperament and unselfish heroism to which the dangers of commercial enterprise have exalted Mr. Smith. But the five consecutive heads in the third fresco are a very notable piece of English history, representing the polished and more or less lustrous type of lout; which is indeed a kind of rolled shingle of former English noblesse capable of nothing now in the way of resistance ...
— Love's Meinie - Three Lectures on Greek and English Birds • John Ruskin
... treated as a background or as a decoration in themselves. In the latter case any pictures should be set in specially arranged panels and should be pictures of importance, or fresco painting. The walls of the great periods were of this decorative order. They were treated architecturally and the feeling of absolute support which they gave was most satisfactory. The pilasters ran from base or dado to the cornice and the over-doors made the doors a dignified part of the ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... by M. de Luynes, who then wore the title of Duke—which, it must be said, he is still called by, though the Republic frowns on such aristocratic distinctions—to paint two historical pictures in fresco, for a country-house near Paris. The subjects were left to the choice of the artist, who was to have 100,000 francs (or L20,000) for the two pictures, one quarter of which was paid him in advance. During these eight years Mr. ...
— The International Weekly Miscellany, Vol. 1, No. 7 - Of Literature, Art, and Science, August 12, 1850 • Various
... Selwyn Image began his second lecture by explaining more fully what he meant by literary art, and pointed out the difference between an ordinary illustration to a book and such creative and original works as Michael Angelo's fresco of The Expulsion from Eden and Rossetti's Beata Beatrix. In the latter case the artist treats literature as if it were life itself, and gives a new and delightful form to what seer or singer has shown us; in ...
— Miscellanies • Oscar Wilde
... farmers, looking at their lands, and taking long walks alone: during which (as well as when I was in Ireland) I made such sketches as will make you throw down your brush in despair. I wish you would ask at Molteno's or Colnaghi's for a new Lithographic print of a head of Dante, after a fresco by Giotto, lately discovered in some chapel {90b} at Florence. It is the most wonderful head that ever was seen—Dante at about twenty-seven years old: rather younger. The Edgeworths had a print in Ireland: got by great interest in Florence before the ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... that kept the dancers back, and in her eyes something of Mary's look, as she turned from Calvary. The dancers still kept the position of the figures, the men with their arms about their partners' waists, the women stepping forward; they were like the painted figures of dancers in a fresco. And among them stood Judith, waiting to play her part, waiting to show her world that she could dance and be merry because all was well with her and hers. But the bronzed sons of the saddle hung back, they who a day before would have quarrelled for the honor ...
— Judith Of The Plains • Marie Manning
... building ever raised by the Turks. It is surrounded by a lofty colonnade of marble, of various colours, surmounted by 30 small domes: the large dome is supported by four gigantic piers, covered as well as most of the interior, with fresco paintings; it is rich in columns of verd antique, Egyptian granite, and white marble; there are also four smaller domes, similarly ornamented. Next, near the centre of the Engraving is the Mosque of Santa Sophia, a truly superb and perfect monument of antiquity, ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 14, Issue 387, August 28, 1829 • Various
... of the use of books as ornaments, but it illustrates in a bizarre way what is a not uncommon use. There is this to be said for that illiterate millionaire: well-bound books are excellent ornaments. No decoration with wall paper or fresco can make a parlor as attractive as it can be made with low bookshelves filled with works of standard authors and leaving room above for statuary, or pictures, or the inexpensive decoration of flowers picked from one's own garden. I am inclined to think that the most attractive parlor I have ever ...
— The Guide to Reading - The Pocket University Volume XXIII • Edited by Dr. Lyman Abbott, Asa Don Dickenson, and Others
... outstretched left leg is raised high in air. We have several similar representations on objects of the Mycenaean period, the most interesting of which will be presently described (see page 67). The comparison of these with one another leaves little room for doubt that the Tirynthian fresco was intended to portray the chase of a wild bull. But what does the man's position signify? Has he been tossed into the air by the infuriated animal? Has he adventurously vaulted upon the creature's back? Or did the painter mean him to be running on the ground, and, finding the ...
— A History Of Greek Art • F. B. Tarbell
... men and women who for the most part lived in palaces, surrounded with art and luxury. Here in Rome on every side was to be found the Cult of the Beautiful. Wonderful temples, gems of classical sculpture, masterpieces of colour in oil and fresco—the genius and the aspirations of men rendered permanent for us by Art; but the Temples, those silent emblems of man's worship of an Unknown God, with their surroundings of lovely nature, affected me far the most deeply: indeed, I do not pretend that sculptures and ...
— The Prodigal Returns • Lilian Staveley
... denizens of the district were used to the apparition of them. To me they looked as if they had been the originals from which Guido Reni painted those of the car in which he has placed the celebrated Aurora of his world-famous fresco. They were solidly and heavily built wheels—very barbarous an English carriage-builder would have considered them in their heavy and clumsy magnificence—but they were very gorgeous. What could be the meaning ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... born with beauty: white or brown, they were equally lovely to look upon, and when they went into the church to mass, with their curling locks and their clasped hands, they stood under the grim statues like cherubs flown down off some fresco. ...
— The Nuernberg Stove • Louisa de la Rame (AKA Ouida)
... panelled, built in the shape of a cone. A glass dome formed its roof, and there was no window besides. The lights were cunningly concealed behind a weirdly coloured fresco of Oriental figures. But one lamp alone on a small table burned with a still red glow. This lamp was supported on the stuffed skin of a ...
— Charles Rex • Ethel M. Dell
... shadow of Cape Eternity to restore the spirit to self-possession, and perhaps none turns from it wholly dismayed. Kitty, at any rate, took heart from some works of art which the cliff wall displayed near the water's edge. One of these was a lively fresco portrait of Lieutenant-General Sherman, with the insignia of his rank, and the other was an even more striking effigy of General O'Neil, of the Armies of the Irish Republic, wearing a threatening aspect, and designed in a bold conceit of his presence there as conqueror ...
— A Chance Acquaintance • W. D. Howells
... "Have you said your prayer?" he asked absent-mindedly making conversation. Oh, yes, he was informed, they did that with Martha. "I'll say mine again," Gregory volunteered. Again—a picture of a child, in a halo of innocence, praying at a paternal knee to a fresco ...
— Cytherea • Joseph Hergesheimer
... reigned there. The interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had ...
— Honorine • Honore de Balzac
... old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters of plump little naked people fall away ...
— Rosinante to the Road Again • John Dos Passos
... pale, straw-colored silk, brocaded with clusters of flowers, in which blue and pink predominated, gave a superb effect to the walls, and from the ceilings, a half-dozen cupids, beautifully painted in fresco, seemed showering roses upon the visitor, as he passed under. The carpet was composed of a vast medallion pattern upon a white ground, scattered over with bouquets a little more defined and gorgeous than those upon the walls, as if the blossoms had ...
— Mabel's Mistake • Ann S. Stephens
... an air of ferocious waggery. One highly successful trilogy—representing Inglewood recognizing Inglewood, Inglewood prostrating himself before Inglewood, and Inglewood severely beating Inglewood with an umbrella— Innocent Smith wanted to have enlarged and put up in the hall, like a sort of fresco, with the inscription,— ...
— Manalive • G. K. Chesterton
... looked in chain mail; gay, velvet-clad pages carrying the silk-embroidered standards of their contrade with all the fine airs of the lads who stand about the bier of Saint Catherine in Ghirlandaio's fresco in the Duomo; lithe, slender alfieri tossing their flags, twisting them about in the carefully-concerted movements that look so easy and are so difficult, until the whole great Piazza was girdled with fluttering light and colour, while it echoed to the thrilling ...
— Olive in Italy • Moray Dalton
... euphorbus. No scented happy Tuscan things. And deep below, the arches of Nero's Villa—with demons no doubt galore. Those giottesque chapels hold in them, all hung with lamps, a small tufo grotto, the one down which, as in Sodoma's fresco, the angels sent baskets of provisions and the devils made horns at ...
— The Spirit of Rome • Vernon Lee
... if there exists such a paradox as an aristocracy among boarding-houses, Mrs. Schulem's was of it. None of the boiled odors lay on her hallways, which were not papered, but a cream-colored fresco of better days. There was only one pair of bisques, no folding-bed, and but the slightest touch of dried grasses in her unpartitioned front parlor. The slavey who opened the door was black-faced, white-coated, and his bedraggled skirts were trousers with a line of braid up each seam. Two ...
— Humoresque - A Laugh On Life With A Tear Behind It • Fannie Hurst
... within doors, and standing in a hall with a floor of marble mosaic and an open timber roof. There were no windows on the side opposite to the river, but arches below leading into chambers, one of which showed a glimpse of a garden beyond, and above them a long space of wall gaily painted (in fresco, I thought) with similar subjects to those of the frieze outside; everything about the place was handsome and generously solid as to material; and though it was not very large (somewhat smaller than Crosby Hall ...
— News from Nowhere - or An Epoch of Rest, being some chapters from A Utopian Romance • William Morris
... of resource avails us— Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He ...
— The Home Book of Verse, Vol. 2 (of 4) • Various
... seed-bearing Bach and his fugues—emotional mathematics, all of them! Of what avail the decorative efforts of tonal fresco painters, breeders of an hour's pleasure, soon forgotten in the grave's muddy disdain! Had not the stage lowered music to the position of a lascivious handmaiden? To the sound of cymbals, it postured for the weary debauchee. No; music must go back to its origins. The church ...
— Melomaniacs • James Huneker
... to the fresco of the "Ascension of St. John." Inside, the lecturer's voice faltered, as well it might. The audience shifted uneasily, and so did Lucy. She was sure that she ought not to be with these men; but they had cast a spell over her. They were so serious and so strange that ...
— A Room With A View • E. M. Forster
... photograph from the fresco by His friend Giotto, discovered under the whitewash on a watt of the Bargello palace; now in the Museo Nazionale, ...
— The World's Best Poetry Volume IV. • Bliss Carman
... and a buttress was built across a chord of the apse, in the early part of the thirteenth century. In the course of the restoration of the tower which was recently carried out, this buttress was taken away, and its removal laid bare a fresco painting, representing St. Paul and the viper at Melita. This piece of decoration, as need hardly be said, must have been put in before the construction of the buttress which has concealed and preserved it for nearly seven centuries; it is conjectured, with a good deal of reason, that a similar presentment ...
— The Cathedral Church of Canterbury [2nd ed.]. • Hartley Withers
... on the contrary, and some of the narrower chambers, were decorated on every side, first with sculptures to the height of nine or ten feet, and then with enamelled bricks, or patterns painted in fresco, to the height, probably, of seven or eight feet more. The entire height of the rooms was thus from sixteen to seventeen ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... "Paintings and Drawings," the two classes into which it was divided represented. Paintings on canvas, wood, metal, enamel, porcelain, faience, and on various preparations, by all direct methods, in oil, wax, tempera, and other media; mural paintings; fresco painting on walls; drawings and cartoons in water color, pastel, chalk, charcoal, pencil, and other media, on ...
— Final Report of the Louisiana Purchase Exposition Commission • Louisiana Purchase Exposition Commission
... realistic, and many of them are fantastic; he gave graceful movement and beauty of form to many of his subjects; his drapery was well arranged; his color and manner of painting were good. He painted in fresco and oil colors, executed miniatures and engravings. His portraits were his best works, and in them he equalled the greatest masters. The most reliable portrait of this artist is in the Basle Museum. It is done in red and black chalk, and represents him ...
— A History of Art for Beginners and Students: Painting, Sculpture, Architecture - Painting • Clara Erskine Clement
... consider himself young; in fact, one principal reason for keeping Alain secluded in Bretagne was his reluctance to introduce into the world a son "as old as myself" he would say pathetically. The news of his death, which happened at Baden after a short attack of bronchitis caught in a supper 'al fresco' at the old castle, was duly transmitted to Rochebriant by the Princess; and the shock to Alain and his aunt was the greater because they had seen so little of the departed that they regarded him as a heroic myth, an ...
— The Parisians, Complete • Edward Bulwer-Lytton
... Florence, till our return from Rome: the weather has been so cold, how could one go to them? In Italy they seem to have found out how hot their climate is, but not how cold; for there are scarce any chimneys, and most of the apartments painted in fresco so that one has the additional horror of freezing with imaginary marble. The men hang little earthen pans of coals upon their wrists, and the women have portable stoves under their petticoats to warm their ...
— The Letters of Horace Walpole, Volume 1 • Horace Walpole
... shame. In places the shadow deepens: death intrudes itself on the scene, as among other [175] things "a great disguiser," blanching the features of youth and spoiling its goodly hair, touching the fine Claudio even with its disgraceful associations. As in Orcagna's fresco at Pisa, it comes capriciously, giving many and long reprieves to Barnardine, who has been waiting for it nine years in prison, taking another thence by fever, another by mistake of judgment, embracing others in the midst of ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... represents the father standing on the step of his mansion, about to embrace his son, who stands near. The background of the picture should represent the portico of a house, and can be made in the following manner: Procure at a paper store four fresco pilasters, with caps and bases, and a wide cornice to match; also a roll of granite paper; paste the cornice and pilasters on cloth; fasten the cornice across the ceiling of the stage, five feet from the background, and suspend ...
— Home Pastimes; or Tableaux Vivants • James H. Head
... inlaid work, curious beyond description. Most of theses ornamentations, as well as the paintings, were the work of brothers of the order, who must have spent half a life-time in their consummation. The cloisters are surrounded by a wretched series of life-size paintings in fresco of the mystic type, also the work of brothers attached to the convent, representing Carthusians tormented by the English in the time of Henry VIII. But here and there was seen the work of an artistic hand shining out conspicuously above its surroundings. Apparently hanging high up on the bare wall ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... partly embedded in the bank by the roadside. Then we all sat gracefully about, while Sir Lionel and the chauffeur worked—Young Nick under the car, looking sometimes like a contortionist tying himself into lover's knots, sometimes like a miniature Michelangelo lying on his back to paint a fresco. I hope, though, that Michael never had half the trouble finding his paints and brushes that Nick had to get at his tommies and jemmies, and dozens of strange little instruments. He lay with his mouth bristling with giant pins, and had the air ...
— Set in Silver • Charles Norris Williamson and Alice Muriel Williamson
... vast cathedral is opened before my gaze. The lofty white marble columns support a vaulted roof painted in fresco, from which are suspended a thousand lamps that emit a mild and steady effulgence. The great altar is illuminated; the priests, in glittering raiment, pace slowly to and fro. The large voice of the organ, murmuring to itself awhile, ...
— A Romance of Two Worlds • Marie Corelli
... tapestries after the sixteenth-century Raphael cartoons now at South Kensington. These tapestries are, it is to be presumed, late copies, since, of the two early sets woven at Arras, one is preserved in the Vatican and the other at the Museum at Berlin. A modern fresco of Jeanne Hachette, a local Amazon, adorns one of the choir chapels. A modern astronomical clock, with numerous dials, striking figures, and crowing cocks, is placed near the north transept. It might naturally be supposed that in our day the canons of good taste would ...
— The Cathedrals of Northern France • Francis Miltoun
... which I would recommend to the student are not often found out of Bologna. The "St. Francis in the midst of his Friars," "The Transfiguration," "The Birth of St. John the Baptist," "The Calling of St. Matthew," the "St. Jerome," the fresco paintings in the Zampieri Palace, are all worthy the attention of the student. And I think those who travel would do well to allot a much greater portion of their time to that city than it has been ...
— Seven Discourses on Art • Joshua Reynolds
... it will hold of the new strong wine of love: and, for fear they should take cold by exposure, cover them quickly up with a quantity of obscure classical quotations, a few familiar allusions to an unknown period of history, and a half-destroyed fresco by an early master, varied every now and then with a reference to the fugues or toccatas ...
— Every Man His Own Poet - Or, The Inspired Singer's Recipe Book • Newdigate Prizeman
... The fresco on my bedroom ceiling is made mysteriously attractive by a wilderness of mythologic animals and a crowd of cherubic heads, wings and legs, on a background of clouds; the mystery being that the number of cherubic heads does ...
— Penelope's Postscripts • Kate Douglas Wiggin
... from a smoldering ruin, of history or aspect. To-day, for instance, I've been just in time to ascertain the form of the cross of the Emperor, representing the power of the State in the greatest political fresco of old times—fourteenth century. By next year, it may be next month, it will have dropped from the wall with the vibration of the railway outside, and be touched up with new gilding for ...
— Hortus Inclusus - Messages from the Wood to the Garden, Sent in Happy Days - to the Sister Ladies of the Thwaite, Coniston • John Ruskin
... Cristoforo as elsewhere, are quite original; not only in their type of beauty, which is terrestrial and peculiar to Ferrari, without a touch of Correggio's sensuality; but also in the intensity of their emotion, the realisation of their vitality. Those which hover round the Cross in the fresco of the 'Crucifixion' are as passionate as any angels of the Giottesque masters in Assisi. Those again which crowd the Stable of Bethlehem in the 'Nativity' yield no point of idyllic charm to ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... summoned by Duke Borso to Ferrara, where he painted many apartments in his palace, which were afterwards destroyed by Duke Ercole the elder in the renovation of the palace, insomuch that there is nothing by the hand of Piero left in that city, save a chapel wrought in fresco in S. Agostino; and even that has been injured by damp. Afterwards, being summoned to Rome, he painted two scenes for Pope Nicholas V in the upper rooms of his palace, in competition with Bramante da Milano; but these also were thrown to the ground ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol. 3 (of 10), Filarete and Simone to Mantegna • Giorgio Vasari
... are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster is soft, rich and warm, and looks more ...
— The Jewel City • Ben Macomber
... adapted for getting in a subject, as affording means of great rapidity of execution. We allude to the admixture of starch and oil—the less oil the more like distemper will it be; or, we should rather say, fresco, which it much more resembles; but oil may be used with it in any proportion. The starch should be made as for domestic use, with water saturated with borax, and the oil added by degrees, and the whole stirred up together while warm; and, in this medium, the colours ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... prerogatives were at the same time problems; it requires no ordinary degree of skill to arrange, with simplicity and perspicuity, such great masses as Shakspeare uses to bring together: more of drawing and perspective are required for an extensive fresco painting, than for a small oil picture. In renouncing the intermixture of comic scenes when they no longer understood their ironical aim, they did perfectly right: Southern still attempted them in his Oroonoko, but in his hands they exhibit a wretched appearance. With the general knowledge ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... Glen.—Al fresco Meal.—Forest of Cork Trees.—Salvator Rosa Scenery.—Haunts of Outlaws.—Their Atrocities.—Anecdotes of them in a better Spirit.—The Defile in the Mountains.—Elevated Plateau.—A Night March.—Arrival at Tempio, the Capital of Gallura.—Our ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... for it by the quantity. And when they could not treat themselves to the real thing, it was good enough to give themselves the make-believe in painting. I can imagine easily enough Verecundus' house, painted in fresco from top to bottom, inside and out, like those houses at Pompeii, ...
— Saint Augustin • Louis Bertrand
... face, "that they are doing a marvellous stroke of business at Garafield's, even if the times are bad? Mrs. Garafield was down to tea a few evenings since, and she was greatly encouraged. There is such a rage about the new style of papering. Everybody has run mad on dados and friezes, and fresco patterns, bordering, and harmonies of color," laughingly. "And they have some wonderful ...
— Hope Mills - or Between Friend and Sweetheart • Amanda M. Douglas
... which are occupied by statues, all arranged in exquisite variety of attitude, so as to appear to be offering to whoever approaches them the rare flowers which it is the duty of the attendants to place in their hands. The ceiling is painted in fresco, in patterns and colours harmonising with those on the mosaic floor. The cornices are of silver, and decorated with mottoes from the amatory poets of the day, the letters of which are formed by precious stones. In the middle of the room is a fountain ...
— Antonina • Wilkie Collins
... South Bersted. It is of Norman origin with some remains of this period and possibly of Saxon times; the main portion is, however, Early English. Note the stone slabs outside the porch; these were brought from Bosham by a former incumbent. There is a sixteenth-century fresco on one of the nave pillars depicting St. Thomas Aquidas disputing with the doctors. In the churchyard are several interesting graves and a very ancient yew reputed to ...
— Seaward Sussex - The South Downs from End to End • Edric Holmes
... London, who, according to tradition, lent Henry V large sums of money, and then at an entertainment which he gave to the King and Queen in his city mansion, generously canceled the debt by throwing the bonds into the open sandalwood fire. There is a fine fresco, representing this scene, in the Royal ...
— The Leading Facts of English History • D.H. Montgomery
... my mind, for a sort of al fresco function, to come off about the time Cornish gets back with our London visitor," he replied, "which ought to knit up the ravelled sleeve better than new. I'm going to dedicate Lynhurst Park to the nymphs and deities of ...
— Aladdin & Co. - A Romance of Yankee Magic • Herbert Quick
... a few little slips—so few that it is strange there should be any—among which is his mention of the "St. Christopher" of the doges' palace as "the only known fresco of Titian," forgetting the celebrated one in the Scuola del Santo at Padua, of which he has spoken in a previous volume. He occasionally makes an assertion to which many will demur; as, for instance, that "The real glory ...
— Lippincott's Magazine of Popular Literature and Science - Vol. XVII, No. 102. June, 1876. • Various
... foreign cities, and it was not thought surprising that absent New Yorkers should wish to linger in a seaport where they might find apartments, according to Georgina's report, in a palace painted in fresco by Vandyke and Titian. Georgina, in her letters, omitted, it will be seen, no detail that could give color to Mrs. Portico's long stay at Genoa. In such a palace—where the travellers hired twenty gilded rooms for the most insignificant sum—a remarkably fine boy came into the ...
— Georgina's Reasons • Henry James
... convinced in her own mind that they had really gone for good, than a change came over her. She was sitting erect in a stiff-backed chair in one corner of the room, while her companion in misery sat huddled in the opposite corner, staring at the fresco of flags above her head. Both looked dreadfully woe-begone, and as if the tears were very near the surface, for punishment sat heavily upon these two light-hearted spirits, particularly as such severe ...
— The Lilac Lady • Ruth Alberta Brown |
