"Veronese" Quotes from Famous Books
 ... forger came in with a still longer decorated slate spear-head, weighing I know not how much. It is here photographed (figs. 17, 18). Compare the decoration of three parallel horizontal lines with that on the broken Portuguese perforated stone (figs. 9, 10). Or did the Veronese forger come to Clyde, and carry on the business at Dumbuck? The man has read widely. Sometimes, however, he may have resorted to sources which, though excellent, are accessible and cheap, like Mr. Haddon's Evolution in Art. Here (pp. 79, 80) the faker could learn all that he needed ...
— The Clyde Mystery - a Study in Forgeries and Folklore • Andrew Lang
... suffering. The seasons come and go in glad or saddening pageant, and with winged or leaden feet the years pass by before them. They have their youth and their manhood, they are children, and they grow old. It is always dawn for St. Helena, as Veronese saw her at the window. Through the still morning air the angels bring her the symbol of God's pain. The cool breezes of the morning lift the gilt threads from her brow. On that little hill by the city of Florence, where the lovers of Giorgione are lying, it ...
— Intentions • Oscar Wilde
... by a cloister supported on Ionic pillars, beautifully proportioned. A flight of stairs opens into the court, adorned with balustrades and pedestals, sculptured with elegance truly Grecian. This brought me to the refectory, where the chef-d'oeuvre of Paul Veronese, representing the marriage of Cana in Galilee, was the first object that presented itself. I never beheld so gorgeous a group of wedding garments before; there is every variety of fold and plait that can possibly be imagined. The attitudes and countenances ...
— Dreams, Waking Thoughts, and Incidents • William Beckford
... north-east we had delightful scenery, the pao d'arco trees in full bloom, of a reddish-purple colour, adding greatly to the vivid colour-scheme of that view, with its cobalt blue of the distant mountains and the Veronese green of the campos in the foreground. Nearly all the ridges we had crossed which extended from north-east to south-west were well rounded—fairly well padded with sediments ...
— Across Unknown South America • Arnold Henry Savage Landor
... doubt primitive and not a little barbarous, but it was better by far than by dint of anxious archæology to construct the Doge's palace upon the stage. By one rich pillar, by some projecting balustrade taken in conjunction with a moored gondola, we should strive to evoke the soul of the city of Veronese: by the magical and unequalled selection of a subtle and unexpected feature of a thought or aspect of a landscape, and not by the up-piling of extraneous detail, are all ...
— Confessions of a Young Man • George Moore
... multiply indefinitely, but because the power of multiplying indefinitely was lost when it ceased to be of use.... John Hunter, supported by his experiments on anabiosis, hoped to prolong the life of man indefinitely by alternate freezing and thawing; and the Veronese Colonel Aless. Guaguino made his contemporaries believe that a race of men existed in Russia, of which the individuals died regularly every year on the 27th of November, and returned to life on the 24th of the following April. There cannot however ...
— The Belief in Immortality and the Worship of the Dead, Volume I (of 3) • Sir James George Frazer
... go to Florence, and observe what has been done for Art in the collections there. Then proceed to Bologna, and study the works of the Caracci; afterwards visit Parma, and examine, attentively, the pictures of Corregio; and then go to Venice and view the productions of Tintoretti, Titian, and Paul Veronese. When you have made this tour, come back to Rome, and paint an historical composition to be exhibited to the Roman public; and the opinion which will then be formed of your talents should determine the line of our profession which you ought to follow." This judicious ...
— The Life, Studies, And Works Of Benjamin West, Esq. • John Galt
... for children (1907). Contains sketches of eighteen Italian painters from Giotto to Paul Veronese, based on Vasari, and attractively written. Sixteen color and eight black and white reproductions. NEW YORK ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... receiving from them a salary of thirty pounds a year and a piece of land, on which the painter built a house, and painted it within and without—the latter one of the first examples of artistic waste, followed later by Tintoret and Veronese, regardless of the fact that painting could not survive in the ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... there is no delirium or illusion, no experiences of mere soul while the body and the bodily senses sleep, or wake with convulsed intensity at the prompting of imaginative love; but rather the great primary passions under broad daylight as of the pagan Veronese. This simplification interests us, not merely for the sake of an individual poet—full of charm as he is—but chiefly because it explains through him a transition which, under many forms, is one law of the life of the human spirit, and of which what we call the Renaissance is only a supreme instance. ...
— Aesthetic Poetry • Walter Horatio Pater
... steps, mounting the splendid marble staircase upon which the masterpieces of Titian and of Paolo Veronese looked down. At the head of the stairs, there was a painted door, which he had but to open to find himself face to face with those who were still telling each ...
— Master Tales of Mystery, Volume 3 • Collected and Arranged by Francis J. Reynolds
... brandy or whiskey, and prefers that which burns his gullet the most. The man who gets his work hung in the Salon is not the one who puts on his canvas delicate touches in harmonious tones, but he who juxtaposes vermillion and Veronese green. The man with a "developed taste" is not the one who knows how to get new and unexpected results by passing from one key to another, as the great Richard did in Die Meistersinger, but rather the man who abandons all keys and piles up dissonances which he neither introduces ...
— Musical Memories • Camille Saint-Saens
... got up before sunrise, I drove in a weeping morning to the wonderful Villa Maser, about twenty miles away—the villa whose halls and chambers are gorgeous from end to end with the frescoes of Paul Veronese, and whose tutelary gods look out over the vastness of the Lombard plains, though their view is slightly impeded by the bulk of a Renaissance church. That evening I ensconced myself in an ill-lit train, which, passing close to Venice and crossing the Austrian frontier, brought me and my servant ...
— Memoirs of Life and Literature • W. H. Mallock
... hand, among the less important pictures, while Uncle Dan amused himself with some old engravings, and then, having earned their reward, the two girls strolled back to the great saloons, where nothing less splendid than Tintoretto and Veronese makes its appeal to the ...
— A Venetian June • Anna Fuller
... much spoken of by connoisseurs, he is an admirer. He directs that the "colours which compose the empasto" should be perfectly well ground, and the ground perfectly smoothed. Yet this was not always the case in the empasto of Paul Veronese, whose empasto was often of a broken and mortary surface; and it would appear, from an examination of such parts of his pictures, as if he had purposely used water with his oil-paint, which would have the effect of slightly separating the particles, and thereby giving ...
— Blackwood's Edinburgh Magazine, Volume 58, Number 360, October 1845 • Various
... with SS. Peter and Herniagoras. The fine frame was carved by Giovanni Pietro di Udine in 1500, and gilded two years later by Antonio de' Tironi of Bergamo. Before 1484 the floor was of beaten earth; at that time a pavement of red Veronese marble was commenced, completed in 1544. The aisles are at a slightly higher level than the nave. The Gothic roof was remade on the pattern of those of SS. Zeno and Fermo, Verona, in 1526 (signed Giuliano q Vivente of Udine), and restored in 1560. It is now ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson
... his study of "The Rivals," we listened to the abbey bells of Bath. And when "Romeo and Juliet" was to be revived with Sothern and Marlowe, Frohman even proposed that we should visit Verona. He only abandoned the idea on discovering that the Veronese had no long-distance telephones, and that, while wandering among the tombs of the Montagus and Capulets, he would be cut off ...
— Charles Frohman: Manager and Man • Isaac Frederick Marcosson and Daniel Frohman
... they come, Like a flock of serpent-throated black-plumed swans, With the mandoline, viol, and the drum, Gems afire on arms ungloved, Fluttering fans, Floating mantles like a great moth's streaky vans Such as Veronese loved. ...
— The Poems of Emma Lazarus - Vol. I (of II.), Narrative, Lyric, and Dramatic • Emma Lazarus
... flesh had not subdued it. There is one part of this picture which he learned how to do at Venice, the Iris, with the golden hair, in the chariot behind Juno. In her he has put out his full power, under the teaching of Veronese and Titian; and he has all the splendid Northern-Gothic, Reynolds or Gainsborough play of feature with Venetian color. Scarcely anything more beautiful than that head, or more masterly than the composition of it, with the inlaid pattern of Juno's robe below, exists in the art of any country. ...
— Lectures on Landscape - Delivered at Oxford in Lent Term, 1871 • John Ruskin
... one branch of the painter's art he stood forth supreme and without a rival, in most others he remained second to none, alone in great pictorial decorations of the monumental order yielding the palm to his younger rivals Tintoretto and Paolo Veronese, who showed themselves more practised and more successfully daring in ...
— The Earlier Work of Titian • Claude Phillips
... a colossal statue of him by a modern Veronese sculptor, not unworthy of the subject or place, standing in the quiet Piazza dei Signori amid the deserted homes of the Della Scale, looking toward the palace of Can Grande, whose generous hospitality could not sweeten the bread of charity nor ...
— Lippincott's Magazine, Vol. 20, August 1877 • Various
... and spectacles, and while he was wiping the glasses he gave a rapid and impatient glance at the works that adorned the walls. None of them could charm the numismatist's heart. After he had enjoyed the pleasure of proving how feeble in comparison were the charms of a Titian or a Veronese, then only did M. Charnot walk step by step to the first case and bend reverently ...
— Serge Panine • Georges Ohnet
... (I thought of Othello as I entered it) is now converted into a library. The walls are decorated with the history of Pope Alexander the Third, and Frederic Barbarossa, painted by the Tintoretti, father and son, Paul Veronese and Palma. Above them, in compartments, hang the portraits of the Doges; among which Marino Faliero is not; but his name only, inscribed on a kind of black pall. The Ganymede is a most exquisite little group, attributed to the age of Praxiteles; and not without reason even to ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... this. It contains more than two thousand pictures already catalogued,—all of them worth a place on the walls. Among these there are ten by Raphael, forty-three by Titian, thirty-four by Tintoret, twenty-five by Paul Veronese. Rubens has the enormous contingent of sixty-four. Of Teniers, whose works are sold for fabulous sums for the square inch, this extraordinary museum possesses no less than sixty finished pictures,—the Louvre considers ...
— Castilian Days • John Hay
... pictures here by Giorgione, and Titian, and Tintoret, and Paul Veronese, and Bonifazio. Look at this Musical Party by Giorgione, this landscape by Titian, this portrait of the vile Duke of Alva by the same great master, the greatest master of all in portraiture. It is the Duke himself, not merely in his outward presence, but such as the insight ...
— The Atlantic Monthly, Vol. I, No. 1, Nov. 1857 • Various
... Samanon was human). In spite of himself, Lucien shuddered at the sight of the dried-up little old creature, whose bones seemed to be cutting a leather skin, spotted with all sorts of little green and yellow patches, like a portrait by Titian or Veronese when you look at it closely. One of Samanon's eyes was fixed and glassy, the other lively and bright; he seemed to keep that dead eye for the bill-discounting part of his profession, and the other for the trade in the pornographic curiosities upstairs. A few stray white hairs escaping ...
— A Distinguished Provincial at Paris • Honore de Balzac
... Ardelica, now Peschiera, at the conflux of the lake and river; ascertains the villa of Catullus, in the delightful peninsula of Sirmio, and discovers the Andes of Virgil, in the village of Bandes, precisely situate, qua se subducere colles incipiunt, where the Veronese hills imperceptibly slope down into the plain of Mantua. * Note: Gibbon has made a singular mistake: the Mincius flows out of the Bonacus at Peschiera, not into it. The interview is likewise placed at Ponte Molino. and at Governolo, at the conflux of the Mincio ...
— The History of The Decline and Fall of the Roman Empire - Volume 3 • Edward Gibbon
... to go back to those days of primitive costuming. In Shakespere's day there appeared over a "drop," or curtain of green, a legend plainly stating, "This is a street in Verona," and every man with an imagination straightway saw the Veronese street to his complete satisfaction; but there were those who had no imagination, and to hold their attention and to keep their patronage, scenes had to be painted for them. One would not like to see a woman draped in plain grey with an attached placard saying, "This is a ball gown" ...
— Stage Confidences • Clara Morris
... like birds. And what about? About the blond tint used by Venetian painters! Yes, about the "Venetian blond." That little serpent of a Gelis was telling Jeanne the secret of the dye with which, according to the best authorities, the women of Titian and of Veronese tinted their hair. And Mademoiselle Jeanne was expressing her opinion very prettily about the honey tint and the golden tint. I understood that that scamp of a Vecellio was responsible—that they had been bending over ...
— The Crime of Sylvestre Bonnard • Anatole France
... to modern times, and forming alone fourteen volumes, we find the source which the French artists and men of letters have studied with such predilection. First in order are the Italian medals of the fifteenth and sixteenth centuries, chiefly by the famous Victor Pisano, a Veronese, whom Nasari has so much lauded. The scholars and imitators of Pisano also produced works as interesting as historical documents as they are admirable in workmanship. Here also will be found the French and English seals, in which the balance of skill in design and execution is acknowledged to ...
— The International Weekly Miscellany, Volume I. No. 9. - Of Literature, Art, and Science, August 26, 1850 • Various
... over the artistic merits of Puvis de Chavannes. Whether you agree with Huysmans and call this mural painter a pasticheur of the Italian Primitives, or else the greatest artist in decoration since Paolo Veronese, depends much on your critical temperament. There are many to whom Henri Martin's gorgeous colour—really the methods of Monet applied to vast spaces—or the blazing originality of Albert Besnard make more intimate appeal than the pallid poetry, ...
— Ivory Apes and Peacocks • James Huneker
... desolations thereof, one beauty belongs. She is like a plain girl with beautiful eyes. There is no country like her in the world for colour—so delicately fresh in the rain- washed green of her pasture slopes, so keen the viridian [Footnote: Veronese green] of her turnip-fields when the dew is on the broad, fleshy, crushed leaves, so tender and deep the blue in the hollow places. It was small wonder that Ralph had set down in the note-book in which he sketched for future use all ...
— The Lilac Sunbonnet • S.R. Crockett
... tenor of this note (see lines 2 and 3) seems to me to indicate that this passage was not written in France, but was written from oral information. We have no evidence as to when this note may have been written beyond the circumstance that Fra Giocondo the Veronese Architect left France not before the year 1505. The greater part of the magnificent Chateau of Blois has now disappeared. Whether this note was made for a special purpose is uncertain. The original form and extent of the Chateau is shown in Androvet, Les plus excellents ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... one attraction of Madrid, and is principally composed of works by Spanish masters, though also containing many other fine works of art. Here we may see forty examples by the hand of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four by Tintoretto, and many by Andrea del Sarto, Titian, Vandyke, and others of similar artistic fame. It is believed that Murillo appears at his best in this collection. Being a native of ...
— Foot-prints of Travel - or, Journeyings in Many Lands • Maturin M. Ballou
... that Eve ruined us all, according to theology, without knowing her letters. Still there is something to be said in defence of that venerable ancestress. The Veronese lady, Isotta Nogarola, five hundred and thirty-six of whose learned epistles were preserved by De Thou, composed a dialogue on the question, Whether Adam or Eve had committed the greater sin. But Ludovico Domenichi, in his "Dialogue on ...
— Women and the Alphabet • Thomas Wentworth Higginson
... to the normal impulse shewn in the whole mass of his writings. This latter is the really conclusive reply. In the case of Michel Angelo, for instance, one must admit that if his works are set beside those of Titian or Paul Veronese, it is impossible not to be struck by the absence in the Florentine of that susceptibility to feminine charm which pervades the pictures of the Venetians. But, as Mr Harris points out (though he does not ...
— Dark Lady of the Sonnets • George Bernard Shaw
... to these flints recalls the origin attributed to them. The Romans call them CERAUNIA from keraun'oc, thunder, and in the catalogue of the possessions of a noble Veronese published in 1656, we find them mentioned under this name.[20] Every one knows Cymbeline's funeral chant ...
— Manners and Monuments of Prehistoric Peoples • The Marquis de Nadaillac
... singularly vivid sense. Music and painting are more direct in popular appeal than great poetry. Yet none can ridicule the sentiment which is embodied in the statue of Beethoven at Bonn, or in that of Paolo Veronese at Verona. To accept literally the youthful judgment of Milton and his imitators is to condemn sentiments and practices which are in universal vogue among civilised peoples. It is to deny to the Poets' Corner in Westminster Abbey ...
— Shakespeare and the Modern Stage - with Other Essays • Sir Sidney Lee
... the Antwerp Cathedral, by Neefs, is very fine; and I was much pleased with some large pictures by Philippe Champagne, some' of whose portraits I have seen in New York. Here are four pictures by Paul Veronese. No. 285 is the Marriage of Cana. I think I never saw a picture in which I was so impressed with the magnificence of the coloring. The table is richly spread, and the light appears on it, coming down the columns; the rich colors of the fruits contrasting strongly with the ...
— Young Americans Abroad - Vacation in Europe: Travels in England, France, Holland, - Belgium, Prussia and Switzerland • Various
... there was a great concert on the staircase at Stafford House, the most magnificent assembly I ever saw, and such as I think no crowned head in Europe could display, so grand and picturesque. The appearance of the hall was exactly like one of Paul Veronese's pictures, and only wanted some tapestry to be hung over the balustrades. Such prodigious space, so cool, so blazing with light; everybody was comfortable even, and the concert combined the greatest ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William IV, Vol. III • Charles C. F. Greville
... Crivelli's Madonnas, and all of Paul Veronese's work. He was really the most utterly Venetian painter who ever lived. He painted Venice into everything: its motion, its color, its intoxicating fulness are all found in his mythological and banquet scenes. You will ...
— Barbara's Heritage - Young Americans Among the Old Italian Masters • Deristhe L. Hoyt
... woman like those still seen about the streets of Rome. They possess none of the grace of the ideal woman of the Umbrian school, but they have something of the magnificence of the Imperial City—Juno and Venus are united in them. They would resemble the ideals of Titian and Paul Veronese but for their black hair and dark complexion,—blond and red hair have always been rare ...
— Lucretia Borgia - According to Original Documents and Correspondence of Her Day • Ferdinand Gregorovius
... the four greatest Painters, that is to say, managers of color, whom the world has seen; namely, Tintoret, Paul Veronese, Titian, and Correggio. I need not say more to justify my calling ...
— Lectures on Architecture and Painting - Delivered at Edinburgh in November 1853 • John Ruskin
... left us at least twenty different pictures embodying this doctrine. The one most familiar is perhaps the greatest. It is the one that now graces the gem-room of the Louvre. I so name this room, for in it, within a few feet of one another, are pictures by Raphael, Da Vinci, Correggio, Rembrandt, Veronese, in short, by the foremost masters of the world. Among all these the vision of Murillo takes an equal rank. To many, the idea which the picture represents is of secondary importance, save perhaps as giving a reason for the name it bears. But all can see the ...
— Great Artists, Vol 1. - Raphael, Rubens, Murillo, and Durer • Jennie Ellis Keysor
... "Othello" reminds one of a picture by Titian or Veronese; it is a romantic conception; the personages are all in gala dress; the struggle between Iago and the Moor is melodramatic; the whole picture aglow with a superb richness of colour. It is Shakespeare's finest play, his supreme achievement as a playwright. It is impossible ...
— The Man Shakespeare • Frank Harris
... complete type of such a mind has once been seen in him, and, I think, existed also in Tintoret; though, as far as I know, Tintoret has not left any work which indicates sympathy with the humor of the world. Paul Veronese, on the other hand, had sympathy with its humor, but not with its deepest tragedy or horror. Rubens wants the feeling for grace and mystery. And so, as we pass through the list of great painters, we shall find in each of them some local narrowness. Now, I do not, of course, mean to say ...
— Modern Painters, Volume IV (of V) • John Ruskin
... Paul Veronese, which is to be seen in a Benedictine convent in the Island of St. George, was in particular mentioned to us in high terms. Do not expect me to give you a description of this extraordinary work of art, ...
— The Works of Frederich Schiller in English • Frederich Schiller
... is the one attraction of Madrid, and is principally composed of works by the Spanish masters, though also containing many other gems. Here we find forty-four examples of Murillo, sixty-four from Velasquez, sixty by Rubens, twenty-five from Paul Veronese, thirty-four from Tintoretto, and many from Andrea del Sarto, Titian, Vandyke, Goya, Ribera, and others of similar artistic fame, in such profusion as to be a constant source of surprise to the stranger. Here one is sure to meet, daily, intelligent ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... nothing yet of the quality of the servants, which, nevertheless, is the gist of the business. Will you have Paul Veronese to paint your ceiling, or the plumber from over the way? Both will work for the same money; Paul, if anything, a little the cheaper of the two, if you keep him in good humour; only you have to discern him first, ...
— The Crown of Wild Olive • John Ruskin
... subject treated. For instance, if the subject be of a gay and light character, and the emotions intended to be excited of a similar nature, the variety may be carried to a far greater extent than in one of a graver character. In the celebrated Marriage at Cana, by Paul Veronese, we see it carried, perhaps, to its utmost limits; and to such an extent, that an hour's travel will hardly conduct us through all its parts; yet we feel no weariness throughout this journey, nay, we are quite unconscious ...
— Lectures on Art • Washington Allston
... distinguished audience. The chief point on which he dwelt was the absolute unity of all the arts and, in order to convey this idea, he framed a definition wide enough to include Shakespeare's King Lear and Michael Angelo's Creation, Paul Veronese's picture of Alexander and Darius, and Gibbon's description of the entry of Heliogabalus into Rome. All these he regarded as so many expressions of man's thoughts and emotions on fine things, conveyed through visible or audible modes; and starting from ...
— Miscellanies • Oscar Wilde
... panel or laminated copper for such gigantic works?) did Raffaelle bequeath so many legacies of his immortal genius. It is the strength of thy fibres that is the strength of the loaded supper-tables of Paul Veronese; and the velvets, the furs, the satins of Titian and Vandyke, are quilted upon thee. Nor disdainest thou to render to man, who bruises thee to try thy virtue, a thousand humbler services. Thou preservest our horses ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 361, November, 1845. • Various
... Eustace for bad taste in talking over his case with his lawyer in public. He laughed, and assured her that he had never even thought of his suit, but had been discussing one of the pictures on the walls, a fine Veronese—appealing to me if it were not so; but she was not satisfied; she said he should not have encouraged the presumption of that little advocate by ...
— Stray Pearls • Charlotte M. Yonge
... history, and anatomical drawing may be traced in Paolo Uccello, Dello Delli, Piero di Cosimo, Pinturicchio, the Pollajuoli, and Luca Signorelli. Here also is Gentile da Fabriano. Venice gives us G. Bellini, M. Basaiti, Giorgione, and Paul Veronese. And of the later Sienese, there are Sodoma, Matteo da Siena, and Beccafumi. The list includes, also, Domenichino, Sebastian del Piombo, Guido, Salvator Rosa, Holbein, Rubens, and ...
— Atlantic Monthly, Vol. VI.,October, 1860.—No. XXXVI. - A Magazine Of Literature, Art, And Politics • Various
... different from wishing to deceive the eye as for some one to say "and then a dog barked," instead of imitating the barking of a dog. A circumstantial description in words and a picture by Van Eyck or Veronese are equally intended to pass as reports of something visually conceived or actually seen. Pictures would have to be made peep-shows of before they could veritably deceive; and Jan Van Beers, a modern Dutchman, ...
— Albert Durer • T. Sturge Moore
... differently, and interpret them rightly, because the soul is infinite. Milton's nightingale is not Coleridge's; Burns's daisy is not Wordsworth's; Emerson's bumblebee is not Lowell's; nor does Turner see in nature what Tintoretto does, nor Veronese what Correggio does. Nature is all things to all men. "We carry within us," says Sir Thomas Browne, "the wonders we find without." The same idea is daintily expressed in these ...
— The Writings of John Burroughs • John Burroughs
... say I shall be very happy to hear from you during your sojournment abroad. Especially tell me what your impressions are when you turn from David's picture with Romulus and Tatius in the foreground, and Paul Veronese's Marriage at Cana directly opposite, at the entrance of the picture ...
— Samuel F. B. Morse, His Letters and Journals - In Two Volumes, Volume I. • Samuel F. B. Morse
... hesitated between drawing and color, between the dogged attention to detail, the stiff precision of the German masters and the dazzling glow, the joyous exuberance of Italian painters. You have set yourself to imitate Hans Holbein and Titian, Albrecht Durer and Paul Veronese in a single picture. A magnificent ambition truly, but what has come of it? Your work has neither the severe charm of a dry execution nor the magical illusion of Italian chiaroscuro. Titian's rich golden ...
— The Unknown Masterpiece - 1845 • Honore De Balzac
... accumulate symbol upon symbol, till the original impression is almost restored, but so restored that it contains all the articulation which a thorough analysis had given it. Such painting as Tintoretto's or Paolo Veronese's records impressions as a cultivated sense might receive them. It glows with visible light and studies the sensuous appearance, but it contains at the same time an intelligent expression of all those mechanisms, those situations and passions, with which the living ...
— The Life of Reason • George Santayana
... born in Tyrol, having an American-born mother of Italian descent, and a Veronese father. Her entire girlhood was spent in Brescia and other cities of Northern Italy, and in early womanhood she came with her family to America. Her story gives a most graphic account of the industries, social ...
— John and Betty's History Visit • Margaret Williamson
... is optically possible to be seen, is to be shown in every picture. The eye delightedly dwells upon the brilliant individualities in a "Marriage at Cana," by Veronese, or Titian, to the very texture and colour of the wedding garments, the ring glittering upon the bride's fingers, the metal and fashion of the wine pots; for at such seasons there is leisure and luxury to be curious. But in a "day of judgment," or in a "day of lesser horrors, yet divine," ...
— The Works of Charles and Mary Lamb, Volume 2 • Charles Lamb
... bedroom a great arched ceiling, after the narrative manner of Paolo Veronese, lent such vastness to the apartment that moving across it, or sitting in her great overstuffed armchair beside a window, she hardly struck a note. Great wealth lay in canopied silence over that room. A rug out of Persia, so large that countless extra years and countless ...
— Every Soul Hath Its Song • Fannie Hurst
... bright, ringing quality; one soft and veiled. The bright, strident hues of purple and gold in a picture may produce a masterpiece of gorgeous colouring; so, in a different manner, may the harmonious juxtaposition of greys, lilacs and browns on a canvas by Veronese, Rubens, or Delacroix. ...
— Style in Singing • W. E. Haslam
... was about three years ago, a picture which well exemplifies this ideal colouring. It was exhibited at the Institution; it was of a female saint to whom the infant Saviour appears, by P. Veronese. The very excellence of the colouring was in its natural unnaturalness; I say natural, because it was perfectly true to the mystic dream, the saintly vision; a more common natural would have ruined it. No one ever, it is true, saw such a sky—but in a gifted trance it ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... content—nous ferons route ensiemble...." I will translate: "I call myself Carlo Veronese—first barytone of the theatre of La Scala, Milan. The signora is my second wife; she is prima donna assoluta of the grand opera, Naples. The little ragazza is my daughter by my first wife. She is the greatest violinist of her age ...
— The Martian • George Du Maurier
... through the placid laws of existence. She was leaving the convent radiant, full of the joy of life, ready for all the happiness, all the charming incidents which her mind had pictured in her idle hours and in the long, quiet nights. She was like a portrait by Veronese with her fair, glossy hair, which seemed to cast a radiance on her skin, a skin with the faintest tinge of pink, softened by a light velvety down which could be perceived when the sun kissed her cheek. ...
— Une Vie, A Piece of String and Other Stories • Guy de Maupassant
... eyes and braided hair for all the mischief they have a mind to. I wish we could, for once, get the statistics of a London season. There was much complaining talk in Parliament, last week, of the vast sum the nation has given for the best Paul Veronese in Venice—14,000l.: I wonder what the nation meanwhile has given for its ball-dresses! Suppose we could see the London milliners' bills, simply for unnecessary breadths of slip and flounce, from April to July; I wonder whether ...
— A Joy For Ever - (And Its Price in the Market) • John Ruskin
... give shape and order to the confused materials out of which habitable worlds are evolved. It is too late now to be sensitive over this unsuccessful attempt as a story and unconscious success as a self-portraiture. The first sketches of Paul Veronese, the first patterns of the Gobelin tapestry, are not to be criticised for the sake of pointing out their inevitable and too manifest imperfections. They are to be carefully studied as the earliest efforts of the hand which painted the Marriage at Cana, of ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.
... enchained, or rather altogether the first. Wondered how any one could translate it or the Faust, but spoke as knowing the original. Thought little of Murillo as to the mind of painting; said he could not have painted Paul Veronese's 'Marriage of Cana.' Considered that old age in great measure disqualified him by its rigid fixity of habits from judging of the works of young poets—I must say that he was here even over liberal in self-depreciation. He defended the make of the steamboat as more ...
— The Life of William Ewart Gladstone, Vol. 1 (of 3) - 1809-1859 • John Morley
... contradict itself, that one is scarcely surprised at one conclusion being apparently opposed to the former one; but a change so great as this, from Giotto, Perugino, and Cima, to Tintoret, Titian, and Veronese, as the religious ideals, will, indeed, amaze all who read it. Yet this is but the logical consequence of his progression hitherto. If he commenced with a belief that asceticism was religion, he would recognize Perugino and Giotto as the true ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... an artist in Venice, I asked: "What is it that people see in the Old Masters? I have been in the Doge's palace and I saw several acres of very bad drawing, very bad perspective, and very incorrect proportions. Paul Veronese's dogs to not resemble dogs; all the horses look like bladders on legs; one man had a RIGHT leg on the left side of his body; in the large picture where the Emperor (Barbarossa?) is prostrate before ...
— Innocents abroad • Mark Twain
... with increasing splendor until it became, what it is now, a stately marble building of the Saracenic style of architecture, with a grand staircase and noble halls, adorned with pictures by Titian, Tintoretto, Paul Veronese, and ...
— The Aldine, Vol. 5, No. 1., January, 1872 - A Typographic Art Journal • Various
... everywhere, Shaw, dealer in human character, cannot write a play and leave her out, any more than the artist Turner could paint a picture and leave man out, or Paul Veronese produce a ...
— Love, Life & Work • Elbert Hubbard
... originally from the Greeks, of whose sculptures the Romans availed themselves to a great degree. On the other hand, this looseness of arrangement, and what may be termed ornamental, not only spread through Germany, but infected the schools of Venice; witness the works of Tintoret and Paul Veronese, in which the expression of the countenance absolutely goes for nothing, and the whole arrangement is drawn out in a picturesque point of view, merely to amuse and gratify the eye of ...
— Rembrandt and His Works • John Burnet
... passage there are four points chiefly to be remarked. The first, that in the year 1759 the Italian painters were, in our author's opinion, sunk in the very bathos of insipidity. The second, that the Venetian painters, i.e. Titian, Tintoret, and Veronese, are, in our author's opinion, to be classed with the Dutch; that is to say, are painters in a style "in which the slowest intellect is always sure to succeed best." Thirdly, that painting naturally is not a difficult thing, nor one ...
— Selections From the Works of John Ruskin • John Ruskin
... other personages are mere occasions for his presence and means of his development. But Polonius is something the same kind of man as old Capulet in "Romeo and Juliet;" and although there were opportunities enough for the noble Veronese father to utter sententiously the knowledge of the world which he had gained by living in it, see how comparatively meagre and superficial his "wise saws" are compared with the counsel that Polonius gives ...
— The Galaxy - Vol. 23, No. 1 • Various
... wit and skepticism the splendid luxury and joy of living in Renaissance court life. The care with which he chiselled each line proves that his real seriousness and conscience lay in his artistic purpose. Without Ariosto's wit, Paolo Veronese depicted a similar side in painting, though his Venetian birthright made him celebrate the glory of the Republic. Poet and painter alike expressed far more than either could know. If such a test be applied to the artists of the ...
— Thoughts on Art and Life • Leonardo da Vinci
... Benacus, which a thousand rills, Methinks, and more, water between the vale Camonica and Garda and the height Of Apennine remote. There is a spot At midway of that lake, where he who bears Of Trento's flock the past'ral staff, with him Of Brescia, and the Veronese, might each Passing that way his benediction give. A garrison of goodly site and strong Peschiera stands, to awe with front oppos'd The Bergamese and Brescian, whence the shore More slope each way descends. ...
— The Divine Comedy, Complete - The Vision of Paradise, Purgatory and Hell • Dante Alighieri
... "Titian, Veronese, Tintoretto," she said over and over again, as she looked at the pictures which Rafael pointed out to her in the long rooms. "If I find more of their paintings in other cities of Italy, it will seem like ...
— Rafael in Italy - A Geographical Reader • Etta Blaisdell McDonald
... that he could tell a Botticelli from a Lippi at first glance. He was beginning to understand why people raved over this style or that. There was something so gentle, so peaceful in a Botticelli that he really preferred it to some of the famed colorists, always excepting Veronese, to whom he had given his ...
— The Lure of the Mask • Harold MacGrath
... Nature, but from sculpture; his figures are seen in strange projection and foreshortening, like figures in a high relief seen from below; despite his mastery of perspective, they seem hewn out of the background; despite the rich colours which he displays in his Veronese altar-piece, they look like painted marbles, with their hard clots of stone-like hair and beard, with their vacant glance and their wonderful draperies, clinging and weighty like the wet draperies of ancient sculpture. ...
— The Contemporary Review, Volume 36, September 1879 • Various
... them. Renaissance millionaires could be vulgar and brutal, but they were great gentlemen. They were neither illiterate cads nor meddlesome puritans, nor even saviours of society. Yet, if we are to understand the amazing popularity of Titian's and of Veronese's women, we must take note of their niceness to kiss and obvious willingness to be kissed. That beauty for which can be substituted the word "desirableness," and that insignificant beauty which is the beauty of gems, were in great ...
— Art • Clive Bell
... and velvet of Genoa, the young Englishman went to study geometry at Padua, where twenty years later Galileo would have been his teacher, and Sidney writes to Languet that he was perplexed whether to sit to Paul Veronese or to ...
— Literary and Social Essays • George William Curtis
... in the exhibitions of paintings. The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Corregio, a woman of Titan, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribera, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gerard Dow, Metsu, and Paul Potter, two specimens of Gericault and Prudhon, and some sea-pieces of Backhuysen ...
— Twenty Thousand Leagues under the Sea • Jules Verne
... of Hamilton when a boy. A sweet child, with the hair cut straight along the forehead, as worn by children some fifty years ago, and hanging luxuriantly down his neck On the same side of the room, behind a bronze of the Laocoon, is a wonderful sketch by Paolo Veronese, the drawing and composition in the grand style, touched with great sweetness and juiciness. Two small upright Bassans, painted conjointly by both, bearing their names; the point of sight is ...
— Recollections of the late William Beckford - of Fonthill, Wilts and Lansdown, Bath • Henry Venn Lansdown
... and extolled beyond any limits fixed to the admiration of the beholder. It is a rare and bewitching piece of art, I do assure you: and so, raising your expectations to their highest pitch, I will allow you to anticipate whatever is wonderful in FRANCESCO VERONESE and gorgeous in GIROLAMO DEI LIBRI.[35] Perhaps, however, this is not the most happy illustration of the art which ...
— A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two • Thomas Frognall Dibdin
... eye for color, the sculptor's sense of form, as well as the lover's honeyed tenderness, entered into the success of this charming tenor. His stage pictures looked as if they had stepped out of the canvases of Titian, Tintoretto, and Paul Veronese. In no way was the artistic completeness of his temperament more happily shown than in the harmonious and beautiful figure he presented in his various characters; for there was a touch of poetry and proportion in them far beyond the possibilities of the stage costumer's ...
— Great Singers, Second Series - Malibran To Titiens • George T. Ferris
... worldly life; so delightful and dear to the poet and to the saint, so despised in other moods conquered and victorious again, among the battles of the war in our members. The very words in which the Veronese and the Bishop of Hippo described the pleasure and gaiety of an early friendship are almost the same, and we feel that, born four hundred years later, the lover of Lesbia, the singer of Sirmio might actually have ...
— Adventures among Books • Andrew Lang
... under its influence can always be desirable, we are far from thinking: but that it may exist we believe is just as certain as any of the incomprehensible laws of our wayward and yet admirable nature. We have no Veronese tale to relate here, however, but simply a homely legend, in which human feeling may occasionally be made to bear an humble resemblance to that world-renowned picture which had its scenes in the beautiful capital of ...
— Oak Openings • James Fenimore Cooper
... "I like your country-people: they admire frankly. Show them a picture, they exclaim, 'Beautiful! magnificent! lovely! exquisite! name your price;' and they buy it. Here the public look and look. 'Not bad,' they say, 'but the color is from Veronese, and that attitude is surely Raphael's. What a mine that man's genius has been to ambitious but less gifted artists!' and so they go on. I wish they would let the dead rest in peace. Are you acquainted with Mr. ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... its predecessor. It was opened 1893, and its campanile reaches a height of 125 feet. Within the porch is a beautiful marble group of the dead Christ, supported by an angel. The pictures inside are exceptionally valuable and beautiful, including paintings by Vandyke, Murillo, Carlo Dolci, Paul Veronese (attributed), and many others. On the opposite side of the street Messrs. Crosse and Blackwell's factory also covers a house owning historical associations. No. 21 was the "White House," and 22, "Falconberg House," in former times. The latter was the residence of Oliver Cromwell's third daughter, ...
— The Strand District - The Fascination of London • Sir Walter Besant
... completed a group of Daedalus and Icarus for the Senator Pisani. This was intended for an exterior decoration of his palace; but when it was done Pisani considered it worthy of a place in his gallery, already famous on account of the painting of Darius and his Family, by Paul Veronese, and other fine works. This may be called Canova's last work in Venice, as he went to Rome soon after his ...
— A History of Art for Beginners and Students - Painting, Sculpture, Architecture • Clara Erskine Clement
... the judicious eye with a strong resemblance of Paul Veronese: he has all the vivacity and ease of that great painter, and fully equals him in his fancy for the singular and the shining in his draperies; but, as he shares his beauties, he is not without his faults. His composition is sometimes improper, and ...
— The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810 • Various
... of the draperies of Paul Veronese; but we are touched with the simplicity of Raphael, ...
— The History of Emily Montague • Frances Brooke
... madame, the festival air in "Romeo." Oh! the solo of the clarionets, the beloved women, with the harp accompaniment! Something enrapturing, something white as snow which ascends! The festival bursts upon you, like a picture by Paul Veronese, with the tumultuous magnificence of the "Marriage of Cana"; and then the love-song begins again, oh, how softly! Oh! always higher! ...
— His Masterpiece • Emile Zola
... were from the first endowed with exquisite tact in their use of colour. Seldom cold and rarely too warm, their colouring never seems an afterthought, as in many of the Florentine painters, nor is it always suggesting paint, as in some of the Veronese masters. When the eye has grown accustomed to make allowance for the darkening caused by time, for the dirt that lies in layers on so many pictures, and for unsuccessful attempts at restoration, the better Venetian paintings present such harmony of intention ...
— The Venetian Painters of the Renaissance - Third Edition • Bernhard Berenson
... school of clowning, just as some of the recent English humorists have patterned after certain famous wits of ours. I do not know that I would have exposed this impostor, even if occasion had offered, for, after all, his fraud was a tribute to our own primacy in clowning, and the Veronese were none the worse ...
— Henry James, Jr. • William Dean Howells
... Miriam were upstairs dressing. Their bedroom was over the stable. It was a low room, not very large, and bare. Miriam had nailed on the wall a reproduction of Veronese's "St. Catherine". She loved the woman who sat in the window, dreaming. Her own windows were too small to sit in. But the front one was dripped over with honeysuckle and virginia creeper, and looked upon the tree-tops of the oak-wood ...
— Sons and Lovers • David Herbert Lawrence
... Loggie under his arm. Benvenuto Cellini is meditating his Perseus, Ghiberti is carving the Baptistery doors at the same time that Donatello is rearing his marbles on the bridges of the Arno; and whilst the city of the Medici is staking masterpieces against that of Leo X and Julius II, Titian and Paul Veronese are rendering the home of Doges illustrious. Saint Mark's ...
— Bohemians of the Latin Quarter • Henry Murger
... of the use of monograms; and certainly that those who did employ them, selected the very simplest and least fantastic forms. The greatest masters of the art—Michael Angelo, Raphael, Titian, Guido, Domenichino, Paul Veronese, Rubens, Guercino, Agostino Caracci, and many hardly less distinguished artists—either omitted to sign their pictures at all, or signed their name at full length, sometimes with the addition of their ...
— Chambers's Edinburgh Journal, No. 434 - Volume 17, New Series, April 24, 1852 • Various
... Pisa because she needs a way to the sea. Siena and Perugia, upon their inland altitudes, consume themselves in brilliant but unavailing efforts to expand. Milan engulfs the lesser towns of Lombardy. Verona absorbs Padua and Treviso. Venice extends dominion over the Friuli and the Veronese conquests. Strife and covetousness reign from the Alps to the Ionian Sea. But it is a strife of living energies, the covetousness of impassioned and puissant units. Italy as a whole is almost invisible to the student by reason of the many-sided, combative, ...
— Renaissance in Italy, Volume 1 (of 7) • John Addington Symonds
... now in the suburban church of S. Bernardino in that city, but died before they were completed. Vincenzo Sabbia writes of these:—"In the year 1523 the reverend father Fra Filippo Villani of Lodi, prior of the convent of S. Cristoforo in that city, agreed with Fra Giovanni Veronese, an excellent master of perspective, to make him 35 pictures of perspective at the rate of 30 or 40 broad ducats of gold for each—which are worth 5 lire 4 soldi each—which were to be finished in two or three years, and 300 broad ducats of gold were counted out to him. The said brother was not ...
— Intarsia and Marquetry • F. Hamilton Jackson
... The Veronese nobleman shewed however the spirit of his country, if we let loose the genius of ours. The emperor had visited his improvements it seems, and on the spot where he kissed the children of the house, their father set up a stone ...
— Observations and Reflections Made in the Course of a Journey through France, Italy, and Germany, Vol. I • Hester Lynch Piozzi
... as the Veronese at Venice; and his picture is truer to the premium standard. The painting shows a pampered animal, with over-red blotches on his white hide, and is by half too fat to breast such "salt sea-foam" as flashes on ...
— Atlantic Monthly, Vol. XI., April, 1863, No. LXVI. - A Magazine Of Literature, Art, And Politics. • Various
... sometimes forgets itself into devotion; but the principle of treatment is altogether the same as Titian's: absolute subordination of the religious subject to purposes of decoration or portraiture. The evidence might be accumulated a thousand-fold from the works of Veronese, and of every succeeding painter,—that the fifteenth century had taken away the ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... d'oeuvre of that great artist, the women are so fat and totally devoid of grace; I have seen several of his pictures in the great Collection at Vienna which I like much better. The Louvre may be also considered rich in the works of Titian, some fine subjects by Guido, Murillo, Correggio, and Paul Veronese, of which the Marriage in Cana is supposed to be the largest detached picture in the world; and many of the figures are portraits, as of Francis I, Mary of England, etc., who were contemporaries with ...
— How to Enjoy Paris in 1842 • F. Herve
... had prepared a banquet for the party. The cloth had been laid on a raised work of wood and turf, and rustic seats of the same material surrounded the picturesque table. It glowed with materials, and with colours to which Veronese alone could have done justice: pasties, and birds, and venison, and groups of fish, gleamy with prismatic hues, while amid pyramids of fruit rose goblets of fantastic glass, worthy of the famous wines they ...
— Vivian Grey • The Earl of Beaconsfield
... ages, when my dear native land shall boast a national school of art, will hang in the Salon Carre of the great central museum, (located, let us say, in Chicago,) and remind folks—or rather make them forget—Giorgione, Bordone, and Veronese; A Rural Festival; three persons feasting under some trees; scene, nowhere in particular; time and hour, problematical. Female figure, a big brune; young man reclining on his elbow; old man drinking. An empty ...
— The Atlantic Monthly, Volume 17, No. 100, February, 1866 • Various
... separates the house, which is eighteenth-century English, from the sidewalk. The gallery, the low wing at the upper corner, with lunettes in sculpture by Sherry Fry, Phillip Martiny, Charles Keck, and Attilio Piccirilli, contains pictures by Titian, Paul Veronese, Velasquez, Murillo, Van Dyck, Franz Hals, Rembrant, Daubigny, Corot, Diaz, Manet, Millet, Rousseau, Troyon, Constable, Gainsborough, Lawrence, Raeburn, Reynolds, Romney, Turner, and Whistler. The chief artistic feature of the interior decorations of the house, which, ...
— Fifth Avenue • Arthur Bartlett Maurice
... his niece, Mariana of Austria. She had been affianced to the Infante Don Balthasar Carlos, but he had been dead for three years, and the Spanish throne was without an heir. Velazquez visited Genoa, Venice, Milan, and Padua, and brought back pictures by Veronese and Tintoretto. Rome and Naples were revisited, and the famous portrait of Pope Innocent X., of which one copy is in St. Petersburg, and the other in the Doria Palace in Rome, was painted. The former is a bust and a study; the latter is a three-quarter length, and is painted with a wonderful blend ...
— Velazquez • S. L. Bensusan
... well-regulated valvular machine he was pleased to designate his heart, had never as yet experienced a warmer sensation than that of mere critical admiration for classic contours, symmetrical figures, or voluptuous Paul Veronese colouring. ...
— Infelice • Augusta Jane Evans Wilson
... "the Islands of Terceras and the Canaries"; and he seems to have caught, in those southern seas, no small portion of the qualities which marked the almost contemporary Art of Venice,—the glory and the glow of Veronese, or Titian, or Tintoret, when he most resembles Titian, ...
— The Golden Treasury - Of the Best Songs and Lyrical Poems in the English Language • Various
... paintings which had brought him from Antwerp. How many gifted minds spoke to him from the noble works which were before him! The three Bellinis, the founders of the Venetian school; Giorgione, Titian, and Tintoretto. Then Paolo Veronese, who, though born at Verona, in 1537, adopted Venice as his home, and became the fellow-artist of Tintoretto, and the disciple of Titian. Pordenone, too, who viewed Titian as a rival and an enemy. Palma the young, and Palma the old, born in 1548, and the Bassanos, ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various
... of earth as the portal to heaven. Certain spheres were beyond his ken. The marriage of Cana did not for him flow with the wine of gladness; he had no fellowship with the nuptial banquet as painted by Veronese. His pencil shunned the Song of Miriam and the Dance of the Daughter of Herodias; it could not pass, like the pen of England's epic poet, with a light fantastic touch from "Il Penseroso" to "L'Allegro;" his walk was narrow as a convent cloister; his art was ...
— Overbeck • J. Beavington Atkinson
... no. 292 to 307, inclusive (only 14 volumes), there was a set of "Painted Missals and curious manuscripts," which were sold for 724l. Among them, was Mr. John Towneley's matchless missal, decorated by the famous Francesco Veronese—"one of the finest productions of the kind ever imported from Italy:" see no. 296. For an account of the books PRINTED UPON VELLUM in this collection, see PART VI. Let us close this note with the Bibliotheca Boucheriana; of which such respectable mention is ...
— Bibliomania; or Book-Madness - A Bibliographical Romance • Thomas Frognall Dibdin
... truly stately appearance in her light yellow dress with a border of roses, with her black, almost ebony hair, olive complexion, and classically beautiful face—a typical Veronese—took Janina by the arm and gracefully promenaded about the salon with her, casting proud ...
— The Comedienne • Wladyslaw Reymont
... twenty-fourth year. Titian's "Divine and Human Love;" Raphael's portrait of "Caesar Borgia;" Correggio's "Danae;" Domenichino's "Cumaean Sibyl" and "Diana;" Peruzzi's "Venus Leaving the Bath;" Van Dyck's "Crucifixion;" Titian's "Venus and Cupid;" and "Annunciation," by Paul Veronese; Vasari's "Lucrezia Borgia;" Botticelli's "Holy Family and Angels;" Van Dyck's "Entombment;" Carlo Dolce's "Mater Dolorosa," and Sassoferrato's "Three Ages of Man" are among the ...
— Italy, the Magic Land • Lilian Whiting
... VERONESE (Paul): noted for his great want of historical correctness and elegance of design; but he abounds in spirited banquets, sumptuous edifices, brilliant aerial spectres, magnificent robes, gaud, and ...
— Character Sketches of Romance, Fiction and the Drama - A Revised American Edition of the Reader's Handbook, Vol. 3 • E. Cobham Brewer
... been for many years past. Misty, gossamered mornings, a day all blue and pale gold, bees in the ivy bloom, sprawling overblown flowers, red apples, purpling vine-clusters, clear evenings: then this smouldering moon to go to bed by! It is all like a great Veronese wall-picture, or the Masque in The Tempest—"Rich scarf to my proud earth!"—and summons from me more adjectives than I have needed this twelvemonth. It is indeed adjectival weather; for Nature is still adding, not discarding stores. The last act of ...
— In a Green Shade - A Country Commentary • Maurice Hewlett
... spoke the language of the country; and Isabella—who with her friends sang boleros and danced the cachuca; with her brother, read Racine and Corneille—was equally happy while she hung enraptured upon the strains of Pergolese's music, or gazed entranced upon the pictures of Correggio and the Veronese. The princess herself was both a painter and musician, and no one, more than she, loved Italy ...
— Joseph II. and His Court • L. Muhlbach |
