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proper noun
Io  n.  
1.
In Greek mythology, the beautiful daughter of Inachus, king of Argos, Greece, who was changed by Hera (Juno), in a fit of jealousy, into a white heifer, and placed under the watch of Argus of the hundred eyes. When Argus was killed by Hermes at the command of Zeus, the heifer was maddened by a terrible gadfly sent by Hera, and wandered about until she arrived in Egypt. There she recovered her original shape, and bore Epaphus to Zeus. Epaphus became the ancestor of AEgyptus, Damaus, Cepheus, and Phineus. She was identified by the Egyptians with Isis. According to another legend, Io was carried off by Phoenician traders who landed in Argos. The myth is generally explained to be Aah or the moon wandering in the starry skies, symbolized by the hundred-eyed Argus; her transformation into a horned heifer representing the crescent moon. "Greek mythology, too, knew her (Astarte) as Iô and Europa, and she was fitly symbolised by the cow whose horns resemble the supine lunar crescent as seen in the south."
2.
One of the large moons of the planet Jupiter, remarkable for its intense volcanic activity, as observed in fly-bys of space probes. It was named after the mythological Io.






Collaborative International Dictionary of English 0.48








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"Io" Quotes from Famous Books



... setting of vs here in this world is to aduaunce vs aloft, that is, to witte to the heauenly life, whereof he giueth vs some perceyuerance and feeling afore hande."—Io. Calvin. "Sermon XLI., on the Tenth Chap. of Job," p. 209., ...
— Notes and Queries, Number 182, April 23, 1853 • Various

... universally thought of as a sculptor that it is not always realized how eminent he was in the world of letters as well. Two volumes of his poems contain many of value, and a few, as the "Cleopatra," "An Estrangement," and the immortal "Io Victis," that the world would not willingly let die; his "Roba di Roma" is one of those absolutely indispensable works regarding the Eternal City; and several other books of his, in sketch and criticism, enrich literature. ...
— The Brownings - Their Life and Art • Lilian Whiting

... ora, o ultimo momento, O stelle congiurate a 'mpoverirme! O fido sguardo, or che volei tu dirme, Partend' io, per non ...
— Dreams, Waking Thoughts, and Incidents • William Beckford

... Aprile del 1819, io feci la conoscenza di Lord Byron; e mi fu presentato a Venezia dalla Contessa Benzoni nella di lei societa. Questa presentazione che ebbe tante consequenze per tutti e due fu fatta contro la volonta d'entrambi, e solo per condiscendenza ...
— Life of Lord Byron, Vol. IV - With His Letters and Journals • Thomas Moore

... on which the Indians dry fish; as this is out of Season the poles on which they dry those fish are tied up verry Securely in large bundles and put upon the Scaffolds, I counted 107 Stacks of dried pounded fish in different places on those rocks which must have contained io,ooo w. of neet fish, The evening being late I could not examine the river to my Satisfaction, the Chanel is narrow and compressed for about 2 miles, when it widens into a deep bason to the Stard. Side, & again contracts into a narrow chanel divided by a rock I returned through a rockey open countrey ...
— The Journals of Lewis and Clark • Meriwether Lewis et al

... drew up a curious poetical scale in which he classes the Restoration dramatists thus:— Congreve—Genius 15, Judgment 16, Learning 14, Versification 14; Vanbrugh—14, 15,14,10; Farquhar—15, 15, 10, io. Unlike Goldsmith, unhappily, Farquhar's moral tone is not high; sensuality is confounded with love, ribaldry mistaken for wit The best that can be said of him that he contrasts favourably with his contemporary dramatists; Virtue is not always ...
— The Beaux-Stratagem • George Farquhar

... son tristi, Se Dio t' avesse conceduto ad Ema La prima volta ch' a citt venisti. Ma conveniasi a quella pietra scema Che guarda il ponte, che Fiorenza fesse Vittima nella sua pace postrema. Con queste genti, e con altre con esse, Vid' io Fiorenza in s fatto riposo, Che non avea cagione onde piangesse. Con queste genti vid' io glorioso E giusto il popol suo tanto, che 'l giglio Non era ad asta mai posto a ritroso, N per division fatto vermiglio. Paradiso, ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various

... exultant, triumphant; flushed, elated, pleased, delighted, tickled pink. amused &c 840; cheerful &c 836. laughable &c (ludicrous) 853. Int. hurrah!, Huzza!, aha!^, hail!, tolderolloll!^, Heaven be praised!, io triumphe!^, tant mieux! [Fr.], so much the better. Phr. the heart leaping with joy; ce n'est pas etre bien aise que de rire [Fr.]; Laughter holding both his sides [Milton]; le roi est mort, vive le roi; with his eyes ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget

... clan. When she is gored or in great danger she bawls also, but that is different. And lastly, there is the long, sonorous volley she lets off on the hills or in the yard, or along the highway, and which seems to be expressive of a kind of unrest and vague longing—the longing of the imprisoned Io for her lost identity. She sends her voice forth so that every god on Mount Olympus can hear her plaint. She makes this sound in the morning, especially in the spring, as ...
— The Galaxy - Vol. 23, No. 1 • Various

... employed by Juno to watch Io with his hundred eyes but he was sent to sleep by the flute of Mercury, who then cut ...
— The Canterbury Tales and Other Poems • Geoffrey Chaucer

... great Achilles figure in the scene, Make him impatient, fiery, ruthless, keen; All laws, all covenants let him still disown, And test his quarrel by the sword alone. Still be Medea all revenge and scorn, Ino still sad, Ixion still forsworn, Io a wanderer still, ...
— The Satires, Epistles, and Art of Poetry • Horace

... bard awoke his lays, Love and wine alike to praise. So, illustrious Pidding, thou Inspire thy tea-urn votary now, Whilst the tea-pot circles round— Whilst the toast is being brown'd— Let me, ere I quaff my tea, Sing a paean unto thee, IO PIDDING! who foretold, Chinamen would keep their gold; Who foresaw our ships would be Homeward bound, yet wanting tea; Who, to cheer the mourning land, Said, "I've Howqua still on hand!" Who, my Pidding, who but thee? ...
— Punch, or the London Charivari, Vol. 1, August 14, 1841 • Various

... invido non lodasse Pippo architetto vedendo qui struttura si grande, erta sopra i cieli, ampla da coprire con sua ombra tutti i popoli toscani, fatta sanza alcuno aiuto di travamenti o di copia di legname, quale artificio certo, se io ben giudico, come a questi tempi era incredibile potersi, cosi forse appresso gli antiqui ...
— Renaissance in Italy Vol. 3 - The Fine Arts • John Addington Symonds

... shaped like the head of a bull. Then Horus, as a mighty warrior, such as Orion was described, fought with and defeated Typhon; who, in the shape of the Serpent or Dragon of the Pole, had assailed his father. So, in Ovid, Apollo destroys the same Python, when Io, fascinated by Jupiter, is metamorphosed into a cow, and placed in the sign of the Celestial Bull, where she becomes Isis. The equinoctial year ends at the moment when the Sun and Moon, at the Vernal Equinox, are united with Orion, ...
— Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry • Albert Pike

... largest bodies of Jupiter's satellite system, are, as we have already pointed out, very small indeed when compared with the planet itself. The diameters of two of them, Europa and Io, are, however, about the same as that of our moon, while those of the other two, Callisto and Ganymede, are more than half as large again. The recently discovered satellites are, on the other hand, insignificant; ...
— Astronomy of To-day - A Popular Introduction in Non-Technical Language • Cecil G. Dolmage

... Mossiae. " gigas x " Gaskelliana. " crispa x " " " Dowiana x " " " Schofieldiana x " gigas imperialis. " Leopoldii x " Dowiana. Cypripedium Stonei x Cypripedium Godefroyae. " " x " Spicerianum. " Sanderianum x " Veitchii. " Spicerianum x " Sanderianum. " Io x " vexillarium. Dendrobium nobile nobilus x Dendrobium Falconerii. " " x " nobile Cooksonianum. " Wardianum x " aureum. " " x " Linawianum. " luteolum x " nobile nobilius. Masdevallia Tovarensis x Masdevallia ...
— About Orchids - A Chat • Frederick Boyle

... S'io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma perciocche giammai di questo fondo Non torno vivo alcun, s'i'odo il vero, Senza tema d'infamia ...
— Prufrock and Other Observations • T. S. Eliot

... armadoes, from [34] the coasts of Spain, Fraughted with gold of rich America: The Grecian virgins shall attend on thee, Skilful in music and in amorous lays, As fair as was Pygmalion's ivory girl Or lovely Io metamorphosed: With naked negroes shall thy coach be drawn, And, as thou rid'st in triumph through the streets, The pavement underneath thy chariot-wheels With Turkey-carpets shall be covered, And cloth of arras hung ...
— Tamburlaine the Great, Part II. • Christopher Marlowe

... and fair Haidee Paid daily visits to her boy, and took Such plentiful precautions, that still he Remained unknown within his craggy nook; At last her father's prows put out to sea, For certain merchantmen upon the look, Not as of yore to carry off an Io, But three ...
— The Works of Lord Byron, Volume 6 • Lord Byron

... neither saw nor heard any thing, consequently took no notes, which my readers will rejoice at, because they will be spared that inexhaustible supply to the trunk makers, "A Tour through France and Switzerland." I travelled night and day; for I could not sleep. The allegory of Io and the gad-fly, in the heathen mythology, must surely have been intended to represent the being, who, like myself, was tormented by a bad conscience. Like Io, I flew; and like her, was I pursued by the eternal gad-fly, wherever I went, and in ...
— Frank Mildmay • Captain Frederick Marryat

... to show his might and power, Turned Io to a cow, Narcissus to a flower; Transformed Apollo to a homely swain, And Jove himself into a golden rain. These shapes were tolerable; but by the mass, He's metamorphosed me ...
— The Continental Monthly, Vol. 2 No 4, October, 1862 - Devoted To Literature And National Policy • Various

... udite, O rustici! Attenti, non fiatate! Io gia suppongo e immagino Che al par di me sappiate Che io son quel gran medico Dottore Enciclopedico Chiamato Dulcamara, La cui virtu preclara E i portenti infiniti Son noti in tutto il mondo—e ...
— The Atlantic Monthly, Volume 4, No. 24, Oct. 1859 • Various

... a complex character that was capable of indefinite extension. The same process continued under the Ptolemies when the religion of Egypt came into contact with Greece. Isis was identified simultaneously with Demeter, Aphrodite, Hera, Semele, Io, Tyche, and others. She was considered the queen of heaven and hell, of earth and sea. She was "the past, the present and the future,"[42] "nature the mother of things, the mistress of the elements, born at the beginning ...
— The Oriental Religions in Roman Paganism • Franz Cumont

... of what he draws; he does not make a design, but finds it. That beauty proves him a Florentine—Duerer himself falls short of it—but it is the beauty of the thing itself, discovered and insisted upon with the passion of a lover. He draws animals, trees, flowers, as Correggio draws Antiope or Io; and it is only in his drawings now that he speaks clearly to us. The "Mona Lisa" is well enough, but another hand might have executed the painting of it. It owes its popular fame to the smile about which it is so easy to write finely; but in the drawings we see the experiencing ...
— Essays on Art • A. Clutton-Brock

... foolish young woman flattered by the attention of a villain. His "La la," his "Sissioria," and "'Lustrissimo, si!" which marked so well the growth of self-esteem; his finger in the mouth, his twisting apron-corner, which betrayed embarrassment when the siege was too vigorous; his "Io non so gniente," when sheepishness was the only defence—here was the highest art of the stage. I, as Brighella his brother, aped him as well as I could. I was a clown, tickled by, yet pondering, the hardy advances of a baggage, who, in the expert person of Pamfilo, was only too well ...
— The Fool Errant • Maurice Hewlett

... was, that she was one of those women who naturally overwork themselves, like those horses who will go at the top of their pace until they drop. Such women are dreadfully unmanageable. It is as hard reasoning with them as it would have been reasoning with Io, when she was flying over land and sea, driven by the ...
— Elsie Venner • Oliver Wendell Holmes, Sr.

... fell. His crony wolf, of clamorous maw, Poor fox at last above him saw, And cried, 'My comrade, look you here! See what abundance of good cheer! A cheese of most delicious zest! Which Faunus must himself have press'd, Of milk by heifer Io given. If Jupiter were sick in heaven, The taste would bring his appetite. I've taken, as you see, a bite; But still for both there is a plenty. Pray take the bucket that I've sent ye; Come down, and get your share.' ...
— The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine

... singers throughout "Fair Aurora." Gradually, however, and involuntarily, I became pleased, interested, delighted; and when the encored "Soldier tired" was ended, had I but possessed so much Italian, "Sono anch'io Cantatore" would have burst from my lips with as much fervour and devotedness of resolution as the "Sono anch'io Pittore" of the artist. From this moment never had I three shillings and sixpence in my pocket, and either Billington's or ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 491, May 28, 1831 • Various

... e lo scaglion primaio Bianco marmo era si pulito e terso, Ch'io mi specchiava in esso, qual io paio. Era 'l secondo tinto, piu che perso, D'una petrina ruvida ed arsiccia, Crepata per lo lungo e per traverso. Lo terzo, che di sopra s'ammassiccia, Porfido mi parea si fiammegiante, Come sangue che fuor di vena spiccia. ...
— Memoirs of Margaret Fuller Ossoli, Vol. II • Margaret Fuller Ossoli

... to me, fly to me, steel-blue mate! Under my breast-knot flutters thy fellow; Here can I rest not, and thou so late. Home, to me, home! 'Love, love, I come!' —Dear one, I wait! Quanno nacesti tu, nacqui pur io: La lundananza tua, 'l desiderio mio! You ...
— The Vigil of Venus and Other Poems by "Q" • Q

... opposite motion and, conceiving thus, Of that true constellation, and the dance Twofold, that circled me, he shall attain As 't were the shadow; for things there as much Surpass our usage, as the swiftest heav'n Is swifter than the Chiana. There was sung No Bacchus, and no Io Paean, but Three Persons in the Godhead, and in one Substance that ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri

... "Cinaedica"; (12) Sphodrias the Cynic, his Art of Love; and (13) Trepsicles, Amatory Pleasures. Amongst the Romans we have Aedituus, Annianus (in Ausonius), Anser, Bassus Eubius, Helvius Cinna, Laevius (of Io and the Erotopaegnion), Memmius, Cicero (to Cerellia), Pliny the Younger, Sabellus (de modo coeundi); Sisenna, the pathic Poet and translator of Milesian Fables and Sulpitia, the modest erotist. For these see the Dictionnaire Erotique of Blondeau pp. ix. ...
— The Book of the Thousand Nights and a Night, Volume 10 • Richard F. Burton

... 11) and table of contents on verso. Last leaf containing colophon misplaced at the beginning. Epistle dedicatory to Queen Elizabeth signed by the translator. 'A preface, or rather a briefe apologie of poetrie.' Address to the reader signed Io. Har. At the end, 'Allegory of the Orlando Furioso,' Life of Ariosto by John Harington, alphabetical table of contents, table of principal tales and list of errata. Inserted at the beginning is a large engraved portrait of Queen Elizabeth, 'Printed and Are to be sould by ...
— Catalogue of the Books Presented by Edward Capell to the Library of Trinity College in Cambridge • W. W. Greg

... 1. 392, Dark of the sea.—The Dark-Blue of the Symplegades is meant. Sometimes it is only the Argo that has ever passed through them; here it is only Io, daughter of Inachus, loved by Zeus and hunted by the gadfly, who fled outcast through the East. Her story is told in Aeschylus' Prometheus and in a magnificent chorus of his Suppliant Women. (See Rise of the Greek ...
— The Iphigenia in Tauris • Euripides

... stato, Ponga la mano a questa chioma d'oro, Ch'lo porto in fronte, e lo faro beato; Ma quando ha in destro si fatto lavoro Non prenda indugio, che'l tempo passato Perduto e tutto, e non ritorna mai, Ed io mi volto, ...
— The History Of The Conquest Of Peru • William H. Prescott

... poem of unsurpassed force and impressiveness. Nevertheless, from the point of view of the development of drama, there seems at first sight little scope in the story for the normal human interest of a tragedy, since the actors are all divine, except Io, who is a distracted wanderer, victim of Zeus' cruelty; and between the opening where Prometheus is nailed to the Scythian rock, and the close where the earthquake engulfs the rock, the hero and the chorus, action in the ordinary sense is ipso ...
— Project Gutenberg Encyclopedia

... scalding water on their proud and delicate flesh! The idealist who became a reformer with Savonarola, and a republican superintending the fortification of Florence—the nest where he was born, il nido ove naqqu'io, as he calls it once, in a sudden throb of affection—in its last struggle for liberty, yet believed always that he had imperial blood in his veins and was of the kindred of the great Matilda, ...
— The Renaissance - Studies in Art and Poetry • Walter Pater

... 2nd of December, Mr. JOHN STRONACH visited a large village still further distant, called San-io, and had, in the spacious public school-room, a numerous and attentive audience for two hours. But the chief interest was displayed in the village of Tang-soa, distant from Bo-pien about twelve miles, the native place of the zealous, but as yet unbaptized convert, ...
— Fruits of Toil in the London Missionary Society • Various

... year, her father wrote: "Io triumphe! there is not a word misspelled either in your journal or letter, which cannot be said of one you ever wrote ...
— Famous Americans of Recent Times • James Parton

... were present to keep order, the tribes were all talking at once, and 6 languages were being traded in; at last the littlest boy lost his temper and screamed out at the top of his voice, with angry sobs: "Mais, vraiment, io ...
— Innocents abroad • Mark Twain

... "Ne la Vigna io son intrato, Di quei pampani n' o tocato; Ma lo guiro per la corona che porto in capo, Che de quel fruto ...
— Italian Popular Tales • Thomas Frederick Crane

... io terelo, Birandon, birandon, birandera! Las nuevas que io terelo Te haran orobar, ...
— Romano Lavo-Lil - Title: Romany Dictionary - Title: Gypsy Dictionary • George Borrow

... pennel fu maestro, e di stile Che ritraesse l'ombre, e i tratti, chi' ivi Mirar farieno uno ingegno sottile? Morti li morti, e i vivi parean vivi: Non vide me' di me, chi vide il vero, Quant' io calcai, ...
— Selections From the Works of John Ruskin • John Ruskin

... texture are changed again. Nothing is so fleeting as form; yet never does it quite deny itself. In man we still trace the remains or hints of all that we esteem badges of servitude in the lower races; yet in him they enhance his nobleness and grace; as Io, in Aeschylus, transformed to a cow, offends the imagination; but how changed when as Isis in Egypt she meets Osiris-Jove, a beautiful woman with nothing of the metamorphosis left but the lunar horns as the splendid ...
— Essays, First Series • Ralph Waldo Emerson

... is that is recorded of Argus, a man that had no lesse than an hundred eyes, unto whose custody Juno committed Io, the daughter of Inachus, being transformed into a young heifer: while Argus (his luck being such) was slaine sleeping, but the Goddess Juno so provided that all his eyes (whatsoever became of his carkasse) ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner

... object of adoration and respect from the earliest times, and we need only remind our readers of the sanctity of cows and bulls among the Indians and Egyptians, of 'the Golden Calf' in the Bible; of Io and her wanderings from land to land; and, though last, not least, of Audhumla, the Mythic Cow in the Edda, who had so large a part in the creation of the first Giant in human forms. [Snorro's Edda, ch. vi, ...
— Popular Tales from the Norse • Sir George Webbe Dasent

... a bordo; Io faccio il sordo Per non partir! Addio Teresa, Teresa, Addio! Piacendo a Dio Ti rivedro. Non pianger bella, Non pianger, No!— Che al ...
— Theresa Marchmont • Mrs Charles Gore

... daar koonet ye amuseeren! Io vivat—Io vivat Nostorum sanitas, hoc estamoris porculum, Dolores est anti ...
— The Return of Peter Grimm - Novelised From the Play • David Belasco

... Io, triumphe! There is not a word mispelled either in your journal or letter, which cannot be said of a single page you ever before wrote. The fable is quite classical, and, if not very much corrected by Mr. Leshlie, is truly a surprising performance, and written most beautifully. But what has ...
— Memoirs of Aaron Burr, Complete • Matthew L. Davis

... gru van cantando lor lai Facendo in aer di se lunga riga, Cosi vid' io venir, traendo guai, ...
— French Lyrics • Arthur Graves Canfield

... removed his mask and now smiled a superior smile. "We'll reach it," he said: "the RX8 is very fast. And it's not the planet itself we're bound for, but its second satellite. Io, your astronomers call this body, and it's a world sadly in ...
— The Copper-Clad World • Harl Vincent

... When the French missionaries first studied the languages of these nations, traces of the original usage were apparent. Bruyas, in the "Proemium" to his Radices Verborum Iroquaorum, (p. 14), expressly states that jo (io) in composition with verbs, "signifies magnitude." He gives as an example, garihaioston, "to make much of anything," from garihea, thing, and io, "great, important." The Jesuit missionaries, in their Relation for 1641, (p. 22) render ...
— The Iroquois Book of Rites • Horatio Hale

... glad to put a query, on the subject of a small octavo volume, of which the title is, "Indicis Librorum Expurgandorum, in studiosorum gratiam confecti, tomus primus; in quo quinquaginta auctorum libri prae caeteris desiderati emendantur. Per Fr. Io. Mariam Brasichellensem, sacri Palatii Apostolici Magistrum, in unum corpus redactus, et publicae commoditati editus. Superiorum permissu, Romae, 1607." Speaking of ...
— Notes and Queries, Number 33, June 15, 1850 • Various

... shew thee Io, as she was a Maid, And how she was beguiled and surpriz'd, As liuelie painted, as the deede ...
— The First Folio [35 Plays] • William Shakespeare

... hierarchy, who are thereby made independent even of the past history of the Church. Pius IX was not slow to realise that the only court of appeal against his decisions was closed in 1870. 'La tradizione sono io,' he said, in the manner of Louis XIV. The Pope is henceforth not the interpreter of a closed cycle of tradition, but the pilot who guides its course always in the direction of the truth. This is to destroy the old doctrine of tradition. The Church becomes the ...
— Outspoken Essays • William Ralph Inge

... removed, in 1863, to the Crow Creek reservation, and finally, in 1866, to their present location near the mouth of the Niobrara River, at which point their numbers were increased, to the extent of about two hundred, by the accession of other Sioux, who had been held at Davenport, Io., as prisoners, charged with complicity in the outbreak, but ...
— The Indian Question (1874) • Francis A. Walker

... Lids never wet, unless with joyous tears, A life remote from every sordid woe, And by a nation's swelled to lordlier flow. What lurking-place, thought we, for doubts or fears, When, the day's swan, she swam along the cheers Of the Alcala, five happy months ago? The guns were shouting Io Hymen then That, on her birthday, now denounce her doom; The same white steeds that tossed their scorn of men To-day as proudly drag her to the tomb. Grim jest of fate! Yet who dare call it blind, Knowing what life ...
— The Complete Poetical Works of James Russell Lowell • James Lowell

... how far apart your lines must be, etc. and etc., (a couple of lines of etceteras would not be enough to imply all you must know). But suppose the plate were only a pen drawing: take your pen—your finest—and just try to copy the leaves that entangle the head of Io, and her head itself; remembering always that the kind of work required here is mere child's play compared to that of fine figure engraving. Nevertheless, take a small magnifying glass to this—count the dots and lines that gradate the nostrils and ...
— Ariadne Florentina - Six Lectures on Wood and Metal Engraving • John Ruskin

... buttock, holds what seems meant for the sling. We see here what Michelangelo's conception of an ideal David would have been when working under conditions more favourable than the damaged block afforded. On the margin of the page the following words may be clearly traced: "Davicte cholla fromba e io chollarcho Michelagniolo,"—David with the sling, and ...
— The Life of Michelangelo Buonarroti • John Addington Symonds

... / vpon dan Io[h]n lydgate My maister whylome / monke of berye [Sidenote: John Lydgate, too, my master.] Worthy to be renomede / as poete laureate 367 I praye to gode in blysse his soule be mercy Syngynge Rex splendens that heuenly kyrye ...
— Caxton's Book of Curtesye • Frederick J. Furnivall

... "ne and destroy it. "A 'tree' is povas ekzisti alia kreskajxo, foolishness,"[5] they said; "no krom la rikoltoj kaj la legomoj other plant can exist, except the kiujn ni kaj niaj patroj jam crops and vegetables that we and cxiam kreskigis. Estas neeble our fathers have always grown. ke io alia kresku kaj igxu pli It is impossible for anything granda." Kaj unuj diris ke li else to grow and become[6] bigger estas vana songxisto, kaj aliaj than they." And some said that he ke li frenezas. Sed lia patrino was an idle dreamer, and others kuragxigis ...
— International Language - Past, Present and Future: With Specimens of Esperanto and Grammar • Walter J. Clark

... cerca al mondo haver thesoro, Over diletto, o segue onore e stato, Ponga la mano a questa chioma d' oro, Ch' io porto in fronte, e quel fara beato. Ma quando ha il destro a far cotal lavoro, Non prenda indugio, che 'l tempo passato Piu non ritorna, e non si trova mai; Ed io mi volto, e lui ...
— Gryll Grange • Thomas Love Peacock

... E fa ragion ch'io ti sia sempre allato Si piu avvien che fortuna t' accoglia Ove sien genti in simigliante piato; Che voler cio ...
— The Function Of The Poet And Other Essays • James Russell Lowell

... colonizations, ancient or modern,—what were they but flights from some phase of suffering,—name it as we may,—poverty, oppression, or slavery? It was the same suffering Io who brought civilization to the ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various

... which for swing and vigour are among some of the best in our language, reminding us irresistibly of those pagan chants of the mediaeval wandering scholar which the late Mr Symonds has collected for us in his Wine, Women, and Song. The drinking song, "Io Bacchus," which occurs in Mother Bombie, is undoubtedly, I think, modelled on one of these earlier student compositions; the reference to the practice of throwing hats into the fire is alone sufficient to suggest it. But ...
— John Lyly • John Dover Wilson

... keia olelo, ninau aku la, "Ina ua like kona maikai me kuu kaikamahine nei la, alaila, ua nani io." ...
— The Hawaiian Romance Of Laieikawai • Anonymous

... PUNCT: punctil'io (Sp. punctillo, from Lat. punc'tum, a point), a nice point of exactness in conduct, etc.; punctil'ious; punct'ual (-ity); punct'uate ...
— New Word-Analysis - Or, School Etymology of English Derivative Words • William Swinton

... ah! ha, ah! Liauba! Liauba! por aria. Venide tote, Bllantz' et naire, Rodz et motaile, Dzjouvan' et etro Dezo ou tzehano, Io vo z' ario Dezo ou triembllo, Io ie triudzo, ...
— The Headsman - The Abbaye des Vignerons • James Fenimore Cooper

... Munificenti su auspicjss / ad proprios vsus elucubrata, in communem Mathematicorum / vtilitatem, denu reuisenda, describenda, & publicanda / mandauit, meritissimi Honoris erg / Nuncupatus. / Londini / Apud Robertvm Barker, Typographum / Regium : Et Hred. Io. Billii. /Anno 1631. / Title, reverse blank; Prefatio 4 pages; Text 180 pages, and Errata 1 page (Bbb) followed by a blank page, folio. A very handsomely printed book. In the British Museum, 529 m 8, is ...
— Thomas Hariot • Henry Stevens

... "beautiful star"), the wife of Aodh, one of the Culdees, or primitive clergy of Scotland, who preached the gospel of God in Io'na, an island south of Staffa. Here Ulvfa'gre, the Dane, landed, and, having put all who opposed him to death, seized Aodh, bound him in iron, carried him to the church, and demanded where the treasures were concealed. Just then appeared a mysterious figure all in white, who first ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer

... breach of the second;—for it is most certain that the ten tribes worshipped the Jehovah, the God of Abraham, Isaac, and Jacob, under the same or similar symbols:—secondly, that the cow, or Isis, and the Io of the Greeks, truly represented, in the first instance, the earth or productive nature, and afterwards the mundane religion grounded on the worship of nature, or the [Greek (transliterated): to pan], as God. In after times, ...
— Literary Remains, Vol. 2 • Coleridge

... he said. "It is very well to think of walking back, but it must end in thinking. You have no impetus now to send you over another half-dozen miles of wood-faring, no pique to sting, Io." ...
— Atlantic Monthly Volume 7, No. 39, January, 1861 • Various

... Venice" begins logically with the dawn, which is ushered in with pink and stealthy harmonies, then "The Gondoliers" have a morning mood of gaiety that makes a charming composition. There is a "Canzone Amorosa" of deep fervor, with interjections of "Io t'amo!" and "Amore" (which has the excellent authority of Beethoven's Sonata, op. 81, with its "Lebe wohl"). The suite ends deliciously with a night scene in Venice, beginning with a choral "Ave Maria," and ending with a ...
— Contemporary American Composers • Rupert Hughes

... the Culdees, or primitive clergy of Io'na, an island south of Staffa. His wife was Reullu'ra. Ulvfa'gre the Dane, having landed on the island and put many to the sword, bound Aodh in chains of iron, then dragging him to the church, demanded where ...
— Character Sketches of Romance, Fiction and the Drama, Vol 1 - A Revised American Edition of the Reader's Handbook • The Rev. E. Cobham Brewer, LL.D.

... with his hand he smoothed out the leaves of the bound volume which stood on the music-rack:—"think what you will of me, call me an egoist even,—so be it! but do not call me a worldly man: that appellation is intolerable to me.... Anch'io son pittore. I also am an artist,—and I will immediately prove it to you in action. ...
— A Nobleman's Nest • Ivan Turgenieff

... la perdo, e di nuovo, e per sempre! O legge! O morte! O ricordo crudel! Non ho soccorso, non m'avanza consiglio! Io veggo solo (Oh fiera vista!) il luttuoso aspetto dell'orrido mio stato! Saziati, ...
— Style in Singing • W. E. Haslam

... che hanno contravenuto all' editto, e si castigaranno; nel che dice S.M. che gli Ugonotti ci sono talmente compresi, che spera con questo mezzo solo cacciare i Ministri di Francia.... Il Signor Duca di Alva si satisfa piu di questa deliberatione di me, perche io non trovo che serva all' estirpation dell' heresia il castigar quelli che hanno contravenuto all' editto (Santa Croce to Borromeo, Bayonne, July 1, ...
— The History of Freedom • John Emerich Edward Dalberg-Acton

... world. In fine, nothing can be more ardent than the wish of M. de Voltaire for these supreme felicities. To be of the Forty, to get his Plays acted,—oh, then were the Saturnian Kingdoms come; and a man might sing IO TRIUMPHE, and take his ease in the Creation, more or less! Stealthily, as if on shoes of felt,—as if on paws of velvet, with eyes luminous, tail bushy,—he walks warily, all energies compressively summoned, towards that high goal. Hush, steady! May you soon catch that bit ...
— History of Friedrich II. of Prussia, Vol. XIV. (of XXI.) • Thomas Carlyle

... triple-tressed with horse-hair, holds high a Chimaera breathing from her throat Aetnean fires, raging the more and exasperate with baleful flames, as the battle and bloodshed grow fiercer. But on his polished shield was emblazoned in gold Io with uplifted horns, already a heifer and overgrown with hair, a lofty design, and Argus the maiden's warder, and lord Inachus pouring his stream from his embossed urn. Behind comes a cloud of infantry, and shielded columns thicken ...
— The Aeneid of Virgil • Virgil

... whatever. Because the owner is a vegetarian An amazing man, a lover of animals. He calls them by names borrowed from the poets. The donkey there is Midas; the heifer, Io. ...
— Chantecler - Play in Four Acts • Edmond Rostand

... classes:— 1. Emlak verghisi, or impost on houses or immovable property, at 4 per thousand on the purchasing value. 2. Impost of 4 per cent on the rent of immovable property, or houses not occupied by their owners. The rent is assumed at io per cent of the value. 3. Verghi temetu, or impost on professions and trades, at 3 per cent on ...
— Cyprus, as I Saw it in 1879 • Sir Samuel W. Baker

... crime that touched a lower depth of infamy than those the bible's God commanded and approved. For such a God I have no words to express my loathing and contempt, and all the words in all the languages of man would scarcely be sufficient. Away with such a God! Give me Jupiter rather, with Io and Europa, or even Siva with his skulls and snakes, ...
— Lectures of Col. R. G. Ingersoll - Latest • Robert Green Ingersoll

... the Gods avert, hostile war; for common are the misfortunes of friends, and common is it, if this land defended by its seven turrets should suffer any calamity, to the Phoenician country, alas! alas! common is the affinity,[19] common are the descendants of Io bearing horns; of which woes I have a share. But a thick cloud of shields glares around the city, the likeness of gory battle, bearing which destruction from the Furies to the children of Oedipus Mars shall quickly advance. O Pelasgian Argos, ...
— The Tragedies of Euripides, Volume I. • Euripides

... one of his letters this poet says:—"Non posso negare che io mi doglio oltramisura di esser stato tanto disprezzato dal mondo quanto non e altro scrittore di questo secolo." In another letter, however, after complaining of being "perseguitato da molti piu che non era convenevole," he adds, with ...
— Life of Lord Byron, Vol. 6 (of 6) - With his Letters and Journals • Thomas Moore

... wk xk yk zk C al bl cl dl el fl gl hl il jl kl ll ml nl ol pl ql rl sl tl ul vl wl xl yl zl D am bm cm dm em fm gm hm im jm km lm mm nm om pm qm rm sm tm um vm wm xm ym zm E an bn cn dn en fn gn hn in jn kn ln mn nn on pn qn rn sn tn un vn wn xn yn zn F ao bo co do eo fo go ho io jo ko lo mo no oo po qo ro so to uo vo wo xo yo zo G ap bp cp dp ep fp gp hp ip jp kp lp mp np op pp qp rp sp tp up vp wp xp yp zp H aq bq cq dq eq fq gq hq iq jq kq lq mq nq oq pq qq rq sq tq uq vq wq xq yq zq I ar br cr dr er fr gr hr ir jr kr lr mr nr or pr qr rr sr tr ur ...
— The Treasure-Train • Arthur B. Reeve

... s'infronda tutto l'orto Dell' Ortolano eterno, am' io cotanto, Quanto da lui a lor di ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley

... the sad hours he had passed, seated idle and melancholy in the vicarage book-room, meditating on his forlorn condition. He had so often wailed over his own lot, droning out a dirge, a melancholy vae victis for himself! And now, for the first time, he could change the note. Now, his song was Io triumphe, as he walked along. He shouted out a joyful paean with the voice of his heart. Had he taken the most double of all firsts, what more could fate have given to him? or, at any rate, what better could fate ...
— The Bertrams • Anthony Trollope

... whole, pretty well; but, looking up at Helene, I saw that her smile (so different from that of the Io-Cow Katrin) had become a whole volume of scathing satire. God wot, it is not easy to make love to a lass when your "Little Sister" is listening—especially to a woman-mountain set on watch-springs ...
— Red Axe • Samuel Rutherford Crockett

... con un bel sorriso; Io no, non posso star da te diviso, Da te diviso non ci posso stare E torno per mai pin non ...
— The House of Whispers • William Le Queux

... per la fronda verde Ficcava io cosi, come far suole Chi dietro all' uccellin la vita perde, Lo piu che Padre mi dicea, ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald

... victorious army, horse and foot, came last, crowned with laurel, and decorated with the gifts which they had received for their valour, singing their own and their general's praises, but sometimes throwing out railleries against him; and often exclaiming, 'Io Triumphe!' in which they were joined by all the citizens, as they passed along. The oxen having been sacrificed, the general gave a magnificent entertainment in the Capitol to his friends and the chief men of the city; after which ...
— The Lives Of The Twelve Caesars, Complete - To Which Are Added, His Lives Of The Grammarians, Rhetoricians, And Poets • C. Suetonius Tranquillus

... one of his letters, humorously said, Io credo ch'io faro Sonnetti venti cinque anni, o trenta, pio che io saro morto.—"I think I may make sonnets twenty-five, or perhaps thirty years, after I shall be dead!" Petau tells us that he wrote verses to solace the ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli

... disse un altro.... "Io son Buonconte: Giovanna o altri non ha di me cura; Per ch' io vo ...
— Gloucester Moors and Other Poems • William Vaughn Moody

... cold and the fearful conditions on the retreat from Moscow alone, the army was in reality annihilated before it reached Russia, as we shall see by the following description which I have taken from a Latin dissertation (translated also into German) of the surgeon of a Wuerttembergian regiment, Ch. Io. von Scherer, who had served through the whole campaign and in the year 1820 had submitted this dissertation, "Historia Morborum, qui in Expeditione Contra Russiam Anno 1812 Facta Legiones Wuerttembergicas invaserunt, praesertim eorum qui frigore orti sunt," to the Medical ...
— Napoleon's Campaign in Russia Anno 1812 • Achilles Rose

... we are told often how some one or other of the personages sings to the company. Sometimes it is a dance song, as for example the "Io son si vaga della mia bellezza." To this all the others spontaneously dance while singing the refrain in chorus. Another time the queen of the day, Emilia, invites Dioneo to sing a canzona. There is much pretty banter, while Dioneo teases the women by making false starts at several ...
— Some Forerunners of Italian Opera • William James Henderson

... misfortunes of France came exclusively from the French themselves, "e della vita dei preti, molto sregolata, i quali non vogliono esser riformati, e principalmente quelli del Concilio, e poi nelle loro lettere rejiciunt culpam in Papam." "Io so," adds the nuncio himself, "che sono loro che non vogliono esser riformati, e hanno mandati di qua certi articoli che hanno parimente mandati a Roma, circa gli quali io vi posso dir che se Sua Santita li accordasse, conformamente alle loro petitioni, ...
— History of the Rise of the Huguenots - Volume 2 • Henry Baird

... absolute sensuality and appetite; Dryden had no other notion of the passion. With all these defects, and they are very gross ones, it is a noble poem. Guiscard's answer, when first reproached by Tancred, is noble in Boccace, nothing but this: Amor pua molto piu che ne roi ne io possiamo. This, Dryden has spoiled. He says first very well, 'The faults of love by love are justified,' and then come four lines of miserable rant, quite a la Maximin. Farewell, ...
— The Prose Works of William Wordsworth • William Wordsworth

... rewritten. We must remember that books of this kind, which we look on as sources of amusement, as more or less of a joke, were taken seriously by the people they were written for. That The Schoole of Vertue, for instance—whether Seager's or Weste's—was used as a regular school-book for boys, let Io. Brinsley witness. In his Grammar Schoole of 1612, pp. 17, 18, he enumerates the "Bookes to bee first learned of children":— 1.their Abcie, and Primer. 2.The Psalms in metre, 'because children wil learne ...
— Early English Meals and Manners • Various

... io! forward to the attack, throw yourselves upon the foe, spill his blood; take to your wings and surround them on all sides. Woe to them! let us get to work with our beaks, let us devour them. Nothing can save ...
— The Birds • Aristophanes

... in an age which I think has produced genuine poetry, if I cannot say "Ed Io, anchi, sono pittore;" it will be a consolation to me to reflect, that I have no otherwise courted the muse, than as the consoler of sorrow, the painter of scenes romantic and interesting, the handmaid of good sense, ...
— The Poetical Works of William Lisle Bowles, Vol. 1 • William Lisle Bowles

... Nessun de tuoi! L'armi, qua l'armi: io solo Combattero, procombero sol io"— [Footnote: Do none of thy children defend thee? Arms! bring me arms! alone I will fight, alone I ...
— Daniel Deronda • George Eliot

... parlor, the gypsy man, whose name was Mat, glanced up at me, with a droll, puzzled expression, and said, "Patchessa tu adovo?" (Do you believe in that?) With a wink, I answered, "Why not? I, too, tell fortunes myself." Anch io sono pittore. It seemed to satisfy him, for he replied, with a nod-wink, and proceeded to pour forth the balance of his thoughts, if he had any, into the music of ...
— The Gypsies • Charles G. Leland

... disperse. Every one was full of the joyful tidings of victory, and one shouted to another what Anaxenor, the favourite of the great Antony, who must surely know, had just recited in thrilling verse. Many a joyous Io and loud Evoe to Cleopatra, the new Isis, and Antony, the new Dionysus, resounded through the air, while bearded and smooth, delicate Greek and thick Egyptian lips joined in the shout, "To the Sebasteum!" This was the royal palace, which faced the government building containing the Regent's residence. ...
— Uarda • Georg Ebers

... Scotland," was his most ambitious and successful effort as a prose-writer. His poetical compositions, which were scattered among a number of the periodicals, he was induced to collect and publish in a volume, with the title, "Io Anche! Poems chiefly Lyrical;" Edinburgh, 1851, 12mo. An historical play from his pen, entitled "Conde's Wife," founded on the love of Henri Quatre for Marguerite de Montmorency, whom the young Prince of Conde had wedded, was produced in 1842 by Mr ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various

... whether those ancient tales be true, of Io and Helen, and the like, which one or another have called the sources of the war between the Hellenes and the barbarians of Asia; but I will begin with those wrongs whereof I myself have knowledge. In the days of Sadyattes, king of Lydia, and his son Alyattes, there was ...
— The World's Greatest Books, Vol XI. • Edited by Arthur Mee and J.A. Hammerton

... "Prometheus" are Strength, Force, Vulcan, Prometheus, Io, daughter of Inachus, Ocean and Mercury. The play opens with the appearance of Prometheus in company with Strength, Force and Vulcan, who have been bidden to bind Prometheus with adamantine fetters to the lofty cragged rocks of an untrodden Scythian ...
— Prometheus Bound and Seven Against Thebes • Aeschylus

... poveretto, ed io che avevo in uggia questa serenit! Debbo chiamarlo ed ospitalit debbo offrir? Ma che! Dorme di gi. (guardando ...
— Zanetto and Cavalleria Rusticana • Giovanni Targioni-Tozzetti, Guido Menasci, and Pietro Mascagni

... "Anch' io son pittore!" I cried. "Unless I am mistaken, you have a masterpiece on the stocks. If you put all that in, you will do more than Raphael himself did. Let me know when your picture is finished, and wherever in the wide world ...
— The Madonna of the Future • Henry James

... with scorn and contempt, and Oceanus retires. But the courage which he lacks his daughters possess to the full; they remain by Prometheus to the end, and share his fate, literally in the crack of doom. But before the end, the strange half human figure of Io, victim of the lust of Zeus and the jealousy of Hera, comes wandering by, and tells Prometheus of her wrongs. He, by his divine power, recounts to her not only the past but also the future of her wanderings. Then, in a fresh ...
— Suppliant Maidens and Other Plays • AEschylus

... The lovely Io Moth is one that you will see early, and never forget, for it is common, and ranges over all the country from Canada to the Gulf. When you see it, you will be inclined to spell its name Eye-oh—for it has on each wing a splendid eye ...
— Woodland Tales • Ernest Seton-Thompson

... mormorio assai soave, e basso, Che ogniun che l'ode lo fa addornientare, L'acqua, ch'io dissi gia per entro un sasso E parea che dicesse nel sonare. Vatti riposa, ormai sei stanco, e lasso, E gli augeletti, che s'udian cantare, Ne la dolce armonia par che ogn'un dica, Deh vien, e dormi ne ...
— Flowers and Flower-Gardens • David Lester Richardson

... che amava uno sparviero; amaval tanto ch'io me ne moria: a lo richiamo ben m'era maniero ed unque troppo pascer no' l dovia. or e montato e salito si altero, assai piu altero che far non solia; ed e assiso dentro a un verziero, e un'altra donna l'avera in balia. isparvier mio, ...
— Chips From A German Workshop. Vol. III. • F. Max Mueller

... is not assured. My next book will determine my status in literature; and I have too much to accomplish—I have achieved too little, to pause and look back, and pat my own shoulder, and cry, Io triumphe! I am not so indifferent as you seem to imagine. Praise gratifies, and censure pains me; but I value both as mere gauges of my work, indexing the amount of good I may or may not hope to effect. I wish to be popular—that is natural, and, surely, pardonable; but I desire it not as an ...
— St. Elmo • Augusta J. Evans

... calves, are sacrificed by all the Egyptians; the females however they may not sacrifice, but these are sacred to Isis; for the figure of Isis is in the form of a woman with cow's horns, just as the Hellenes present Io in pictures, and all the Egyptians without distinction reverence cows far more than any other kind of cattle; for which reason neither man nor woman of Egyptian race would kiss a man who is a Hellene ...
— The History Of Herodotus - Volume 1(of 2) • Herodotus

... to which the highly gifted lay themselves open from those who do not understand them, is their love of praise, the critics failing to grasp the fact that this passion for measuring one's self with others, like the gad-fly pursuing poor Io, never allows a moment's repose in the green pastures of success, but goads them constantly up the rocky sides of endeavor. It is not that they love flattery, but that they need approbation as a counterpoise to the dark moments of self-abasement and ...
— Worldly Ways and Byways • Eliot Gregory

... Io, thou her brazen ass, Or she Dame Phantasy, and thou her gull; She thy Pasiphae, and thou her ...
— A Select Collection of Old English Plays, Vol. IX • Various

... mmio sse chiammo Peppo, Lo capo jocatore de le carte; Ss' ha jocato 'sto core a zecchinetto, Dice ca mo' lo venne, e mo' lo parte. Che n'agg' io a fare lo caro de carte? Vogho lo core che ...
— The Naples Riviera • Herbert M. Vaughan

... ending in o add es to form the plural; as, heroes, negroes, potatoes, stuccoes, manifestoes, mosquitoes. Words ending in io or yo add s; as, folios, nuncios, olios, ...
— Slips of Speech • John H. Bechtel

... reeked with hypocrisy at the young scholar. "My dear doctor, you must not look upon me as a poor uncultured yokel," he said, "anch' io sono pittore. I have read, among other things, your monograph on the morphogenetic achievements of the original sulcate cell. Listen, man! I take off my hat to that book. Of course, it is not exactly original, but then it is one of your earlier works. ...
— The Goose Man • Jacob Wassermann

... lesse number are the Phisicions; by how much the fewer, by so much the greater witnesses of the soyles healthfulnes. The most professors of that science in this Country, sauing only one Io. Williams, can better vouch practise for their warrant, then warrant for their practise. Amongst these, I reckon Rawe Clyes a black Smith by his occupation, and furnished with no more learning, then is suteable to such a calling, who yet hath ministred Phisike for ...
— The Survey of Cornwall • Richard Carew

... in attributing these lines, which form part of a Canzone beginning "Io miro i crespi e gli biondi capegli," to Dante. Neither external nor internal evidence supports such an ascription. The Canzone is attributed in the MSS. either to Fazio degli Uberti, or to Bindo Borrichi da Siena, but was not assigned to Dante ...
— The Works of Lord Byron, Volume 4 • Lord Byron

... is cold—so very cold. Yea, listen, spirit of my mother, and bring Olafaksoah back, that he may bruise Annadoah's hands, that he may cast Annadoah to the ground and crush Annadoah if he wills with his feet! Io-oh-h!" ...
— The Eternal Maiden • T. Everett Harre

... goda, che pur io stento; Chi e in pace si sia, ch' io son in guerra; Chi ha diletto l' habbi, ch' io ho tormento; Chi vive ...
— Earthwork Out Of Tuscany • Maurice Hewlett

... IL CANDELAJO, Octavio asks the pedant Manfurio, "Che e la materia di vostri versi," and the pedant replies, "Litterae, syllabae, dictio et oratio, partes propinquae et remotae," on which Octavio again asks: "Io dico, quale e il suggetto et il proposito."[131] So far as it goes this is something of a parallel to Polonius's question to Hamlet as to what he reads, and Hamlet's answer, "Words, words." But the scene is obviously a stock situation; and if there are any passages ...
— Montaigne and Shakspere • John M. Robertson

... si gran fibula copre il membro di Menofila, che sola basterebbe a tutti i commenianti. Io O Flacco, avevo creduto (imperocche si siamo sovente lavati insiême) che esso sollecito avesse cura delle sua voce; lotta in mezzo la palestra a vista del popolo, la fibula cascó sventvrato; era ...
— Aphrodisiacs and Anti-aphrodisiacs: Three Essays on the Powers of Reproduction • John Davenport

... "'Io perdei: l'augusta figlia A pagar, m'a condemnato; Ma s'e ver the a voi somiglia Tutto il ...
— The Memoirs of Louis XV. and XVI., Volume 5 • Madame du Hausset, and of an Unknown English Girl and the Princess Lamballe

... infiammate E circundate di virtu d' amore, Che ben parean da Dio fussin mandate, E molto se n' allegra nel suo core: "Da poi che piace all' alto Dio Signore, Io son contenta d' essere ...
— Fra Angelico • J. B. Supino

... three sons were AE'o-lus, Do'rus, and Xu'thus, from the two former of whom are represented to have descended the AEo'lians and Do'rians; and from Achae'us and I'on, sons of Xuthus, the Achae'ans and Io'nians. These four Hellen'ic or Grecian tribes were distinguished from one another by many peculiarities of language and institutions. Hellen is said to have left his kingdom to AEolus, his eldest son; and the AEolian ...
— Mosaics of Grecian History • Marcius Willson and Robert Pierpont Willson

... me doch, wie cha mi Meiddeli springe! 'Chunnsch mi ueber,' seits und lacht, 'und witt mi, se hol mi!' All' wil en andere Weg, und alliwil anderi Spruengli! Fall mer nit sel Reiuli ab!—Do hemmer's, i sags io— Hani's denn nit gseit? Doch gauckelet's witers und witers, Groblet uf alle Vieren, und stellt si wieder uf d' Beinli, Schlieft in d' Huerst—iez such mer's eisl—doert gueggelet's use, Wart, i chumm! Druf rueefts mer wieder hinter ...
— Atlantic Monthly, Vol. 9, No. 54, April, 1862 • Various

... when, panting with an irrepressible sense of her own powers, she exclaimed, "Ed io anclu son cantatrice." Her first public appearance was worthy of the great name she afterward won. It was at a concert given in Brussels, on December 15, 1837, for the benefit of a charity, and ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris

... Margret, hastily ending his quotation, "'io non averei creduto, che [vita] tanta ...
— Margret Howth, A Story of To-day • Rebecca Harding Davis

... confusion between the sounds of w, j, g, io, eae, u, and i, which occurs with the so-called Jutes of the Isle of Wight, occurs with the Jutlanders of the peninsula of Jutland. The common forms are Jutland, Jute, Jutones, and Jutenses, but they are ...
— A Handbook of the English Language • Robert Gordon Latham

... that he doubts the ability of a woman to keep a secret, and that, while he is perfectly willing to grant that his wife is loving and discreet, he feels a much greater sense of security when he knows she is unable to do him any harm. His quaint phrase is as follows: Non perche io non conoscessi la mia amarevole e discreta, ma sempre estimai piu securo ch'ella non mi potesse ...
— Women of the Romance Countries • John R. Effinger

... 'Io son fatta da Dio, sua merce, tale, Che la vostra miseria non mi tange, Ne fiamma d'esto incendio non m'assale . ...
— Harvard Classics Volume 28 - Essays English and American • Various

... the forefront towered with stately frame Turnus himself. His three-plumed helmet bore A dragon fierce, that breathed AEtnean flame. The bloodier waxed the battle, so the more Its fierceness blazed, the louder was its roar. Behold, the heifer on his shield, the sign Of Io's fate; there Argus ever o'er The virgin watches, and the stream doth shine, Poured from the pictured urn of ...
— The Aeneid of Virgil - Translated into English Verse by E. Fairfax Taylor • Virgil

... gittata la mia sorte, Pronto sono ad ogni guerra, S' io cardo, cadre da forte, E ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli

... "Io! I see I shall not be wanted, master!" she chuckled, and scuffled away, her skinny shoulders shaking a half-suppressed merriment which betrayed her thoughts more than words ...
— Bandit Love • Juanita Savage

... (Stallbaum). Gothae et Erfordiae. Sumptibus Guil. Hennings, 1832; published in Jacobs and Rost's Bibliotheca Graeca. Vol. iv. Sect. 2., containing Menexenus, Lysis, Hippias uterque, Io. ...
— Notes and Queries, Number 236, May 6, 1854 • Various



Words linked to "Io" :   maid, Galilean satellite, Automeris io, io moth, Inachis io



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