"Fresco" Quotes from Famous Books
 ... escaping "the artist's sorrow." So Raphael, the painter, wrote a volume of sonnets to be seen only by one. Dante, poet of the "Inferno," drew an angel in memory of the one (of Beatrice). He—Mr. Browning—has only his verse to offer. But as the fresco painter steals a camel's hair brush to paint flowerets on his lady's missal—as he who blows through bronze may also breathe through silver for the purpose of a serenade, so may he lend his talent to a different use. He has completed his volume of "Men" ...
— A Handbook to the Works of Browning (6th ed.) • Mrs. Sutherland Orr
... valley of the Apennines, close to the sea-coast between Genoa and Spezzia, is a marine villa, that once belonged to the Malaspina family, in olden time the friends and patrons of Dante. It is rather a fantastic pile, painted in fresco, but spacious, in good repair, and convenient. Although little more than a mile from Spezzia, a glimpse of the blue sea can only be caught from one particular spot, so completely is the land locked with hills, covered with ...
— Venetia • Benjamin Disraeli
... strikes us as being too robust. If people would believe me, they would not form the highest idea of Wagner from that which pleases them in him to-day. All that was only devised for convincing the masses, and people like ourselves recoil from it just as one would recoil from too garish a fresco. What concern have we with the irritating brutality of the overture to the "Tannhauser"? Or with the Walkyrie Circus? Whatever has become popular in Wagner's art, including that which has become so outside the theatre, is in bad taste ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... unconstraint, what delightful ease! What a series of charming portraits, each more lifelike, more animated, still better than all the others! "These little miniatures—due to the brush of a woman of the world—are better worth studying than is many a picture or fresco." ...
— Women of Modern France - Woman In All Ages And In All Countries • Hugo P. Thieme
... affords reason for thinking it so. In fact, the great merit of this hypothesis of mine is that it seems to explain what we know to be true. Anyone who is curious to discover why we call a Persian carpet or a fresco by Piero della Francesca a work of art, and a portrait-bust of Hadrian or a popular problem-picture rubbish, will here find satisfaction. He will find, too, that to the familiar counters of criticism—e.g. "good drawing," "magnificent design," "mechanical," "unfelt," "ill-organised," ...
— Art • Clive Bell
... made in this country do not preserve their colour like the English ones. The ceilings of some of the passages are beautifully decorated; and one of the committee rooms, appropriated to agricultural matters, is remarkably well painted in fresco; all the subjects have allusion to agricultural pursuits. In the centre of the building, round the circular part, under the dome, are some very indifferent pictures, representing subjects connected with the history of America, beginning with the landing of Columbus. ...
— First Impressions of the New World - On Two Travellers from the Old in the Autumn of 1858 • Isabella Strange Trotter
... of the houses are lofty and the floors stuccoed or tiled in marble, while the walls and ceilings are frequently ornamented in fresco, the excellence of the workmanship varying in accordance with the owner's means. The most striking peculiarity of the town-house in Cuba is the precaution taken to render it safe against sudden attack. Every man's house is literally his castle here, each accessible window being ...
— Due South or Cuba Past and Present • Maturin M. Ballou
... only marks of civilization. On the outside, at one end of the terrace, burns the cooking-fire under a shed; at the other there is perhaps a pen for pigs; the remainder is the evening lounge and al fresco banquet-hall of the inhabitants. To some houses water is brought down the mountains in bamboo pipes, perforated for the sake of sweetness. With the Highland comparison in my mind, I was struck to remember the sluttish mounds of turf and stone in which I have sat ...
— In the South Seas • Robert Louis Stevenson
... he was shown how the French soldiers had playfully made the fresco of "The Last Supper," by Leonardo da Vinci, the butt of their bullets; and at Turin he was struck by the strange sight in the Museum of a black man in puris naturalibus. He had been a favourite servant of the King of Sardinia, who had left nothing undone to cure him of the disorder from which ...
— The Letter-Bag of Lady Elizabeth Spencer-Stanhope v. I. • A. M. W. Stirling (compiler)
... the rays of the sun. The pavilions nearest to that of the sun were reserved for the Princes of the blood and the ministers; the rest were occupied by persons holding superior offices at Court, or invited to stay at Marly. Each pavilion was named after fresco paintings, which covered its walls, and which had been executed by the most celebrated artists of the age of Louis XIV. On a line with the upper pavilion there was on the left a chapel; on the right a pavilion called La Perspective, which concealed ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre
... the busiest, most bustling part of the town, its fresco and bronze and iron quaintly suggestive of mediaeval times. Within, all was cool and dim and restful, with the faintest whiff of lingering incense rising and pervading the gray arches. Yes, the Virgin would ...
— The Goodness of St. Rocque and Other Stories • Alice Dunbar
... us a fresco representing some lions and other beasts drawing chariots; and they seemed to project so far from the wall that we took them to be sculptures. The artist had shrewdly heightened the delusion by painting dust on the creatures' backs, as if it had fallen there naturally and properly. ...
— Innocents abroad • Mark Twain
... he left were made in such a way, that it may well be believed from this showing that he would have become excellent and rare if he had not died so soon. In two chapels of S. Agostino in Siena there are seen some little pictures with figures in fresco, by his hand; and in the church, on a wall now pulled down in order to make chapels there, was a scene of a youth led to execution, as well made as it could possibly be imagined, there being seen expressed in it the pallor and fear of ...
— Lives of the Most Eminent Painters Sculptors and Architects - Vol 2, Berna to Michelozzo Michelozzi • Giorgio Vasari
... Francisco Francis. francmason freemason. frase f. phrase, sentence. fratricida fratricidal. frecuente frequent. freir to fry. frenetico frantic. frente f. front, forehead; —— a, facing. fresal m. strawberry plant. fresco fresh, cool. frescura freshness, impudence. frio cold, frigid, m. cold, chill. frito (from freir) fried. frivolo frivolous. frontera frontier. fruta fruit. fruto fruit. fuego ...
— Novelas Cortas • Pedro Antonio de Alarcon
... hand, these prerogatives were at the same time problems; it requires no ordinary degree of skill to arrange, with simplicity and perspicuity, such great masses as Shakspeare uses to bring together: more of drawing and perspective are required for an extensive fresco painting, than for a small oil picture. In renouncing the intermixture of comic scenes when they no longer understood their ironical aim, they did perfectly right: Southern still attempted them in his Oroonoko, but in his hands they exhibit a wretched appearance. With the general ...
— Lectures on Dramatic Art and Literature • August Wilhelm Schlegel
... Valley narrows.—Romantic Glen.—Al fresco Meal.—Forest of Cork Trees.—Salvator Rosa Scenery.—Haunts of Outlaws.—Their Atrocities.—Anecdotes of them in a better Spirit.—The Defile in the Mountains.—Elevated Plateau.—A Night March.—Arrival at Tempio, the Capital ...
— Rambles in the Islands of Corsica and Sardinia - with Notices of their History, Antiquities, and Present Condition. • Thomas Forester
... by no means a delicate one. His lines, as the story of the circle would lead us to expect, are always firm, but they are never fine. Even in his smallest tempera pictures the touch is bold and somewhat heavy: in his fresco work the handling is much broader than that of contemporary painters, corresponding somewhat to the character of many of the figures, representing plain, masculine kind of people, and never reaching any thing like the ideal refinement of the conceptions even of Benozzo Gozzoli, far less of Angelico ...
— Giotto and his works in Padua • John Ruskin
... at the crosses did Donatello kneel, but at each of the many shrines, where the Blessed Virgin in fresco—faded with sunshine and half washed out with showers—looked benignly at her worshipper; or where she was represented in a wooden image, or a bas-relief of plaster or marble, as accorded with the means of the devout person who built, or restored from a mediaeval ...
— The Marble Faun, Volume II. - The Romance of Monte Beni • Nathaniel Hawthorne
... ideals were drawn from youth and womanhood, it was not because he did not understand the purely masculine. The AEneas of the Borgo fresco, the Paul of the Cecilia altar-piece, and the Sixtus of the Sistine Madonna show, in three ages, what is best and most distinctive ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... semblance of resource avails us— Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows through bronze may breathe through silver, Fitly serenade a slumbrous princess. ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... thanks to Monsieur Vaudrey, the decoration of a hydropathic establishment, Les Thermes des Batignolles. He has commenced the cartoon for a fresco: Massage Moralizing the People. We shall see that ...
— His Excellency the Minister • Jules Claretie
... save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted ...
— The Morals of Marcus Ordeyne • William J. Locke
... painter, was born at Prato about 1400. He was a Carmelite friar, a member of the Florentine community of that order, and was the friend and assistant of Filippo Lippi. The Carmelite convent of Prato which he adorned with many works in fresco has been suppressed, and the buildings have been altered to a degree involving the destruction of the paintings. He was the principal assistant of Fra Filippo in the grand frescoes which may still be seen at the east end of the cathedral of Prato. In the midst ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... and many times in later years has the scene come back to Honora. It was not a large ball, by no means on the scale of Mr. Chamberlin's, for instance. The great room reminded one of the gallery of a royal French chateau, with its dished ceiling, in the oval of which the colours of a pastoral fresco glowed in the ruby lights of the heavy chandeliers; its grey panelling, hidden here and there by tapestries, and its series of deep, arched windows that gave glimpses of a lantern-hung terrace. Out there, beyond a marble balustrade, ...
— The Crossing • Winston Churchill
... made irrespectively on the north side. Whilst speaking of things in connection with this church, I may mention for the {75} interest of antiquaries, that only a short time ago, the sexton discovered a very curious fresco of the Virgin on one of the pillars in the north aisle. There is an inscription beneath the figure, but so very indistinct, as not ...
— Notes and Queries, Number 65, January 25, 1851 • Various
... reliefs. The roof is supported by six Ionic columns. Entering the church one finds an interior of three aisles divided by colossal columns of Oriental granite. In the middle aisle, on both sides the galleries, are fresco paintings illustrating the martyrdom of St. Lawrence and of St. Stephen, one series on the right and the other on the left. One of these paintings, especially, of the life of St. Lawrence, is strangely haunting ...
— Italy, the Magic Land • Lilian Whiting
... arrayed with less good taste than the lilies of the field, but yet in a manner to outdo Solomon in all his glory, and she was conveyed in a perfectly new motor car. When Margaret, looking on from beyond the pond, saw her descend from the machine, she could not help thinking of a dreadful fresco she had once seen on the ceiling of an Italian villa, representing a very florid, double-chinned, powerful eighteenth-century Juno apparently in the act of getting down into the room from her car, to the great ...
— Fair Margaret - A Portrait • Francis Marion Crawford
... a fresco peels and drops, Wherever an outline weakens and wanes Till the latest life in the painting stops, Stands One whom each fainter pulse-tick pains; One, wishful each scrap should clutch the brick, 45 Each tinge not wholly escape the plaster, —A lion ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning
... inspiring dreams at Maro's urn: With thee repose where Tully once was laid, Or seek some ruin's formidable shade: 30 While fancy brings the vanish'd piles to view. And builds imaginary Rome anew. Here thy well-studied marbles fix our eye; A fading fresco here demands a sigh: Each heavenly piece unwearied we compare, Match Raphael's grace with thy loved Guide's air, Carracci's strength, Correggio's softer line, Paulo's free ...
— The Poetical Works Of Alexander Pope, Vol. 1 • Alexander Pope et al
... in it," It was built round an open court: in the case of the best houses, round two courts,—one bordered by apartments for the men, the other with the rooms for women. Bedrooms and sitting-rooms were small, admitting but little light. Fresco-painting on the walls and ceilings came to be common. The furniture of the house was plain and simple, but graceful and elegant in form. The poorer classes slept on skins; the richer, on woolen mattresses laid on girths. The Greeks ...
— Outline of Universal History • George Park Fisher
... of the Destruction of Jerusalem is at last finished, in fresco, upon the walls of the New Museum in Berlin. It is worth a journey thither to see it. Nor is it alone. The other parts of the series of pictures which adorn the great stairway of that edifice, are rapidly advancing to completion. ...
— The International Monthly Magazine, Volume 5, No. 1, January, 1852 • Various
... and scarcely anybody turned his head to stare at them. I suppose the denizens of the district were used to the apparition of them. To me they looked as if they had been the originals from which Guido Reni painted those of the car in which he has placed the celebrated Aurora of his world-famous fresco. They were solidly and heavily built wheels—very barbarous an English carriage-builder would have considered them in their heavy and clumsy magnificence—but they were very gorgeous. What could be the meaning of their appearance in public under such circumstances? I was walking with an ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... died away on the stairs, and Peace was convinced in her own mind that they had really gone for good, than a change came over her. She was sitting erect in a stiff-backed chair in one corner of the room, while her companion in misery sat huddled in the opposite corner, staring at the fresco of flags above her head. Both looked dreadfully woe-begone, and as if the tears were very near the surface, for punishment sat heavily upon these two light-hearted spirits, particularly as such severe measures did not seem necessary ...
— The Lilac Lady • Ruth Alberta Brown
... of infinity which springs from its unity, we realise the shortcomings of this egoistic and jealous architecture, which only exists for itself and its own ends, regnant dans le desert."[40] The churches of Umbria and Tuscany were as frames in which space was provided for all the arts; where fresco and sculpture could be welcomed with ample scope for their free and unencumbered display. Donatello was never hampered or crowded by the architecture of Florence; he was never obliged, like his predecessors in Picardy and Champagne, ...
— Donatello • David Lindsay, Earl of Crawford
... petroleum lamp, placed on a table, lighted the ante-room, a large apartment with bare fresco-painted walls, simulating hangings of red and gold, draped regularly all around in the antique fashion. A few men's overcoats and two ladies' mantles lay on the chairs, whilst a pier table was ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... over the earth did the professor permit another halt, but then many miles lay between that Lost City of the Aztecs and their present position, and, after selecting a pleasant spot for alighting, preparations for their first al-fresco ...
— The Lost City • Joseph E. Badger, Jr.
... the Rathhaus the noble Processional of Durer was the more precious, because his Triumph of Maximilian somehow suggested Mantegna's Triumph of Caesar. There was to be a banquet in the hall, under the mighty fresco, to welcome the German Emperor, coming the next week, and the Rathhaus was full of work-people furbishing it up against his arrival, and making it difficult for the custodian who had it in charge ...
— Henry James, Jr. • William Dean Howells
... during the years 1441-1451 by Domenico Veneziano and in conjunction with Andrea del Castagno. That he was commissioned to complete the series at a later date (1460) is certain. In 1462 Alessio was employed to paint the great fresco of the Annunciation in the cloister of the Annunziata, which still exists in ruined condition. The remains as we see them give evidence of the artist's power both of imitating natural detail with minute fidelity and of spacing ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 2 - "Baconthorpe" to "Bankruptcy" • Various
... Rattenden, "is so rarified that the kettle refuses to boil properly. That is why we always have cold tea at literary gatherings. My dear fellow, it's a damned world. It talks all day and does nothing all night. The ragged Italian in front of the fresco in his village church or at the back of the gallery at the opera of his town knows more essentials of painting and music than any of us. It's a hollow sham of a world filled with empty words. I ...
— Septimus • William J. Locke
... S. Carlo Borromeo. It was over this gateway as well as over the gateway of Fenis (no. 53), that he told me there ought to be a fresco of Fortune with her Wheel (Memoir, ch. xx.) The Rocca Borromeo, Angera, and Arona are mentioned in Alps and Sanctuaries, ch. xxiv. (new edn., ch. xxiii.), and several times in the Memoir, e.g. ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... the Italian Renaissance has worn the ill-fitting disguise prepared for him by a literary 'breeches-maker.' In fact, Michael Angelo the poet suffered no less from his grandnephew than Michael Angelo the fresco painter from his follower ...
— Sonnets • Michael Angelo Buonarroti & Tommaso Campanella
... several similar representations on objects of the Mycenaean period, the most interesting of which will be presently described (see page 67). The comparison of these with one another leaves little room for doubt that the Tirynthian fresco was intended to portray the chase of a wild bull. But what does the man's position signify? Has he been tossed into the air by the infuriated animal? Has he adventurously vaulted upon the creature's back? Or did the painter mean him to ...
— A History Of Greek Art • F. B. Tarbell
... face of the pillars here some traces of fresco-painting are in some lights still ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco tea ready ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... walls of the principal temple are wretched daubs in fresco, representing the state of eternal punishment. Some of the figures are being roasted, twitched with red-hot pincers, partly baked, or forced to swallow fire. Others again, are jammed between rocks, or having pieces of flesh cut out of their ...
— A Woman's Journey Round the World • Ida Pfeiffer
... another room, the Hall of the Saints, and Kennedy took Caesar in front of the fresco called, The Dispute of Saint Catherine with ...
— Caesar or Nothing • Pio Baroja Baroja
... July of 1843 the first great exhibition of cartoons for the Houses of Parliament was held. These gigantic designs handled the loftiest subjects, executed in the most elevated spirit of the highest art, with a view to ultimate execution in fresco on the walls of the palace of Westminster. It was not in nature for Punch to allow so excellent an opportunity to pass by without taking sarcastic advantage of it. He—conformably with his role of Sir Oracle, omniscient ...
— The History of "Punch" • M. H. Spielmann
... The fresco—fresco means painted on fresh plaster—is on the ceiling of the Rospigliosi Palace, Rome. The painting is as brilliant in color to-day as it was when painted three hundred and ...
— The Children's Book of Celebrated Pictures • Lorinda Munson Bryant
... abandon my efforts to speak a new language. Visited the Pantheon—wondrous structure—a sovereign's pride, and a nation's monument. Visited the tombs of the dead; ascended to the dome—magnificent view; fine paintings in fresco. My impressions will never be effaced. This evening was in company with Count Gasparin and his noble father, and Mr. Monod, one of the principal Protestant ministers in Paris. Mr. Monod spoke strongly of Puseyism; ...
— The Story of My Life - Being Reminiscences of Sixty Years' Public Service in Canada • Egerton Ryerson
... painted by Saint Luke. She is acheiropoeta—not painted by any human hands whatever, and in so far resembles a certain old image of the Magna Mater, her prototype, which was also of divine origin. It is generally supposed that this picture is painted on wood. Not so, says Diehl; it is a fragment of a fresco on stone. ...
— Old Calabria • Norman Douglas
... priests who on great occasions of sacrifice covered their heads with a beast-mask.[23:2] Minos, with his projection the Minotaur, was a bull-god and wore a bull-mask. From early Island gems, from a fresco at Mycenae, from Assyrian reliefs, Mr. A. B. Cook has collected many examples of this mixed figure—a man wearing the protome, or mask and mane, of a beast. Sometimes we can actually see him offering libations. Sometimes the worshipper has become so closely ...
— Five Stages of Greek Religion • Gilbert Murray
... Dominican Convent of S. Maria delle Grazie at Milan. It was originally executed in tempera on a badly prepared stucco ground and began to deteriorate a very few years after its completion. As early as 1556 it was half ruined. In 1652 the monks cut away a part of the fresco including the feet of the Christ to make a doorway. In 1726 one Michelangelo Belotti, an obscure Milanese painter, received L300 for the worthless labour he bestowed on restoring it. He seems to have employed some astringent restorative which revived the colours temporarily, and ...
— Leonardo da Vinci • Maurice W. Brockwell
... how he died, and when I know how he died, then I mean to discover where he is buried. If possible, I shall excavate him. I also want to find the remains of Ziska-Charmazel, the lady impersonated by our charming friend the Princess last night,—the dancer, who, it appears from a recently-discovered fresco, occupied most of her time in dancing before this same Araxes and making herself generally agreeable ...
— Ziska - The Problem of a Wicked Soul • Marie Corelli
... contrast reminded Paynter vaguely, he hardly knew why, of a Russian. The stranger carried his knapsack into many picturesque corners; he obtained permission to set up his easel in that high garden where the late Squire had held his al fresco banquets. But Paynter had never had an opportunity of judging of the artist's work, nor did he find it easy to get the artist even to talk of his art. Cyprian himself was always ready to talk of any art, and he talked of it excellently, but with little response. He gave his own reasons for preferring ...
— The Trees of Pride • G.K. Chesterton
... there, with high Gothic windows full of painted glass, quaint carving, strange tombs, and a suit of knightly armour hanging between two tattered banners, which the sexton says were carried some time in the wars. Tradition says also, that there is a fine old painting in fresco, whitewashed over from the Reformation, but of that I know nothing. The town had other antiquities. Its stocks were a marvel of age and efficiency. A ducking-stool for scolds yet remained in the courthouse, beside the beam with which ...
— Chambers's Edinburgh Journal, No. 453 - Volume 18, New Series, September 4, 1852 • Various
... Diana, with an involuntary lift of the eyebrows, and she looked round the immense hall, with its costly furniture, its glaring electric lights, and the band of bad fresco which ran round ...
— The Testing of Diana Mallory • Mrs. Humphry Ward
... these ladies—in their simple, but noble grace, in their half-Gallic, half-classic beauty, in a jocund buoyancy mated to an amiable dignity—that made them appear to the scholar as though they had just bounded into life from the garlanded procession of some old fresco. The resemblance was not a little helped on by the costume of the late Revolution (most acceptably chastened and belated by the distance from Paris). Their black hair, somewhat heavier on Clotilde's head, where it rippled once or twice, ...
— The Grandissimes • George Washington Cable
... wretchedness of the collection, its rows of indifferent portraits and its multitude of feeble imitations in historical and landscape painting, by saying that the more eminent artists are preparing themselves to paint the walls and ceilings of the new Houses of Parliament in fresco. The pinnacles and turrets of that vast and magnificent structure, built of a cream-colored stone, and florid with Gothic tracery, copied from the ancient chapel of St. Stephen, the greater part of which was not long ago destroyed by fire, ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... the present occasion to give any detailed account of the fresco decorations painted by Giorgione and Titian on the facades of the new Fondaco de' Tedeschi, erected to replace that burnt down on the 28th of January 1505. Full particulars will be found in Crowe and Cavalcaselle's often-quoted work. Vasari's many manifest errors and disconcerting transpositions ...
— The Earlier Work of Titian • Claude Phillips
... unattractive brick structure extending through to Twenty-ninth street. The interior is very large and very beautiful. The altar is of pure white marble, and its adornments are of the richest description. The church is decorated with a series of excellent fresco paintings of a devotional character. The altar piece, representing The Crucifixion, is a magnificent work. The music is perhaps the best in the city. The church will seat nearly 4000 people, and ...
— Lights and Shadows of New York Life - or, the Sights and Sensations of the Great City • James D. McCabe
... sharply crooked and legs slightly bent, the said billiard players were taking the most careful aim, but succeeding only in making abortive strokes in the air. Each emporium of the sort had written over it: "This is the best establishment of its kind in the town." Also, al fresco in the streets there stood tables heaped with nuts, soap, and gingerbread (the latter but little distinguishable from the soap), and at an eating-house there was displayed the sign of a plump fish transfixed with a ...
— Dead Souls • Nikolai Vasilievich Gogol
... directed by the severest and most elegant taste. The broken furniture was heavy and elaborately carved; the remnants of carpet of sumptuous velvet; the walls, ceiling, doorways, and deep windows were one mass of the richest chiselling and most elaborate fresco-painting. ...
— Mohun, or, The Last Days of Lee • John Esten Cooke
... Raphael's fresco of a battle, in the Vatican, saw again a fierce struggle last Friday. More than fifty were brought ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... beautiful costume ball the other evening, which I must tell you about, because it was so original. The stables were connected with the salons by a long, carpeted gallery, at the end of which was a huge fresco on the walls, representing a horse-race in a very lifelike manner. Through a large plate-glass window one could see the whole stable, which was, as you may imagine, in spick-and-span order; and Count Castellane's favorite horse was saddled ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... They first visited the old ruin, riding in through what was formerly its main entrance. Once inside, they found the lower walls sufficiently entire to give them an idea of the size and form of the old fortress. At one end they found the ruins of a small chapel, where even yet the traces of fresco-painting could be seen on its walls; near this arose a tall, square tower, ivy-clad to its very summit, from whence a flock of hawks were flying in and out; the lightning had so shattered its walls that it threatened every moment to fall, yet in this dilapidated ...
— The Continental Monthly, Vol. 2 No 4, October, 1862 - Devoted To Literature And National Policy • Various
... of the Last Judgment, a fresco painting on the wall of the Sistine Chapel, executed by the order of the Pope Paul III., who in 1535 appointed Michelangelo chief architect, sculptor, and painter at the Vatican. The work occupied several years ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll
... girl chatted merrily all through the al fresco meal, in her turn inwardly giving thanks for the Arab's perfect manners and knowledge of table methods, for in her heart she, particular to the point of becoming finicky about the usually so unpleasant process of eating, had looked forward ...
— Desert Love • Joan Conquest
... of the Saviour, crowned with thorns and frightfully dashed with streaks and drops of red paint, to represent the blood that flowed from his wounds. The outer walls of the better kind of houses were ornamented with paintings in fresco, and the subjects of these were mostly sacred, such as the Virgin and Child, the Crucifixion, and the Ascension. The number of houses of worship was surprising; I do not mean spacious or stately churches such as we meet with in Italy, but most commonly little ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... perched on Vathek's shoulders, the children chasing blue butterflies, Nouronihar and her maidens on tiptoe, with their hair floating in the breeze, stand out in clear relief, as if painted on a fresco. The imagery is so lucid that we are able to follow with effortless pleasure the intricate windings of a plot which at Beckford's whim twists and turns through scenes of wonderful variety. Amid his wild, erratic excursions he never loses sight of ...
— The Tale of Terror • Edith Birkhead
... a photograph from the fresco by His friend Giotto, discovered under the whitewash on a watt of the Bargello palace; now in ...
— The World's Best Poetry Volume IV. • Bliss Carman
... which the invalid heard nothing, and the lazzarone took no notice. They visited the Via dei Sepolchri, the houses of Diomedes and Cicero. At last they came to Sallust's house, in one of the rooms of which was a fresco that hit the Englishman's fancy exceedingly. He immediately sat down, took a pencil and a blank book from his pocket, and began copying it. He had scarcely made a stroke, however, when the soldier and the lazzarone approached him. ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... sublimity were prominent The day was among the peaks above them, while the shades of night still lay upon the valleys, forming a landscape like that exquisite and poetical picture of the lower world, which Guido has given in the celebrated al-fresco painting of Aurora. The ravines and glens were covered with snow, but the sides of the rugged rocks were bare in their eternal hue of ferruginous brown. The little knoll on which the Refuge stood was also nearly naked, the wind having driven the ...
— The Headsman - The Abbaye des Vignerons • James Fenimore Cooper
... whatever related to the election and coronation of the emperors possessed a greater charm. We managed to gain the favor of the keepers, so as to be allowed to mount the new gay imperial staircase, which was painted in fresco, and on other occasions closed with a grating. The election-chamber, with its purple hangings and admirably fringed gold borders, filled us with awe. The representations of animals, on which little children or genii, clothed in the imperial ornaments and laden with the insignia of the empire, ...
— Autobiography • Johann Wolfgang von Goethe
... his apparent absence of form, a true and genuine passion suddenly showed itself. The same voluntary renunciation of outward effect, through confidence in the power of the inward conception, can be observed some years later in fresco-painting, and later still in painting of all kinds, which began to cease to rely on color for its effect, using simply a lighter or darker shade. For an age which laid so much stress on artificial form in poetry, these verses of Brunetto mark the ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... for himself the interior of a Roman dwelling in full working order, and with all its furniture, paintings, and utensils complete. Up to this, almost every object of value had been removed at once for safety, every fresco even of importance had been cut bodily out of its setting and placed in one of those immense halls on the ground floor of the Museum in Naples. How well do we remember those gaunt chilly chambers, filled from pavement to ceiling with painted ...
— The Naples Riviera • Herbert M. Vaughan
... a Norman altar recess was discovered in the east wall of this transept; the southern end of this had been cut away when the choir aisle was widened in the fourteenth century. In this recess traces of fresco may be seen. A piscina stands to the north of this altar recess, and is of ...
— Bell's Cathedrals: Wimborne Minster and Christchurch Priory • Thomas Perkins
... productions Of the ancients. Instead of employing their art to preserve the master-pieces of antiquity, they have endeavoured to destroy and efface many of them. I have seen with my own eyes an evident proof of this at Bologna, where the greatest part of the paintings in fresco on the walls of the convent of St Michael in Bosco, done by the Carracci, and Guido Rheni, have been ruined by the painters, who, after having copied some of the finest heads, scraped them almost entirely out with nails. Thus, you see, nothing ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... see Florence. But if not, by all means amuse yourself there, if you find it amusing, as long as you like; you can never see it." You can never see it. This seemed to my friend insufferable, and I had to shuffle away the book again, so that we might look at the fresco with the unruffled geniality it deserves. We agreed afterwards, when in a more convenient place I read aloud a good many more passages from the precious tracts, that there are a great many ways of seeing Florence, as there are of seeing most beautiful ...
— Italian Hours • Henry James
... ornaments, but it illustrates in a bizarre way what is a not uncommon use. There is this to be said for that illiterate millionaire: well-bound books are excellent ornaments. No decoration with wall paper or fresco can make a parlor as attractive as it can be made with low bookshelves filled with works of standard authors and leaving room above for statuary, or pictures, or the inexpensive decoration of flowers picked from one's own garden. I am inclined to think that the most attractive ...
— The Guide to Reading - The Pocket University Volume XXIII • Edited by Dr. Lyman Abbott, Asa Don Dickenson, and Others
... told of a colored preacher who, wishing his congregation to fresco the recess back of the pulpit, suddenly closed his Bible and said, "There, my bredren, de Gospel will not be dispensed with any more from dis pulpit till de collection am sufficient to fricassee ...
— Pushing to the Front • Orison Swett Marden
... constable before Raffles knocked the sense out of him. Even in my utter bewilderment, however, the instinctive caution of the real criminal did not desert me. I ran to the door, but I sauntered through it, to plant myself before a Pompeiian fresco in the corridor; and there were the two attendants still gossiping outside the further door; nor did they hear the dull crash which I heard even as I watched them out of the ...
— Raffles - Further Adventures of the Amateur Cracksman • E. W. Hornung
... an aqueduct, rose crowned with wall-flower and weeds out of the rank grass, the briars and nettles, the heaps of broken masonry and plaster, among which shone beneath the darting lizards, scraps of vermilion wall-fresco, the chips of purple porphyry or dark-green serpentine; long avenues of trees early sere, closed in by arum-fringed walls, or by ditches where the withered reeds creaked beneath the festoons of clematis and wild ...
— The Countess of Albany • Violet Paget (AKA Vernon Lee)
... find, throughout his legends, the Saint perpetually accompanied by birds—the swallows he begged to let him speak, the falcon who called him in the morning, the turtle-doves whose pairing he blessed, and all the feathered flock whom Benozzo represents him preaching to in the lovely fresco at Montefalco—if, as I say, there is throughout his life and thoughts a sort of perpetual whir and twitter of birds, it is, one feels sure, because the creatures of the air, free to come and go, to sit on beautiful trees, to drink ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... believe, than the average share of stiff dinner parties when in town: we never saw people who seemed so completely to enjoy the freshness and absence of formality which characterize the well-assorted entertainment al fresco. We were at one or two of these; and we cannot describe the universal gaiety and light-heartedness, extending to grave Presbyterian divines and learned Glasgow professors; the blue sea and the smiling sky; the rocky promontory where our feast was ...
— The Recreations of A Country Parson • A. K. H. Boyd
... the Protestant whom they had elected. They were not of so stern a stuff as the Fellows of Magdalen, who, despite His Majesty's menaces, had just rejected Bishop Farmer. The Papist was elected, there and then, al fresco, without dissent. Cannot one see them, these Fellows of Judas, huddled together round the sun-dial, like so many sheep in a storm? The King's wrath, according to a contemporary record, was so appeased by their pliancy that he deigned to lie for two nights in Judas, and at a grand refection ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm
... mediaeval painter could mix his colours with the water of the wet plaster which was put upon the walls of the churches. This method of painting upon "fresh plaster" (which was generally called "fresco" or "fresh" painting) was very popular for many centuries. To-day, it is as rare as the art of painting miniatures in manuscripts and among the hundreds of artists of our modern cities there is perhaps one who can handle this medium successfully. ...
— The Story of Mankind • Hendrik van Loon
... mayor of London, who, according to tradition, lent Henry V large sums of money, and then at an entertainment which he gave to the King and Queen in his city mansion, generously canceled the debt by throwing the bonds into the open sandalwood fire. There is a fine fresco, representing this scene, in the Royal ...
— The Leading Facts of English History • D.H. Montgomery
... I think, that Whistler came to us and drew that series of sepia sketches that frames the big fireplace. They are on the plaster itself—a sort of exquisite fresco—and Venice sails, Holland wind-mills and London docks cluster round the faded bricks with an indescribably fascinating effect. At my urgent request I was allowed to protect them with thin tiles of glass riveted through the corners into the plaster: how ...
— Margarita's Soul - The Romantic Recollections of a Man of Fifty • Ingraham Lovell
... seats, but the people stand in a mingled throng, now and then prostrating themselves and beating their foreheads on the ground, each as his own devotion may dictate, the resemblance is still more marked. All the interior is covered with fresco pictures; even the pillars have gigantic figures of the saints and doctors of the church painted upon them. From the high roof hang immense brass chandeliers of a peculiar form with many branches, capable of holding hundreds of candles. In the dim distance, seemingly a wall ...
— Russia - As Seen and Described by Famous Writers • Various
... the west-end clubs a fresco has lately been exhibited as a suggestion to the members, shewing the easy and graceful ...
— Normandy Picturesque • Henry Blackburn
... enjoy ourselves. Rejected by the post-direction for the Eilwagen, we felt at liberty to choose our time of departure. For the present, therefore, acting as our own masters, we leisurely sauntered out of doors, admired the clean, attractive exterior of the roomy inn, and smiled at the fresco of the huge elephant, which, possessed of gigantic tusks and diminutive tail, carried a man, spear in hand, on his back. A giant bearing a halbert, accompanied by two youths in tunics, completed the group. An inscription informed us that this was the first elephant which ...
— Lippincott's Magazine, Volume 11, No. 26, May, 1873 • Various
... one side of the large room, and here are represented wild animals, the lion chasing a bull, &c. The upper part of the house is raised, where stands a gaily-painted column—red and yellow in festoons; behind which, and over a doorway, is a fresco painting of a summer-house perhaps a representation of some country-seat of the proprietor, on either side are hunting-horns. The most beautiful painting in this room represents a Vulcan at his forge, assisted by three dusky, aged figures. In the niche ...
— The Illustrated London Reading Book • Various
... and Moufflou trotted down the arcades of the Uffizi and down the Lung' Arno to the hotel of the stranger, and, showing the stranger's card, which Lolo could not read, they were shown at once into a great chamber, all gilding and fresco and ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... see in ourselves those dominant traits strong enough to force themselves out in action which our neighbours see. We see only a welter of minute mental experiences which include all the sins that were ever committed by Nero or Sir Willoughby Patterne. When studying ourselves, we are looking at a fresco with a magnifying glass. Consequently, these early impressions which great men have given of themselves are nearly always slanders upon themselves, for the strongest man is weak to his own conscience, and Hamlet flourished to a certainty even inside Napoleon. So ...
— Robert Browning • G. K. Chesterton
... state of pitiable decay. It has, however, been repaired with great taste by the present prince within the last few years. Internally, it possesses a magnificent marble staircase and some fine apartments. One long gallery is said to have been painted in fresco by Michael Angelo, but it has been so much restored that the original design alone remains. Another gallery is covered with good pictures by the Genoese artist Carlone. Five doors open on this latter gallery—one leading to the private ...
— Lippincott's Magazine. Vol. XII, No. 33. December, 1873. • Various
... consuls and proconsuls long before the house of Vanno began to rise from the dregs and become a house at all. And the imperator knows it, and is jealous of the fact, too, or else he would the better acknowledge it. What, now, is that?' he added, pointing to the central fresco ...
— Continental Monthly , Vol. 6, No. 1, July, 1864 - Devoted to Literature and National Policy. • Various
... immediately. Burrill will see if there is any such place as we wish about you. I have not much hope of his success. The scent of the roses will not depart, though the many are scattered. I hardly hope to say directly how very beautiful it lies in my memory. What a heart-fresco it has become! All the dignity, the strength, the devotion will be preserved by you; that graceful "aimlessness" comes no more. And yet that was necessary. Long before I knew of the changes I perceived that the growth of ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... f. fragrance. Franco pr. n. m. Franco. franja f. fringe, band, border. frentico, -a frenzied, mad, furious, frantic. frente f. brow, face, head, forehead, intellect; —— a opposite, in front of, before; a su —— straight ahead. fresco, -a fresh. frescura f. coolness, luxuriant verdure, freshness. fro, -a cold, indifferent, unsympathetic, unruffled; sangre fra sang-froid, coolness, calmness. fro m. cold. frvolo, -a ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup
... achieved himself. He knew, too, how to play with his listener, to wheedle and beguile him, for after a particularly aggressive phrase he would drop into a minor key, and his criticism would suddenly become serious and illuminative. To him "Parsifal" was a fresco, a decoration painted by a man whose true genius it was to reveal the most intimate secrets of the soul, to tell the enigmatic soul of longing as Leonardo da Vinci had done. But he had been led from the true path of his genius into ...
— Evelyn Innes • George Moore
... Would a single one of those frescoes we went to see when we were at Padua have the remotest chance of being hung, if it were sent in for exhibition now? Why, the Academy people would be so outraged that they would not even write to poor Giotto to tell him to come and take his fresco away. Phew!" continued he, waxing warm, "if old Pontifex had had Cromwell's chances he would have done all that Cromwell did, and have done it better; if he had had Giotto's chances he would have done ...
— The Way of All Flesh • Samuel Butler
... This is the room into which visitors are shown. Adjoining the cuadro are the sleeping-rooms, the dining-room, the nursery, &c. These apartments communicate with a second court-yard, called the Traspatio, the walls of which are often adorned with fresco paintings. This Traspatio, a portion of which is usually laid out as a little garden, communicates with the kitchen and the stable (corral). A small avenue, called the callejon, forms a communication from the first to the second Patio, and is used as a passage for the horses. When there is ...
— Travels in Peru, on the Coast, in the Sierra, Across the Cordilleras and the Andes, into the Primeval Forests • J. J. von Tschudi
... art is precisely that in which they appear to sign the warrant of their own ruin; and that, from the moment in which a perfect statue appears in Florence, a perfect picture in Venice, or a perfect fresco in Rome, from that hour forward, probity, industry, and courage seem to be exiled from their walls, and they perish in a sculpturesque paralysis, or ...
— The Two Paths • John Ruskin
... he was about to paint a picture of St. Augustine, as a fresco for the chapel of the Magi of the church I have named. And having seen me and heard that story of mine, he conceived the curious notion of using me as the model for the figure of the saint. I consented, and ...
— The Strolling Saint • Raphael Sabatini
... and the only way to recover the plan was by baring the ground, and tracing the bedding of the stones which are gone. For this I have cleared all the site of the buildings, and in course of the work several rooms with portions of painted fresco pavements have been found. One room which was nearly entire, about 51 by 16 feet, and two others more injured, have now been entirely exposed to view, and protected by a substantial house, well lighted, and accessible to visitors, erected by the Public Works Department. With ...
— The American Journal of Archaeology, 1893-1 • Various
... Giovanni found himself in a narrow, high room, lighted by one window, which showed the enormous thickness of the walls in the deep embrasure. The vaulted ceiling was painted in fresco with a representation of Apollo in the act of drawing his bow, arrayed for the time being in his quiver, while his other garments, of yellow and blue, floated everywhere save over his body. The floor of the room was of red bricks, ...
— Sant' Ilario • F. Marion Crawford
... turned from Calvary. The dancers still kept the position of the figures, the men with their arms about their partners' waists, the women stepping forward; they were like the painted figures of dancers in a fresco. And among them stood Judith, waiting to play her part, waiting to show her world that she could dance and be merry because all was well with her and hers. But the bronzed sons of the saddle hung back, they ...
— Judith Of The Plains • Marie Manning
... produce a deep impression on any one of thought and feeling; yet even here there would be a first shock, to any untrained eye, from the faded colors, the defaced and spotted surface; and this must be got over before the fresco can be even seen. Moreover, in my experience, there is no pleasure connected with the whole business of seeing galleries like that of revisiting them: not only should we return to them daily on first ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... comparative attractions of foreign cities, and it was not thought surprising that absent New Yorkers should wish to linger in a seaport where they might find apartments, according to Georgina's report, in a palace painted in fresco by Vandyke and Titian. Georgina, in her letters, omitted, it will be seen, no detail that could give color to Mrs. Portico's long stay at Genoa. In such a palace—where the travellers hired twenty gilded rooms for the most insignificant sum—a remarkably fine ...
— Georgina's Reasons • Henry James
... was 'busto' as first used in English, and therefore from the Italian, not from the French), 'cameo', 'canto', 'caricature', 'carnival', 'cartoon', 'charlatan', 'concert', 'conversazione', 'cupola', 'ditto', 'doge', 'domino'{17}, 'felucca', 'fresco', 'gazette', 'generalissimo', 'gondola', 'gonfalon', 'grotto', ('grotta' is the earliest form in which we have it in English), 'gusto', 'harlequin'{18}, 'imbroglio', 'inamorato', 'influenza', 'lava', 'malaria', 'manifesto', ...
— English Past and Present • Richard Chenevix Trench
... vain striven against. Which of us have not had such moments of despondency in the face of a great task? In such moments I have often called to mind one of those parables of Nature which are everywhere around us, unseen and unheeded, like those exquisite fresco angels of the old masters, in dim corners of ancient churches, blowing silent trumpets of praise and adoration and touching mute viols into mystic melodies which are lost to us. So thin has the material veil grown under the touch of modern science ...
— The Power of Womanhood, or Mothers and Sons - A Book For Parents, And Those In Loco Parentis • Ellice Hopkins
... flowers are painted on the walls of historical cubiculi. In a fresco of the crypts of Lucina, in the Catacombs of Callixtus, are painted birds, symbolizing souls who have been separated from their bodies, and are playing in fields of roses around the Tree of Life. As the word Paradeisos signifies a garden, so its mystic representation always takes the ...
— Pagan and Christian Rome • Rodolfo Lanciani
... by Christine, the pretty French maid, was a perfect marvel of elegance and extravagance. It was very small, and on every part of it had been lavished all that the combined efforts of taste and expenditure could achieve. The walls had been painted in fresco by an eminent Italian artist, and bevies of rosy Cupids, trailing after them garlands of many-hued flowers, disported on a background of a delicate green tint. The same tints and design were repeated in the Aubusson carpet, ...
— Not Pretty, But Precious • John Hay, et al.
... other was then for the first time copied and rescued from entire oblivion. These pictures, which, like most monumental works, represent funeral feasts and games, according to Braun, are valuable for a mass of details relating to antique athletic art, which were before unknown. A Pompeiian fresco, representing the twelve gods, hitherto little esteemed, is made the subject of a profound investigation by E. Gerhard. Among the essays on vases, a long one by Welcker deserves especial mention. It discusses all the known representations of the ...
— The International Monthly, Volume 2, No. 4, March, 1851 • Various
... crowds thronged the piazza before the Castello to see the famous races for the pallium. It is St. George who rides full tilt at the dragon in the rude sculptures on the portal of the Romanesque Cathedral hard by; it is the same warrior-saint who, in his gleaming armour, looks down from the painted fresco above the portcullis of the castle drawbridge. And all the masters who worked for the Este dukes, whether they were men of native or foreign birth—Vittore Pisanello and Jacopo Bellini, Cosimo Tura ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright
... out of the office at once; so, because it is difficult to be serious with a man who declines to take one seriously, Matt forced a grin and departed, with the light intimation that he would return in three days, and if the check was not forthcoming then he would fresco Kelton's ...
— Cappy Ricks • Peter B. Kyne
... through the balustrade. A delicate touch is given by the Fountain of the Winged Boy with the Fish, by Verrocchio, which occupies the center of the stone-flagged court. To the left of the staircase is a mural fresco depicting ...
— The Architecture and Landscape Gardening of the Exposition • Louis Christian Mullgardt
... had sustained in her loss. To this day there ornaments the private apartments of the Pitti Palace busts of the grand duchess, and portraits of her by the first artists; on the walls of the duke's private study there is a full length portrait of his wife done in fresco, representing her to be what she really was, ...
— The Duke's Prize - A Story of Art and Heart in Florence • Maturin Murray
... old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll of the Dies Irae and huddled clusters of plump little naked people fall away into space ...
— Rosinante to the Road Again • John Dos Passos
... thing that we do not succeed in fresco. The grace is gone out of it; modern painters have not the lightness of touch necessary; they are used to masses of colour, and they use the palette knife as a mason the trowel. The art, too, like the literature of our time, is all detail; ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida
... impulsiveness of the climate seems to give the most wonderful results in the way of vegetables and fruit. Around Pasadena there are acres and acres of truck gardens, developed with Japanese efficiency. I love al fresco marketing. If I can find time once a week to motor up the valley and fill the machine with beautiful, crisp, fresh green things of all kinds, it makes housekeeping a pleasure. The little Japanese women are so smiling and pleasant, with their ...
— The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
... access. The Ducal Palace now belongs to the Governor. It has been modernised, but in the dark alleys adjoining there are remains demonstrative of its former extent—pictures of the different Doges in fresco on the walls half erased, and little bridges extending from the windows (or doors) of the palace to the public prisons and other adjoining buildings. The view from my albergo (della villa) is the gayest ...
— The Greville Memoirs - A Journal of the Reigns of King George IV and King William - IV, Volume 1 (of 3) • Charles C. F. Greville
... for the exhibition of lovely color and significant form. A change in the mechanical methods of painting, also, had its influence on a change in the conception of the function of art. With a very few exceptions, the works of Giotto were executed in fresco as wall decorations. The principles of mural painting require that the composition shall be subordinated to the architectural conditions of the space it is to fill and that the color shall be kept flat. The fresco method meets these requirements admirably, but because of its flatness ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... fresco, where coloured shapes Of old, ineffectual lives linger blurred and warm; An endless tapestry the past has woven drapes The halls of my life, compelling ...
— Amores - Poems • D. H. Lawrence
... so that every Customer was alike well served according to his Chance, and every Horse ridden with the same Justice: From whence it became a Proverb, when what ought to be your Election was forced upon you, to say, Hobson's Choice. This memorable Man stands drawn in Fresco at an Inn (which he used) in Bishopsgate-street, with an hundred Pound Bag under his Arm, with this Inscription ...
— The Spectator, Volumes 1, 2 and 3 - With Translations and Index for the Series • Joseph Addison and Richard Steele
... in the direction of the quarry, a still, wonderful place like a cathedral, with a deep, dark pool at the bottom of the massive stone walls. There were over-arching pines, hemlocks, and oaks for vaulted roof with the fresco of sky and flying cloud between. It was a wonderful place. Once when they had climbed there together and stood for a long time in silence watching the shadows on the deep pool below, looking up to ...
— Cloudy Jewel • Grace Livingston Hill
... extraregarding[obs3]; excentric[obs3], eccentric; outstanding; extrinsic &c. 6; ecdemic[Med], exomorphic[obs3]. Adv. externally &c. adj.; out, with out, over, outwards, ab extra, out of doors; extra muros[Lat]. in the open air; sub Jove, sub dio[Lat]; a la belle etoile[Fr], al fresco. ...
— Roget's Thesaurus
... the proper word," remarked Wolston: "the celebrated fresco of Leonardo da Vinci, in the refectory of the Dominicans at Milan, is nothing but a confused mass of ...
— Willis the Pilot • Paul Adrien
... second example of the art of Giotto because you may with comparative ease see it for yourselves. It is in the National Gallery, London, having belonged to the collection of the late Samuel Rogers. It is a fragment of an old fresco which had been part of a series illustrating the life of John the Baptist in the church of the Carmine, Florence, a church which was destroyed by fire in 1771. The fragment in the National Gallery has two fine heads of apostles bending sorrowfully ...
— The Old Masters and Their Pictures - For the Use of Schools and Learners in Art • Sarah Tytler
... They were irregular in plan and period of erection; the windows had ornamental frames of great depth, but some were blocked up, which gave the facades a sinister aspect; the walls had not only ornamental tablets in stucco, but, in a better light, would have shown rude fresco paintings not unworthy mediaeval Italian dwellings. Many of the fronts resembled the high poops of the castellated ships of three hundred years ago, and they cast a shadow on the muddy pavement. As they resembled ships, the slimy footway seemed the strand ...
— The Son of Clemenceau • Alexandre (fils) Dumas
... the air with a long shell to its mouth. It seemed that in old days it might have been a fountain. At the end of the plot the blind side of a house offered a high wall which had once been painted in fresco. Though much of the coloured plaster had cracked and peeled away, and all that remained was stained and faded, still some traces of the original design might yet be detected: festive wreaths, the colonnades and perspective of ...
— Sybil - or the Two Nations • Benjamin Disraeli
... rewarded my industry. The ecclesiastical "Moses" proved to be a mere traditional mask, behind which, no doubt, lay the features of the historical Moses—just as many a mediaeval fresco has been hidden by the whitewash of Georgian churchwardens. And as the aesthetic rector too often scrapes away the defacement, only to find blurred, parti-coloured patches, in which the original design is no longer to be traced; so, when the successive layers of Jewish ...
— Collected Essays, Volume V - Science and Christian Tradition: Essays • T. H. Huxley
... you'll enjoy it as most people usually enjoy those horrid al fresco entertainments. I don't believe there's the slightest real necessity for it, but," she added in a lower voice, "the Irish and Chinese servants are so demoralized now, they wouldn't stay indoors with us. It's a common practice here, ...
— A Sappho of Green Springs • Bret Harte
... very beautiful goose called the Egyptian Goose, or goose of the Nile. Its feathers are very handsomely marked with black, brown, green, and white. It is the goose so often represented, in old fresco paintings of heathen temples, by the ancients. This goose is famous for its devotion to its young. The old birds will remain with their offspring during times of most imminent danger, refusing to save themselves and ...
— Mamma's Stories about Birds • Anonymous (AKA the author of "Chickseed without Chickweed")
... Mary, which was introduced into all churches. The Italian Franciscan monk, Bonaventura, and Peter Damiani, were above all others instrumental in spreading the worship of the Virgin, and Damiani said of her: "To Thee has been given all power in heaven and on earth." The fresco of the Camposanto at Pisa, ascribed to Orcagna, shows the transfigured Virgin sitting by the side of Christ, not below Him. The numerous legends in which Mary, often regardless of justice and propriety, delivers her faithful worshippers from all manner ...
— The Evolution of Love • Emil Lucka
... frames hang on the walls. Vice can see her own image all over the establishment. The ceiling is superbly decorated with bas-reliefs in carton-pierre, like those in Mr Barry's new Covent Garden Theatre; and fresco paintings, executed by Viotti, of Milan, and Conti, of Munich; whilst the whole is lighted up by enormous and gorgeous chandeliers. The apartment to the right is called the Salle Japanese, and is used as a dining-room for a monster ...
— The Gaming Table: Its Votaries and Victims - Volume I (of II) • Andrew Steinmetz
... high altar. The pillars supporting these arches are Corinthian, with richly sculptured capitals; and wherever gilding might adorn the church, it is lavished like sunshine; and within the sweeps of the arches there are fresco paintings of sacred subjects, and a beautiful picture covers the hollow of the vault over the altar; all this, besides much sculpture; and especially a group above and around the high altar, representing the Magdalen smiling down upon angels and ...
— Seeing Europe with Famous Authors, Volume 3 • Various
... the absence of his fair entertainers at their domestic duties, he extracted infinite satisfaction from Foo-Yup, the Chinese servant, who was particularly detached for his service. From his invalid coign of vantage at the window he was observant of all that passed upon the veranda, that al-fresco audience-room of The Lookout, and he was good-humoredly conscious that a great many eccentric and peculiar visitors were invariably dragged thither by Miss Macy, and goaded into characteristic exhibition within sight and hearing of ...
— A Phyllis of the Sierras • Bret Harte
... "A fresco painting represents, in a hemicycle, the Empress in her bridal dress, offering to the Virgin a diamond necklace; young girls are kneeling around her in prayer; admiration and fervent faith are ...
— Atlantic Monthly, Volume 7, Issue 41, March, 1861 • Various
... hall of the Chateau, the scene of the gorgeous feasts of the Intendant, was brilliantly illuminated with silver lamps, glowing like globes of sunlight as they hung from the lofty ceiling, upon which was painted a fresco of the apotheosis of Louis XIV., where the Grand Monarque was surrounded by a cloud of Condes, Orleanois, and Bourbons, of near and more remote consanguinity. At the head of the room hung a full-length portrait of Marquise de Pompadour, ...
— The Golden Dog - Le Chien d'Or • William Kirby
... fairy lightness supported by tiny columns resting at their base on a graceful platform, and of two storeys above it, the windows of which are carved with delightful sobriety. Beneath the arcade is a gallery, the walls of which are painted in fresco, the ceiling also being painted; traces can still be found of this magnificence, derived from Italy, and testifying to the expeditions of our kings, to which the principality of Milan ...
— Catherine de' Medici • Honore de Balzac
... spray-moist rocks and waves that rolled Up the white sand-slopes flashed with ruddy gold.) Something it has—a flavor of the sea, And the sea's freedom—which reminds of thee. Its faded picture, dimly smiling down From the blurred fresco of the ancient town, I have not touched with warmer tints in vain, If, in this dark, sad year, it steals one thought ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... be compared with it for carefulness of finish and truth of drawing; the crudeness of the material vanquished by dexterous hatching; the color not only pure, but deep—a rare virtue with Giotto; the eye soft and thoughtful, the brow nobly modeled. In the fresco of the Death of the Baptist, in Santa Croce, which we agree with Lord Lindsay in attributing to the same early period, the face of the musician is drawn with great refinement, and considerable power of rounding surfaces—(though in the drapery may be remarked a very singular ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... Her thoughts had drifted away, back through her weary past, to a little village church where a fresco painting stood on the wall, sketched in days long before, of a company of guests at a feast, clad in Saxon robes; and of One, behind whom knelt a woman weeping and kissing His feet, while her flowing hair almost hid them from sight. And back to her memory, along with the ...
— The White Rose of Langley - A Story of the Olden Time • Emily Sarah Holt
... the "Palace of the Arts and Sciences," we spent some delightful hours. There is a numerous collection of pictures by Titian, Guido, Albano, Schidone, the three Carraccis, Tintoretto, Giorgione, etc. Some old paintings in fresco, by Luini and others of his age, were especially pointed out to us, which had been cut from the walls of churches now destroyed. They are preserved here, I presume, as curiosities, and specimens of the progress of the arts, for they possess ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... fell on the Persian rug dimly, flickeringly, the colours were soft as an ancient fresco; the jewels were gone, and the coals burned lower, dying. He lit a cigarette and began to smoke. The violin was in his arms. He played low to himself, dreamily, fitfully, his eyes half closed, dark slits ...
— The Black Cross • Olive M. Briggs
... time of the artist's marriage he painted one fresco, "The Procession of the Magi," in which he placed a very splendid substitute for his wife, namely himself. Afterward he painted the Dead Christ which found its way to France and it laid the foundation for Andrea's wrongdoing. This picture was greatly ...
— Pictures Every Child Should Know • Dolores Bacon
... my particular friend suggested. And from his tone, at once modestly content and artificially careless, I knew that that nursery-rhyme fresco was one of the sights of the pleasure quarter of New York, and that I ought to admire it. Well, I did admire it. I found it rather fine and apposite. But the free-luncheon counter, as a sight, took my fancy more. Here it was, the free-luncheon counter of which ...
— Your United States - Impressions of a first visit • Arnold Bennett
... designs from the human figure, and the sweetness of his coloring. Eight years ago he was commissioned by M. de Luynes, who then wore the title of Duke—which, it must be said, he is still called by, though the Republic frowns on such aristocratic distinctions—to paint two historical pictures in fresco, for a country-house near Paris. The subjects were left to the choice of the artist, who was to have 100,000 francs (or L20,000) for the two pictures, one quarter of which was paid him in advance. During these eight years ...
— The International Weekly Miscellany, Vol. 1, No. 7 - Of Literature, Art, and Science, August 12, 1850 • Various
... floor. Inside of it was a smaller well-furnished room, called the quadro, which was the usual reception-room; and beyond it were the dining and sleeping rooms, and the nursery. They all opened into an inner court-yard, the walls of which were ornamented with fresco paintings; and part of it was laid out as a flower-garden, with a fountain in the centre. From it one door led to the kitchen, and another to the stable. The windows were mostly in the roof, as were those ...
— Manco, the Peruvian Chief - An Englishman's Adventures in the Country of the Incas • W.H.G. Kingston
... a fresco by SPINELLO ARETINI, in the Municipal Palace at Siena, representing a GALLEY FIGHT (perhaps imaginary) between the Venetians and the fleet of the Emperor Frederick Barbarossa, and illustrating the arrangements of mediaeval galleys. ...
— The Travels of Marco Polo Volume 1 • Marco Polo and Rustichello of Pisa
... itself until the piano becomes an orchestra, and Berlioz requires four orchestras to obtain a pianissimo, this strange man of genius has quietly gone back a few centuries and discovered for himself an exquisite lost world, which was disappearing like a fresco peeling off a wall. He has burrowed in libraries and found unknown manuscripts like a savant, he has worked at misunderstood notations and found out a way of reading them like a cryptogrammatist, he has first found out how to restore and then ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... creature.... Ah, then the duenna made me deeper in love. I grew curious. On Saturday, nobody. And here I am to-day waiting for this girl whose chimera I am, asking nothing better than to pose as the monster in the fresco." ...
— The Thirteen • Honore de Balzac
... and western arches are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster is soft, rich and ...
— The Jewel City • Ben Macomber
... plenty; and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopaean Raphaelite has poured his rainbows from a fire-engine of ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... attained, one might almost say, the position of official historical painter to the State, a post coveted by the unfortunate Haydon; and he received a commission to paint a fresco of "St. George overcomes the Dragon," which was not completed till 1853. In this year he contributed as an appendix to the Diary of Haydon—in itself an exciting document, showing how wretched the life of ...
— Watts (1817-1904) • William Loftus Hare
... receive such accounts of Maclise's fresco. If he will only give his magnificent genius fair play, there is not enough cant and dulness even in the criticism of art from which Sterne prayed kind heaven to defend him, as the worst of all the cants continually canted ...
— The Letters of Charles Dickens - Vol. 3 (of 3), 1836-1870 • Charles Dickens
... temperament; but use your brush on the canvas, and don't color every human being you see. I never could comprehend why the practical affairs of life should not be ruled by judgment and reason,—why the mental mansion should not have every needful arrangement for comfort, though a hundred illusions may fresco its ceilings. Every child is charming because it is a child, as every bud is charming because it is a bud, though it may open a poppy or a rose. I haven't a doubt but this little friend of yours will develop ...
— The Atlantic Monthly, Volume 16, No. 97, November, 1865 • Various
... my possession a little while ago a piece of fresco that used to adorn a church at Stratford-on-Avon, the place where Shakespeare lived, and there was a picture representing the morning of the resurrection and people were getting out of their graves and devils were grabbing ...
— Lectures of Col. R. G. Ingersoll, Volume I • Robert Green Ingersoll
... Methods at the Battle of Waterloo,"—and he hadn't even begun the paper yet,—and that he had a sprained back,—and that the wall-paper on his library hung in shreds and tatters waiting for him to decide between a French fresco effect and an early English paneling,—and that his little daughter was growing up in wanton ugliness under the care of coarse, indifferent hirelings,—and that the laundry robbed him weekly of at least five socks,—and that it would cost him fully seven thousand dollars to ...
— The White Linen Nurse • Eleanor Hallowell Abbott
... sitting-room; the other side is arranged for bedroom conveniences. Of this, Fig. 4 shows the front side;—covered first with strong canvas, stretched and nailed on. Over this is pasted panel-paper, and the upper part is made to resemble an ornamental cornice by fresco-paper. Pictures can be hung in the panels, or be pasted on and varnished with white varnish. To prevent the absorption of the varnish, a wash of gum isinglass (fish-glue) ...
— The American Woman's Home • Catherine E. Beecher and Harriet Beecher Stowe
... want to have painted a giant carpenter of the village as I once saw him, his great bare arms upholding a huge white pillar, while blue figures hung above and set the acanthus capital.... Some day we shall see these things in their own surprising values and fresco our village libraries with them." [Footnote: Zona Gale, "Friendship Village Love Stories," p. 47.] That appreciation and expression of the beautiful is something that the French explorers in that other world—the valley reached ...
— The French in the Heart of America • John Finley
... my Erard 'Grand' and my bed to be sent on to me, as, with regard to the latter, I felt that I should find out what cold meant in Venice. In addition to this, the grey-washed walls of my large room soon annoyed me, as they were so little suited to the ceiling, which was covered with a fresco which I thought was rather tasteful. I decided to have the walls of the large room covered with hangings of a dark-red shade, even if they were of quite common quality. This immediately caused much trouble; but it seemed to me that it was well worth surmounting, when ...
— My Life, Volume II • Richard Wagner
... painted both in oil and fresco; a great admirer of Michael Angelo; his famous picture, "Descent of Christ into ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... scarred and maimed as a veteran who has survived many wars. Even in its ruin, it is an interesting type of the maritime Provencal church, but so pitiably overshadowed by its successor that the charm of its situation is quite lost, and few will linger to study its three small naves, the defaced fresco of the dome, or even the little chapel of Saint-Lazare, all white marble and carving and small statues, scarcely more than a shallow niche in the wall, but daintily proportioned, and a charming creation of the Renaissance. Fewer still of those ...
— Cathedrals and Cloisters of the South of France, Volume 1 • Elise Whitlock Rose
... so distinctly, and provoke the observer to take pleasure in seeing how completely the workman is master of the particular material he has used, and how beautiful and desirable a substance it was, for work of that kind. In oil painting, its unctuous quality is to be delighted in; in fresco, its chalky quality; in glass, its transparency; in wood, its grain; in marble, its softness; in porphyry, its hardness; in iron, its toughness. In a flint country, one should feel the delightfulness of having flints to pick up, and fasten together ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... I asked, as he tum-tummed in vain, for the eggs had glued into a fresco showing a rising and setting sun on opposite sides ...
— Cupid's Middleman • Edward B. Lent
... student are not often found out of Bologna. The "St. Francis in the midst of his Friars," "The Transfiguration," "The Birth of St. John the Baptist," "The Calling of St. Matthew," the "St. Jerome," the fresco paintings in the Zampieri Palace, are all worthy the attention of the student. And I think those who travel would do well to allot a much greater portion of their time to that city than it has been ...
— Seven Discourses on Art • Joshua Reynolds
... have to show you, at Greenwich Hospital, is the Painted Hall. It is a splendid and spacious room, at least a hundred feet long and half as high, with a ceiling painted in fresco by Sir James Thornhill. As a work of art, I presume, this frescoed canopy has little merit, though it produces an exceedingly rich effect by its brilliant coloring and as a specimen of magnificent upholstery. The ...
— Our Old Home - A Series of English Sketches • Nathaniel Hawthorne |
