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Faust   /faʊst/   Listen
Faust

noun
1.
An alchemist of German legend who sold his soul to Mephistopheles in exchange for knowledge.  Synonym: Faustus.



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"Faust" Quotes from Famous Books



... they lay exhausted. Weariness was the only reality of which he was conscious. He must turn his mind to other things. Having breakfasted, he remembered what day it was, and presently took down a volume of his Goethe, opening at the Easter morning scene in Faust, favourite reading with him. This inspired him with a desire to go into the open air; it was a bright day, and there would be life in the streets. Just as he began to prepare himself for walking, there came a knock at his door, and Julian ...
— The Unclassed • George Gissing

... difference of nationality and ancestry will appear but an insignificant speck on earth, well and good! Then let us be patriots and continue to nurse national characteristics; but we ought, at least, not to clothe ourselves in the mantel of Faust, in our pretentious sweep through space. We ought at least declare openly that the life of all peoples is never to be anything else but an outrageous mixture of stupid patriotism, national vanities, ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various

... and religious elements in Pennsylvania the following books contribute much valuable information: A. B. Faust, "The German Element in the United States," 2 vols. (1909); A. C. Myers, "Immigration of the Irish Quakers into Pennsylvania, 1682-1750" (1909); S. W. Pennypacker, "Settlement of Germantown, Pennsylvania, and the Beginning of German Immigration to North America" ...
— The Quaker Colonies - A Chronicle of the Proprietors of the Delaware, Volume 8 - in The Chronicles Of America Series • Sydney G. Fisher

... only Faust, but Faust is so complicated a machine that since the death of the inventor no one knows how to wind it or start it going. The commentators push its wheels, take it apart, clean it, and dust it, but the machine will not ...
— The Comedienne • Wladyslaw Reymont

... satires. "Reynard the Fox" was one of the earliest of these fables, and remained a great favorite with the Germans, being finally immortalized by Goethe. The same author has made us familiar with a personage who figures in an interesting legend of the fifteenth century. Doctor Faust, or Faustus, is a magician who by unlawful arts gains a mastery over nature. This legend became the foundation of a number of stories and dramas, and was put into verse by Christopher ...
— The Interdependence of Literature • Georgina Pell Curtis

... Norman or Anglo-Norman writers. Roger of Wendover ('Flowers of History') records the terrible fate of a hag who lived in the village of Berkely, in the ninth century. The devil at the appointed hour (as in the case of Faust) punctually carries off the soul of his slave, in spite of the utmost watch and ward. These scenes are, perhaps, rather Norman than Saxon. It was a favourite belief of the ancients and mediaevalists that the inhospitable regions of the remoter North were the abode of demons who held ...
— The Superstitions of Witchcraft • Howard Williams

... the "Peau de Chagrin," the first in the long list of his masterpieces. He describes "Louis Lambert" as "a work in which I have striven to rival Goethe and Byron, Faust and Manfred. I don't know whether I shall succeed, but the fourth volume of the 'Philosophical Tales' must be a last reply to my enemies and give the presentiment of an incontestable superiority. You must therefore forgive the poor artist his fatigue [he is writing to his ...
— The Galaxy, Volume 23, No. 2, February, 1877 • Various

... with me in London. When we were all coming home from the theatre one night after Faust (the year must have been 1886), ...
— McClure's Magazine, Vol 31, No 2, June 1908 • Various

... of the gentiles received revelations of Christ, as is clear from their predictions. Thus we read (Job 19:25): "I know that my Redeemer liveth." The Sibyl too foretold certain things about Christ, as Augustine states (Contra Faust. xiii, 15). Moreover, we read in the history of the Romans, that at the time of Constantine Augustus and his mother Irene a tomb was discovered, wherein lay a man on whose breast was a golden plate with the inscription: ...
— Summa Theologica, Part II-II (Secunda Secundae) • Thomas Aquinas

... for the chorus. A leading contralto and a soprano were in the troupe. Mrs. Cameron and I were chosen after the voices were tried and accepted. I had no trouble as I had studied the choruses of most of the familiar operas. I also knew many of the contralto arias, like Perlate de Amour in Faust and other contralto numbers of the different operas that we gave. I was engaged at $20 per week, which seemed to me a fabulous sum, for I was without any means. These were strenuous days, sometimes fourteen hours in the theatre a day, ...
— Sixty Years of California Song • Margaret Blake-Alverson

... rubbing my hands, "you are very kind, and so is our mutual friend; I shall be happy to make myself useful in German; and if you think a good translation from Goethe—his 'Sorrows' for example, or more particularly his 'Faust'—" ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow

... him handsomer and more fascinating than he was twelve years before, when she saw him for the first time, under the chandeliers of the Moronval salon. Many of the same persons were there also: Labassandre in bottle-green velvet, with the high boots of Faust; and Dr. Hirsch with his coat-sleeves spotted by various chemicals; and Moronval in a black coat very white in the seams, and a white cravat very black in the folds; several "children of the sun,"—the everlasting Japanese prince, and the Egyptian from the banks of the Nile. What a strange set ...
— Jack - 1877 • Alphonse Daudet

... warm, which to me is almost an essential of existence. I beg you to understand that I make no pretension to a thorough knowledge of Fetish ideas; I am only on the threshold. "Ich weiss nicht all doch viel ist mir bekannt," as Faust said—and, like him after he had said it, I have ...
— Travels in West Africa • Mary H. Kingsley

... prompted by Mrs. Gisborne, he began the study of Spanish, and conceived an ardent admiration for Calderon, whose splendid and supernatural fancy tallied with his own. "I am bathing myself in the light and odour of the starry Autos," he writes to Mr. Gisborne in the autumn of 1820. "Faust", too, was a favourite. "I have been reading over and over again "Faust", and always with sensations which no other composition excites. It deepens the gloom and augments the rapidity of ideas, and would therefore seem to me ...
— Percy Bysshe Shelley • John Addington Symonds

... FAUST, chemist, traveler. A gay old man who fell in love during his second young manhood, traveled in a warm country, and ...
— Who Was Who: 5000 B. C. to Date - Biographical Dictionary of the Famous and Those Who Wanted to Be • Anonymous

... is before me now, with the pictures that adorned it, all of them masterpieces—L'Improvisateur, by Leopold Robert; La Feeme du Brigand, by Schnetz, Faust and Marguerite, by Ary Scheffer; Venice, by ...
— Memoirs • Prince De Joinville

... never heard of Romeo and Juliet, of Faust and Marguerite, or King Cophetua and the beggar maid. All she knew was that she loved, was conscious only that for a kind word from the lips of the man who had befriended her, for a glance from those dark eyes; she would gladly have given up all the other glories the ...
— Adrien Leroy • Charles Garvice

... the Head said was a poem not yet come to its own; there were hundreds of volumes of verse—-Crashaw; Dryden; Alexander Smith; L. E. L.; Lydia Sigourney; Fletcher and a purple island; Donne; Marlowe's "Faust "; and—this made McTurk (to whom Beetle conveyed it) sheer drunk for three days—Ossian; "The Earthly Paradise"; "Atalanta in Calydon"; and Rossetti—to name only a few. Then the Head, drifting in under pretense of playing censor to the paper, would read here a verse and here another of these poets, ...
— Stalky & Co. • Rudyard Kipling

... He sees the night, but he also sees the day succeed it. Man falls into sin, but he cannot rest in it. It is contradictory to his nature, he cannot content himself with it, and he is driven through it. Mephistopheles promised more than he could perform, when he undertook to make Faust declare himself satisfied. There is not within the kingdom of evil what will satisfy the spirit of man, whose last law is goodness, whose nature, however obscured, ...
— Browning as a Philosophical and Religious Teacher • Henry Jones

... three years' travelling companionship. In May, 1758, Lessing, aged twenty-nine, returned to his old work in Berlin. Again he translated, edited, criticised. He wrote a tragedy, "Philotas," and began a "Faust." He especially employed his critical power in "Letters upon the Latest Literature," known as his Literatur briefe. Dissertations upon fable, led also to Lessing's "Fables," produced in ...
— Nathan the Wise • Gotthold Ephraim Lessing

... time when a human soul is either wise or happy, is in that one single moment when the hour of my own shining or of the moon's beaming seems to that single soul to be past and present and future, to be at once the creation and the end of all things. Faust knew ...
— Wisdom, Wit, and Pathos of Ouida - Selected from the Works of Ouida • Ouida

... perturbation Thee, superhuman, shakes? Thy soul's high calling, where? Where is the breast, which from itself a world did bear, And shaped and cherished—which with joy expanded, To be our peer, with us, the Spirits, banded? Where art thou, Faust, whose voice has pierced to me, Who towards me pressed with all thine energy? He art thou, who, my presence breathing, seeing, Trembles through all the depths of being, A writhing worm, a ...
— Faust • Johann Wolfgang Von Goethe

... story of prior invention. And others came forward with claims so vague and elusive that Bell would scarcely have been more surprised if the heirs of Goethe had demanded a share of the telephone royalties on the ground that Faust had spoken of "making a ...
— The History of the Telephone • Herbert N. Casson

... Marlowe to recite a few lines from "Dr. Faustus" for our instruction and pleasure, and forthwith he gave the soliloquy of Faust, waiting at midnight for Lucifer to carry him to hell, the terrified ...
— Shakspere, Personal Recollections • John A. Joyce

... appears a picture of little people dancing in a fairy ring, which might be supposed at first sight to be an illustration of a nursery tale, but the text describing a Witch's Sabbath, rapidly dispels the idea. Nor does a version of the popular Faust legend—"Dr. John Faustus"—appear to be edifying for young people. This and "Friar Bacon" are of the class which lingered the longest—the magical and oracular literature. Even to-day it is quite possible ...
— Children's Books and Their Illustrators • Gleeson White

... "Faust," has made an effort to follow the process by which a weak woman and a weaker man, ignorant of the forces struggling within them and susceptible to malign influences from without, through terrible mistakes and bitter failure, at length reach the ...
— The Ascent of the Soul • Amory H. Bradford

... incorrigibly lazy. Why do you sit here instead of taking exercise? and you have no idea of the interesting things the Prince has been telling me. All about a Russian poet called—oh, I can't pronounce the name, but who wrote of a devil—not exactly Faust, you know, ...
— His Hour • Elinor Glyn

... "Rinaldo." Thus the new life of music is ever growing rich with the dead leaves of the past. The most celebrated of these operas was entitled "Otto." It was a work composed of one long string of exquisite gems, like Mozart's "Don Giovanni" and Gounod's "Faust." Dr. Pepusch, who had never quite forgiven Handel for superseding him as the best organist in England, remarked, of one of the airs, "That great bear must have been inspired when he wrote that air." The celebrated Madame Cuzzoni made her debut in it. On ...
— The Great German Composers • George T. Ferris

... smiling and singing, and bowing to one another; little children were going together with flowers in their hands, singing, and answering the tones of the great bells; and one little child, as it passed, looked right up at the great Doctor Faust, and held out its white lily. The bells chimed, and the singing grew ...
— Child Stories from the Masters - Being a Few Modest Interpretations of Some Phases of the - Master Works Done in a Child Way • Maud Menefee

... jeunesse doree of dead ages. Here—what do you find in a huge stone well sunk into the bowels of the earth? About as enticing as a plunge into a dry cistern, suddenly unroofed? If spectres we must hunt, do let them be festive, like those Faust danced with ...
— At the Mercy of Tiberius • August Evans Wilson

... shadow of the ideally fair, like Guinevere, who so often recalls her in the Arthurian romances. The chivalrous mediaeval poets and the Celts could understand better than the Romans the philosophy of "the world well lost" for love. Modern poetry, even in Goethe's "Second part of Faust," has not been very fortunately inspired by Helen, except in the few lines which she speaks in "The Dream of ...
— Adventures among Books • Andrew Lang

... I was a newly fledged undergraduate then, I had many friends and the future smiled at me. I was immensely proud of the first down on my upper lip and my little college cap, and I remember as if it were to-day, the evening when Fritz, Phil and myself went to hear this opera. We had heard 'Faust' some years before and were great admirers of Gounod's genius. But Romeo beat all our expectations. The music roused our wildest enthusiasm. Now both my friends are dead. Fritz, who was ambitious, was a private secretary when he died, Phil a medical student; I ...
— Married • August Strindberg

... a pretty full translation of Schiller's AESTHETIC LETTERS, which we read together, as well as the second part of FAUST, in Gladstone Terrace, he helping me with the German. There is no keepsake I should more value than the MS. of that translation. They were the best days I ever had with him, little dreaming all would so soon be over. It ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson

... translation, believed to have been written in the eleventh century, and known to have been used as the conventual copy of the Scriptures in the Abbey of Dunfermline; a copy of the first printed Bible, in two volumes, from the press of Faust and Guttenberg; the original Solemn League and Covenant, drawn up in 1580; and six copies of the Covenant of 1638. Among other manuscripts in the collection are the whole of the celebrated Wodrow Manuscripts, relating to the ecclesiastical history of Scotland, ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various

... Russians themselves. Yet the coveted equality was denied them, and the emancipation granted to the degraded muzhiks was withheld from them, because of a religion they hardly professed. They were like Faust when he found himself tempted but not satisfied by the pleasures of life, when food hovered before his eager lips while he begged for nourishment in vain. The liberals, on the other hand, preached and practiced the doctrine of equal rights to all. Socialism, or nihilism, also appealed ...
— The Haskalah Movement in Russia • Jacob S. Raisin

... beard of Brother Jonathan, with the baton of a Yankee band-master; and then it was assured that the much advertised composer was a joking American masquerading as a Slav, possibly the vender of some new religious cure born in the fanatical bake-ovens of Western America. "Faust" alternated with "Les Huguenots" at the Opera, Pilsner beer was on tap at the Cafe Monferino—why worry over exotic stories told of this visitor's abnormal musical powers? And little did anyone surmise that he had just given a symphonic setting to Lingwood ...
— Melomaniacs • James Huneker

... regard, or to show that he appreciated our residence "near" his court, and, so far as I know, never read with any sort of attention our advertisement, which was composed with as much care as Goethe's "Faust," and probably with the use of more dictionaries. And this, when he has an extraordinary large Residenz, to say nothing about other outlying palaces and comfortable places to live in, in which I know there are scores of elegantly furnished apartments, which stand idle almost the year ...
— Baddeck and That Sort of Thing • Charles Dudley Warner

... heart!" murmured Felix. He struck an attitude, and sang with exquisite feeling the opening bars of the Jewel Song from "Faust." As applied to the earthly tabernacle of madame's generous soul, the effect of that impassioned address was ludicrous. But Felix recked little of that. He threw the ...
— A Son of the Immortals • Louis Tracy

... prefaced it, and seen it through. And then, because you tell it me in so friendly a fashion. Although I have long been prepared to bear the fiasco of my works quietly and unmoved, yet still it is pleasant to me to learn that the "Faust" Symphony in Leipzig did not have such a very bad fate. [In one of the "Euterpe" concerts, under Bronsart's conducting, at which Schnorr of Carolsfeld sang the tenor solo.] Do not fail, dear friend, ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated

... prosecution of our studies, we became fellow-lodgers in the house No. 161 Friedrich Strasse. There we lived in the closest intimacy, sharing meals and outdoor exercise. Motley by that time had arrived at talking German fluently; he occupied himself not only in translating Goethe's poem "Faust," but tried his hand even in composing German verses. Enthusiastic admirer of Shakespeare, Byron, Goethe, he used to spice his conversation abundantly with quotations from these his favorite authors. ...
— Memoir of John Lothrop Motley, Complete • Oliver Wendell Holmes, Sr.

... is that of the humorist only. We recognize this in the ease of the poet. Although Goethe has been reproached for his lack of sympathy with the liberalizing movement of his day (as if his novels were quieting social influences), it is felt by this generation that the author of "Faust" needs no apology that he did not spend his energies in the effervescing politics of the German states. I mean, that while we may like or dislike the man for his sympathy or want of sympathy, we concede ...
— Washington Irving • Charles Dudley Warner

... is—one never knows—one never says, This is the moment! because, however good it is, it always seems the door to a better one beyond. Faust never said it till the end, when he'd nothing left of all he began by thinking worth while; and then, with what a ...
— The Fruit of the Tree • Edith Wharton

... tells me you want my overture to Goethe's "Faust." As I know of no reason to withhold it from you except that it does not please me any longer, I send it to you, because I think that in this matter the only important question is whether the overture ...
— Correspondence of Wagner and Liszt, Volume 1 • Francis Hueffer (translator)

... public street by the whole village, on such a day, and with such a burden, he hastily thrust his hand, holding the bottle, behind, for the purpose of concealing it underneath the skirts of his coat: and in this way, apparently with the greatest possible unconcern, the disciple of Faust walked up the street, just in advance of the congregation. Unfortunately, however, in his haste he had thrust his decanter quite through between the folds of his coat-skirts, so that his hands and the neck of the bottle only ...
— Ups and Downs in the Life of a Distressed Gentleman • William L. Stone

... Algonquin. Then every winter there were the Topp Brothers who came and stayed a whole week in Crofter's Hotel, and gave a different play every night. There were all the best known dramas, "Lady Audley's Secret," and "East Lynne" and "Uncle Tom's Cabin," and once they even gave "Faust,"—without music, it is true, but a splendid reproduction nevertheless, with the biggest and tallest Topp brother as Mephisto, all in red satin and, every one said, just ...
— The End of the Rainbow • Marian Keith

... it," said Eleanor, with a demureness that was contradicted by the mischievous gleam in her red-brown eyes, "I will sing you the Jewel Song out of 'Faust.'" ...
— The Rebellion of Margaret • Geraldine Mockler

... suddenly filled with an image of the tumult and flaming rage of a thunder-storm at sea, such as words have never elsewhere carried. What a reach in the imaginative stroke! In the first scene of "Faust," the earth-spirit, whom Faust has evoked, concludes the whirling, dazzling, brief, but gigantic sketch of his function with these words, the majesty of which translation ...
— Essays AEsthetical • George Calvert

... over on the table for his copy of "Faust." It had become his habit to pick it up when he did not care to sit face to face with his own thoughts. It seemed to hold some word for everything in life. Its universality made ...
— The Glory Of The Conquered • Susan Glaspell

... explain to a company of grown men and women what the cry of the soul for its release from passion is? Every generation has its secret pessimists, brooding over the anarchy of the spirit, the issues of a distracted life. We need not ask with Faust, "Where is that place which men call 'Hell'?" nor wait ...
— Preaching and Paganism • Albert Parker Fitch

... like the beacon of a refuge and a shelter. Eda had faith in her, even when Janet had lost faith in herself: she went to Eda in the same spirit that Marguerite went to church; though she, Janet, more resembled Faust, being—save in these hours of lowered vitality—of the forth-faring kind .... Unable to confess the need that drove her, she arrived in Eda's little bedroom to be taken into Eda's arms. Janet was immeasurably the stronger of the two, but Eda possessed the masculine trait of ...
— The Crossing • Winston Churchill

... luck had little to do with it. Character is Fate, said Novalis, and Farfrae's character was just the reverse of Henchard's, who might not inaptly be described as Faust has been described—as a vehement gloomy being who had quitted the ways of vulgar men without light to guide him on a ...
— The Mayor of Casterbridge • Thomas Hardy

... which describes a duel between the hunted-down bushranger and a trooper; and some verses on the death of the explorer Burke. 'Ashtaroth,' an elaborate attempt at a sustained dramatic lyric in the manner of Goethe's 'Faust' and 'Manfred,' fills one of the three volumes, and among shorter pieces in the other two are more than a dozen suggested by the poet's reading, by his recollections of English life, and, in a notable instance, by one of the most memorable of ...
— Australian Writers • Desmond Byrne

... enters, her lovely hair awry, her cheeks flushed. 'I will act!' she cries in bell-like tones. 'Ach, ach!' cries Goethe. Then Gretchen, with a superb gesture, hangs her hat on the door handle, and recites to the amazed man his beloved 'Faust,' word for word, syllable ...
— Terribly Intimate Portraits • Noel Coward

... temptation. "Les Fleurs du Mal!" beautiful flowers, beautiful in sublime decay. What great record is yours, and were Hell a reality how many souls would we find wreathed with your poisonous blossoms. The village maiden goes to her Faust; the children of the nineteenth century go to you, O Baudelaire, and having tasted of your deadly delight all hope of repentance is vain. Flowers, beautiful in your sublime decay, I press you to my lips; these northern solitudes, far from the rank Parisian ...
— Confessions of a Young Man • George Moore

... imagination has its use, it has its abuse also. If visions of truth and beauty can exalt, visions of vice can debase and degrade. In that picture where Faust and Satan battle together for the scholar's soul, the angels share in the conflict. Plucking the roses of Paradise, they fling them over the battlements down upon the heads of the combatants. When the roses fall on Faust ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis

... fled from the sun, And the Cocklane ghost from the barn-loft cheer, The fiend of Faust was a faithful one, Agrippa's demon wrought in fear, And the devil of Martin Luther sat By the stout monk's ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier

... of tranquil happy days. Friends and books and flowers! It was, we said, a good world, and I, simpleton,—pretty and dainty as Margaret was,—deemed it would go on forever. But, alas! one day came a Faust into our garden,—a good Faust, with no friend Mephistopheles,—and took Margaret from me. It is but a month since they were married, and the rice still lingers in the crevices of the pathway down to the quaint old iron-work gate. Yes! they have gone off to spend their honeymoon, and ...
— The Quest of the Golden Girl • Richard le Gallienne

... reverence and devotedness, in his People, a feeling of awe, as for one whose limbs are not moved by earthly life [fanciful, considerably!]. And when Goethe, himself become an old man, finished his last Drama [Second Part of FAUST], the figure of the old King again rose on him, and stept into his Poem; and his Faust got transformed into an unresting, creating, pitilessly exacting Master, forcing on his salutiferous drains and fruitful canals through the morasses of the Weichsel." [G. Freytag, Neue Bilder ...
— History of Friedrich II. of Prussia, Vol. XXI. (of XXI.) • Thomas Carlyle

... make such an effect if his wife were not there to strike those heavy opening chords of that "Faust" fantasie? ...
— David Lockwin—The People's Idol • John McGovern

... the room, which was blazing with light and resounding with music. As the guests were now nearly all assembled, the gentlemen selected partners and opened the ball with a grand promenade to the music of the grand march in "Faust." ...
— Cruel As The Grave • Mrs. Emma D. E. N. Southworth

... where he studied law; he took the degree of doctor at Strasbourg. In 1768 he left Leipsic, and after a short tour settled for some time in Alsace, where the beautiful Gretchen won his heart, and obtained for herself in Faust and Egmont, a more lasting monument than brass. On leaving Alsace, he returned home; but soon left it again to practise in the Imperial Chamber at Wezlar. Here he witnessed the tragical event that gave rise to his romance of the Sorrows of Werter. In 1775, he went to Weimar, on an invitation ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 20, Issue 561, August 11, 1832 • Various

... world-poem of the nineteenth century next to "Faust." "Brand" will have an astonishing interest for Englishmen. It is in the same set with "Agamemnon," with "Lear," with the literature that we now instinctively regard as high and ...
— The Stolen Bacillus and Other Incidents • H. G. (Herbert George) Wells

... dance round him to the music of an unearthly instrument, like a drum. Loups-garoux, and sorcerers mounted on dragons and other animals, may be seen in the air, wending their way towards Anic, as far as from Jurancon, Gan, and St. Faust. ...
— Barn and the Pyrenees - A Legendary Tour to the Country of Henri Quatre • Louisa Stuart Costello

... FAUST. If anybody calls, say I am out; I must have time to see how I will act. As to the form in which I shall be written, I must decide whether in prose or verse. My thoughts I'll bend. Give me at once the Times: Walkley I always find inspiriting— And really I learn much about the drama (Even ...
— Masques & Phases • Robert Ross

... of Faust, it is necessary for us to remember the words the great man himself used to his follower in speaking of this masterpiece. Eckermann teased him for interpretations. "What," said he to Goethe, "is the leading Idea in the Poem?" "Do you suppose," answered the Sage, "that ...
— Visions and Revisions - A Book of Literary Devotions • John Cowper Powys

... wailings over human life; and, in /Berlichingen/, appears as a fond and sad looking back into the Past, belong various other productions of Goethe's; for example, the /Mitschuldigen/, and the first idea of Faust, which, however, was not realized in actual composition till a calmer period of his history. Of this early harsh and crude, yet fervid and genial period, /Werter/ may stand here as the representative; and, viewed in its external and internal relation, will help to illustrate ...
— Autobiography • Johann Wolfgang von Goethe

... could have Lear and Edgar and the Fool on the heath, or Dick the Third or Macbeth. I'd play any of those for you. We used to have plays back home just amongst us girls, and I was always the leading heavy. We even tried putting on 'Faust' in the barn when the hay-lofts were empty, but that ...
— Kit of Greenacre Farm • Izola Forrester

... flush. It was my good luck to see her nearly every night she play'd at the old Park—certainly in all her principal characters. I heard, these years, well render'd, all the Italian and other operas in vogue, "Sonnambula," "the Puritans," "Der Freischutz," "Huguenots," "Fille d'Regiment," "Faust," "Etoile du Nord," "Poliuto," and others. Verdi's "Ernani," "Rigoletto," and "Trovatore," with Donnizetti's "Lucia" or "Favorita" or "Lucrezia," and Auber's "Massaniello," or Rossini's "William Tell" ...
— Complete Prose Works - Specimen Days and Collect, November Boughs and Goodbye My Fancy • Walt Whitman

... writers of all degrees, goes on playing on him with cumulative effect. As a figure in literature the Kid has come to lead the whole field of western bad men. The Saturday Review, for October 11, 1952, features a philosophical essay entitled "Billy the Kid: Faust in America—The Making of a Legend." The growth of this legend is minutely traced through a period of seventy-one years (1881-1952) by J. C. Dykes in Billy the Kid: The Bibliography of a Legend, University of New Mexico Press, Albuquerque, ...
— Guide to Life and Literature of the Southwest • J. Frank Dobie

... a curious power in the words, as he lingered over them, like half-comprehended music,—as simple and tender as if they had come from the depths of a woman's heart: it touched him deeper than his power of control. Pah! it was a dream of Faust's; he, too, had his Margaret; he fell, through ...
— The Atlantic Monthly, Volume 09, No. 51, January, 1862 • Various

... antiquity, although they originated in classic Italy. It is the grotesque, lastly, which, colouring the same drama with the fancies of the North and of the South in turn, exhibits Sganarelle capering about Don Juan and Mephistopheles crawling about Faust. ...
— Prefaces and Prologues to Famous Books - with Introductions, Notes and Illustrations • Charles W. Eliot

... In Goethe's "Faust" is an allusion to a mysterious legend that had its rise in storied Tegel. On May Eighteenth, in the year Seventeen Hundred Seventy-eight. Goethe came here, walking over from Berlin, dined, and walked ...
— Little Journeys to the Homes of the Great - Volume 12 - Little Journeys to the Homes of Great Scientists • Elbert Hubbard

... what Gretchen says to Faust: 'Love me as much as you like, but no kissing, that is vulgar.' I agree with Gretchen—it is vulgar. Oh, Mr. Stuart, what a surprise this is! I have just been reading a letter from your sister, and she doesn't say a word of ...
— A Terrible Secret • May Agnes Fleming

... terminating at the elbows in wide ruffles, hardly covered her shoulders, where it was supplemented by a scarf through which a glimpse of her throat was visible in a nest of soft Tourkaris lace. She was reading a little ivory-bound volume—a miniature edition of the second part of Goethe's "Faust." ...
— Cashel Byron's Profession • George Bernard Shaw

... away by some "unseen power" that fell upon him unpremeditated. His emotions were of that fatal violence which distinguishes so many illustrious but unhappy souls from the mass of peaceable mankind. In the early part of last century a set of illustrations to Faust by Retzch used to be greatly admired; about one of them, a picture of Faust and Margaret in the arbour, Shelley says in a letter to a friend: "The artist makes one envy his happiness that he can sketch such things with calmness, which I only dared look upon once, and which made my brain swim ...
— Shelley • Sydney Waterlow

... Apostles in Italy; but in Germany, and still farther north, in Sweden and Norway, it is Walpurgisnacht,—when goblins, witches, hags, and devils hold high holiday, mounting on their brooms for the Brocken. And it was on this night that Mephistopheles carried Faust on his wondrous ride, and showed him the spectre of Margaret with the red line round her throat. Miss Bremer, in her "Life in Dalecarlia," gives the following account of the origin of this custom:—"It ...
— Atlantic Monthly, Vol. 5, No. 31, May, 1860 • Various

... with a short skirt attached and a voluminous lace ruffle, a curly wig too long for a man and too short for a woman, upon which sat jauntily a Faust-like hat with a long, sweeping plume. This was her idea of a medieval Maffeo Orsini. As Azucena, the mother of a forty-year-old troubadour, she got herself up as a damsel of sixteen, with a much too short dress and a red bandana around her head, from which dangled ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone

... Dresden became even more strenuous and more racking than it had been in Leipsic. He threw himself into the labor of composing the epilogue of Goethe's "Faust" with such ardor that he fell into an intensely nervous state where work was impossible. However, with special medical treatment he so far recovered that he was able to resume the work, but still was not himself. We can divine from brief remarks he let drop from time to time, that he ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower

... lyrics on secular subjects, whose grace, beauty, harmony, and wealth of thought rank them with the finest creations of the age. The spirit of the prophets and psalmists revived in these Spanish poets. At their head stands Solomon ibn Gabirol, the Faust of Saragossa, whose poems are the first tinged with Weltschmerz, that peculiar ferment characteristic of a modern school of poets.[47] Our accounts of Gabirol's life are meagre, but they leave the clear impression that he was not a favorite of fortune, and passed a bleak childhood ...
— Jewish Literature and Other Essays • Gustav Karpeles

... Hence we find in early books a large space left to be filled in by the hand of the scribe with the proper letter indicated by a small type letter placed in the midst. The famous Psalter printed by Faust and Scheffer, at Mentz, in 1497, is the first book having large initial letters printed in red and blue inks, in imitation of the ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli

... pressed his face to the pillow and groaned: "She must be mine, or I will never get up from this bed. But if my way to her passes over you, Gertrude, I would have to cry out with Faust: 'Oh, had ...
— The Goose Man • Jacob Wassermann

... same year (1858) I played Karl in "Faust and Marguerite," a jolly little part with plenty of points in it, but not nearly as good a part as Puck. Progress on the stage is often crab-like, and little parts, big parts, and no parts at all must be accepted as "all in the day's work." In these days I was cast for many a "dumb" part. ...
— The Story of My Life - Recollections and Reflections • Ellen Terry

... cosmopolitan chefs 'd' oeuvre, en bloc, a series which should include every great imaginative work of the Western world! Thus in 1855 we find him noting the following projects, to be carried out in ten years' time:—illustrations of AEschylus, Lucan, Ovid, Shakespeare, Goethe (Faust), Lamartine (Meditations), Racine, Corneille, Schiller, Boccaccio, Montaigne, Plutarch's Lives—these names among others. The jottings in question were written for a friend who had undertaken ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... such as jewelry, clock-making, and grinding and setting precious stones, he entered into a deed of partnership with two wealthy inhabitants of Strasburg, Andrew Dritzchen and Hans Riffe, bailiff of Lichtenau; and afterward with Faust, a goldsmith and banker of Mainz, whose name, confounded with that of Faustus, the wondrous sorcerer of German fable, the master of mystery, and the friend of the Evil One, caused the invention of printing to be attributed to magic; and, lastly, with Hulmann, whose brother ...
— Great Men and Famous Women. Vol. 5 of 8 • Various

... got back to the car, Dr. Gamble was talking spiritedly with Her Majesty about Roger Bacon. "Before my time, of course," the Queen was saying, "but I'm sure he was a most interesting man. Now when dear old Marlowe wrote his 'Faust,' he and I had several long ...
— That Sweet Little Old Lady • Gordon Randall Garrett (AKA Mark Phillips)

... premiere fois que je la vis, ce fut a l'eglise",—says Diderot's St. Albin, in recounting the beginning of his infatuation for Sophie. So with Faust and Margaret, and with Schiller's beautiful Greek ...
— The Life and Works of Friedrich Schiller • Calvin Thomas

... of Goethe greeted the city of his birth. He is represented as leaning on the trunk of a tree, holding in his right hand a roll of parchment, and in his left a wreath. The pedestal, which is also of bronze, contains bas reliefs, representing scenes from Faust, Wilhelm Meister and Egmont. In the evening Goethe's house, in a street near, was illuminated by arches of lamps between the windows, and hung with wreaths of flowers. Four pillars of colored lamps ...
— Views a-foot • J. Bayard Taylor

... steadiness under fire, at which the world marvels. He will stand with his regiment for hours under the merciless fire of the mitrailleuse with no thought of flight. What terrors can shot or shell have for him who has been taught to listen unmoved to the dialogue of "FAUST" and "MEPHISTOPHELES" in the ...
— Punchinello Vol. II., No. 30, October 22, 1870 • Various

... the will is moved of necessity to whatever it wills naturally, as stated above (A. 2, ad 3). But "whatever God does in a thing is natural to it," as Augustine says (Contra Faust. xxvi, 3). Therefore the will wills of necessity everything to ...
— Summa Theologica, Part I-II (Pars Prima Secundae) - From the Complete American Edition • Saint Thomas Aquinas

... its exclusive characteristics, have disappeared; the calm, the cheerfulness, the disinterested objectivity have disappeared; the dialogue of the mind with itself has commenced; modern problems have presented themselves; we hear already the doubts, we witness the discouragement, of Hamlet and of Faust. ...
— Selections from the Prose Works of Matthew Arnold • Matthew Arnold

... Dame Sans Merci," but, as applied to literature in its higher and greater forms, the admission fails to be true, because it fails to be adequate. A poem by Keats may be admirable so far as it goes, but really great literature, such as Goethe's "Faust," for example, would possess but a minor value unless there were at the back of it something that is more than literature. In the case of a poem like "Endymion" the poem is greater than the man who writes it. In the case of a poem like "Faust" the man is greater than the poem. Behind ...
— Memoirs of Life and Literature • W. H. Mallock

... of a philosophical conception which relates it to Goethe's "Faust," has been received with particular interest. Andreyev, in writing it, has come very near to solving the question of the meaning of life, and its justification. And, to the person who ponders a ...
— Contemporary Russian Novelists • Serge Persky

... the name given by Goethe to the marvellous child born of the mystic marriage of Faust and Helena. Who Faust is, and who Helena, we all know. Faust, of whom no man can remember the youth or childhood, seems to have come into the world by some evil spell, already old and with the faintness of body and of mind which are the heritage of age; and every additional year of ...
— Euphorion - Being Studies of the Antique and the Mediaeval in the - Renaissance - Vol. I • Vernon Lee

... NO way of helping him—saving him? A bargain was a bargain, and I was the last man to aid or abet any one in wriggling out of a reasonable obligation. I wouldn't have lifted a little finger to save Faust. But poor Soames!—doomed to pay without respite an eternal price for nothing but a fruitless search and a ...
— Seven Men • Max Beerbohm

... characterised this work, in the Introduction, as a romance and not a romance, as a truth for those who can comprehend it, and an extravagance for those who cannot. The most careless or matter-of-fact reader must see that the work, like the enigmatical "Faust," deals in types and symbols; that the writer intends to suggest to the mind something more subtle and impalpable than that which is embodied to the senses. What that something is, hardly two persons will agree. The most obvious interpretation of the types is, that ...
— Zanoni • Edward Bulwer Lytton

... gifted by nature, more enthusiastic and persevering in the prosecution of their purpose, and more fortunate in awakening popularity and admiration among their contemporaries. In the instances of Apollonius Tyanaeus and others among the ancients, and of Cornelius Agrippa, Roger Bacon and Faust among the moderns, we are acquainted with many biographical particulars of their lives, and can trace with some degree of accuracy, their peculiarities of disposition, and observe how they were led gradually from one study ...
— Lives of the Necromancers • William Godwin

... legends in which Mary, often regardless of justice and propriety, delivers her faithful worshippers from all manner of dangers, were written during the same period. One of the most famous of these is the legend of Theophilus, the forerunner of Faust. In a German version (by Brun of Schoenebeck) dating from the thirteenth century, Theophilus abjures God and all things divine, with the sole exception of Mary, wherefore she saves him from eternal damnation. This poem therefore shows us Mary as ...
— The Evolution of Love • Emil Lucka

... all the other puppets in motion,—Mr. Mephistopheles himself. Marguerite, studied, refined, unimpassioned in the pretty Yankee girl,—simple, warm, outpouring in the sympathetic German woman,—and Faust, gallant, ardent, winning in the bright-eyed Italian,—thoughtful, tender, fervent in the intelligent German,—are background figures in the picture your memory paints; while the ubiquitous, sneering, specious, cunning, tempting, leering, unholy Mephistopheles ...
— The Atlantic Monthly, Volume 17, No. 103, May, 1866 • Various

... to him by an inspiration. The man who discovers a continent has seen it in idea before he sees it in reality. If Shakespeare was an inspired man, so was Newton, so was Columbus, so was Lord Bacon, so was Faust when he discovered printing, Watt when he improved the steam engine, and Daguerre when he found out photographic pictures; for, in all great discoveries and inventions, and in small ones too, the original idea is an inspiration, though it has to be ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke

... tint in her cheeks and yellow hair, came trailing herself up the sun-shot path, and found, with hardy insistence upon the publicity, places for the surly-looking, down-faced young man behind her, and for her maid and her black poodle; the dog was like the black poodle out of Faust. Burnamy had heard her history; in fact, he had already roughed out a poem on it, which he called Europa, not after the old fable, but because it seemed to him that she expressed Europe, on one side of its civilization, and had an authorized place in ...
— Henry James, Jr. • William Dean Howells

... There is no doubt that his fiery harangues gave Turgenev much material for his later novels. It is characteristic, too, that while his student friends went wild at the theatre over Schiller, Turgenev immensely preferred Goethe, and could practically repeat the whole first part of "Faust" by heart. Turgenev, like Goethe, was a natural aristocrat in his manner and in his literary taste—and had the same dislike for extremists of all kinds. With the exception of Turgenev's quiet but profound pessimism, his temperament was very similar to that of the great German—such ...
— Essays on Russian Novelists • William Lyon Phelps

... But had it been bad, why should we pronounce it dishonest? Scott tells us that one of his best friends predicted the failure of Waverley. Herder adjured Goethe not to take so unpromising a subject as Faust. Hume tried to dissuade Robertson from writing the History of Charles the fifth. Nay, Pope himself was one of those who prophesied that Cato would never succeed on the stage, and advised Addison to print it without risking a representation. ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay

... Thyrsis replied in the words of the village-girl in "Faust," "'She feeds two when ...
— Love's Pilgrimage • Upton Sinclair

... was published in Bohn's Standard Library in 1879. It included Sir Walter Scott's version of 'Goetz von Berlichingen,' the remainder being translated by Miss Swanwick and E. A. Bowring. Miss Swanwick's 'Faust' is well known and has often been reprinted; a beautiful edition illustrated by Mr. Gilbert James appeared in 1906. There is a version, however, which stands far above the rest, a version which the writer for his part has always considered to rank with the greatest translations. ...
— The Book-Hunter at Home • P. B. M. Allan

... anyhow? I find myself pondering this question so often, when reading high-class literature. I put it to myself again the other evening, during a performance of Faust. Why could not Faust have married the girl? I would not have married her myself for any consideration whatsoever; but that is not the argument. Faust, apparently, could not see anything amiss with her. ...
— Idle Ideas in 1905 • Jerome K. Jerome

... barrier—and stand there with the flashing bayonet of his pride. Other men who broke the laws of justice and charity lied to all the world. He at any rate would not lie to himself. He was more than Byronic now: not the spiritual rebel, Don Juan; not the philosophical rebel, Faust; but a new psychological rebel of his own century—defying the sentimental a priori ...
— Flappers and Philosophers • F. Scott Fitzgerald

... The well-known story of Faust reminds us of the many similar weird tales which have long held a prominent place in family traditions. But in the majority of cases the devil is cheated out of his bargain by some spell against which his influence is powerless. According to the popular notion, compacts are frequently made with ...
— Strange Pages from Family Papers • T. F. Thiselton Dyer

... and their grave, in which some had desired to lose themselves, and others had become indifferent to the distinctions of good and evil. It would come, sometimes, like the sign of the macrocosm to Faust in his cell: the network of man and nature was seen to be pervaded by a common, universal life: a new, bold thought lifted him above the furrow, above the green turf of the Westmoreland churchyard, to a world altogether different in its vagueness and vastness, and the narrow glen was ...
— Appreciations, with an Essay on Style • Walter Horatio Pater

... the track of the "Autocrat." They had to endure the trial to which all second comers are subjected, which is a formidable ordeal for the least as well as the greatest. Paradise Regained and the Second Part of Faust are examples which are enough to warn every one who has made a jingle fair hit with his arrow of the danger of missing when he looses "his fellow ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)

... really does know something about music, but who actually has no prejudices.) "Her voice is such a one as MARGARET must have had when she sang by her spinning-wheel, before fate threw her in the way of FAUST. And these professional musicians will tear her reputation to pieces among themselves! Why should musical people be, of all others, ...
— Punchinello, Vol. 2, No. 29, October 15, 1870 • Various

... however, be allowed that the peculiar wording of the passage under consideration may make it difficult, if not impossible, to separate earnest from the magical form in which Faust's command to enter his room is given. Goethe's intention, probably, was to combine and ...
— Notes and Queries, Number 188, June 4, 1853 • Various

... controlling Power of the whole? This is not a figure of speech; this is a fact. The fact of Gravitation known to all animals, is not surer than this inner Fact, which may be known to all men. He who knows this, it will sink, silent, awful, unspeakable, into his heart. He will say with Faust: "Who dare name Him?" Most rituals or 'namings' he will fall in with at present, are like to be 'namings'—which shall be nameless! In silence, in the Eternal Temple, let him worship, if there ...
— Past and Present - Thomas Carlyle's Collected Works, Vol. XIII. • Thomas Carlyle

... inaptly, "the Chopin of the North," may seem a long step. But the pianolist can travel with seven league boots. Grieg's most widely known compositions are four of the pieces of incidental music which he wrote to Ibsen's drama "Peer Gynt." Peer Gynt is the Faust of Norwegian literature. Without attempting here to follow up this parallel, it may be said that he is a curious combination of ne'er-do-well, dreamer and philosopher, with a pronounced streak of impishness running through his character and giving a touch ...
— The Pianolist - A Guide for Pianola Players • Gustav Kobb

... both his spurs, and bending low over the mane of the noble animal, he disappeared in the forest, rapid and mysterious as Faust on his way to the mountain of the witches' sabbath. The three lines he had ...
— The Companions of Jehu • Alexandre Dumas

... poets are endowed with the power of creating beings who seem to act and speak with perfect independence, so that the poet is nothing more than the relator of what takes place. When Goethe had conceived Faust and Margarete, Mephistopheles and Wagner, they moved and had their being without any exercise of his will. But in the peculiar power which Petronius exercises, in its application to every scene, ...
— The Satyricon, Complete • Petronius Arbiter

... its premiere at Laura Keene's Theatre, New York, on February 28, 1857, for the benefit of the Shirt Sewers' Union; and was the second offering of a double bill beginning with "Faust and Marguerite." Though the critiques of the time recognized in it a "nice little play," they balked at what was considered to be a foolish nomenclature, "Comedietta." What was liked about it, particularly, was the absence of patriotic fustian, for the national drama of the time seems to have ...
— Representative Plays by American Dramatists: 1856-1911: Love in '76 - An Incident of the Revolution • Oliver Bell Bunce

... she might caress my foot with her great fore-paws. Mary's little dog too, Mrs. Bouncer, barked in the greatest agitation on being called down and asked by Mary, 'Who is this?' and tore round and round me like the dog in the Faust outlines." The father and mother and their two sons, four formidable-looking companions, were with him ...
— The Life of Charles Dickens, Vol. I-III, Complete • John Forster

... his letters in brass molds and make them of more durable metal. But alas, such an innovation was costly and his money had given out. Therefore, much as he dreaded to part with his secret, he was forced to take into partnership a rich metal worker by the name of John Faust." ...
— Paul and the Printing Press • Sara Ware Bassett

... and Micromegas Goethe's Faust, and Autobiography Thackeray's Vanity Fair Pendennis Dickens' Pickwick David Copperfield Lytton's Last Days of Pompeii George Eliot's Adam Bede Kingsley's Westward Ho! ...
— The Pleasures of Life • Sir John Lubbock

... March! In that case their published works might not, perhaps, have gained much in bulk, but the masterpieces would now surely represent a far larger proportion of their Saemmtliche Werke than they do. And the second part of "Faust" would not, I think, contain that lament about the flesh so seldom having wings to match those ...
— The Joyful Heart • Robert Haven Schauffler

... titanic, spectral, all at once." He was "a soul snatching wolf," a "hell hound," a "whirlwind hammer;" now an infernal "parody of God" with "a mother who mimics the Virgin Mary," and now the "impersonated soul of evil."21 The well known story of Faust and the Devil, which in so many forms spread through Christendom, is so deeply significant of the faith and life of the age in which it arose that a volume would be required to unfold all its import. There was an old tradition that the students ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger

... equally impotent to create imaginary characters, which in their own way revealed my sorrows, my weaknesses, my follies and my virtues, forming new personalities with independent life: as my dear friend Goethe created Werther, Faust, Egmont ...
— The Bride of Dreams • Frederik van Eeden

... but you lose sight of the fact that substitutions are always unsatisfactory, if not positively dangerous. Besides, they are strong evidences of weakness. We are nothing if not strong and resourceful. Suppose I substituted 'Faust,' for instance, and announced it with Melba as Marguerite, and suppose again that the famous Astralasian prima donna caught an attack of the American grip that same afternoon, it would hardly do to ...
— A Pirate of Parts • Richard Neville

... one first kiss under the honeysuckle? Or has ever seen his name in print for the first time, ever again? Is it any wonder that all these inexplicable longings, these hopeless hopes, were summed up in the heart-cry of Faust...
— The Delicious Vice • Young E. Allison

... had numbered more than fourscore years; And Theophrastus at fourscore and ten Had but begun his "Characters of Men;" Chaucer at Woodstock with his nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past: These are indeed exceptions; but they show How far the Gulf Stream of our youth may flow Into the arctic regions of our lives, Where little ...
— The Arena - Volume 18, No. 92, July, 1897 • Various

... soul, as Faust sold his to Mephistopheles. Your Lieutenant became your master; you found it convenient to believe his version of every thing, and to justify him in every thing, and you ended in making all his devilments your own, and adopting the whole infernal spawn and brood, with additions of ...
— The American Indian as Participant in the Civil War • Annie Heloise Abel

... your reeking pots of beer, whisky, wine, or other disgusting alcoholic liquors; if you wish to go to the theatre and listen to Mephistopheles, to the devil, to Marguerite, the dissolute hussy, and Doctor Faust, her foul accomplice; if you wish to gorge yourselves upon the oyster, scavenger of the sea, and the pig, scavenger of the earth—a scavenger that there is some question of making use of in the streets of Chicago (laughter); it you ...
— Modern Saints and Seers • Jean Finot

... Bitternessthe Devil. This legend of the Foul Fiend appearing to Ibrahim of Mosul (and also to Isam, N. dcxcv.) seems to have been accepted by contemporaries and reminds us of similar visitations in Europe—notably to Dr. Faust. One can only exclaim, "Lor, papa, what nonsense you are talking!" the words of a small girl whose father thought proper to indoctrinate her into certain Biblical stories. I once began to write a biography of the Devil; but I found that European folk-lore had ...
— The Book of the Thousand Nights and a Night, Volume 7 • Richard F. Burton

... very cool, and now and then the scent of some flowering bush trailed like a visible cloud across their path. Then suddenly the whole avenue was full of little red lights, like the garden in "Faust" when Mephistopheles performs his magic on it. Here and there the huge headlights of a car shone on the roadway, magnifying every rut in the asphalt, and bringing out strange, vivid shades in the grass and the hydrangea bushes. They were passing ...
— The Beauty and the Bolshevist • Alice Duer Miller

... translated, but which is too good to be lost. The French for daughter-in-law is belle fille, literally "beautiful girl." To Fougas' address "Ma belle fille!" Mme. Langevin replies: "I am not beautiful, and I am not a girl." It suggests the similar retort received by Faust from Marguerite, when he addressed ...
— The Man With The Broken Ear • Edmond About

... learned of Captain Blunt was the fact that he was a sufferer from insomnia. In his immovable way Mills began charging his pipe. I felt extremely embarrassed all at once, but became positively annoyed when I saw our Prax enter the cafe in a sort of mediaeval costume very much like what Faust wears in the third act. I have no doubt it was meant for a purely operatic Faust. A light mantle floated from his shoulders. He strode theatrically up to our table and addressing me as "Young Ulysses" proposed I should go outside ...
— The Arrow of Gold - a story between two notes • Joseph Conrad

... law, and passed advocate in 1834. The study of law was never very congenial to him, and the practice of the profession was still less so. Accordingly, at this period he occupied himself with literary work, principally writing for Reviews. It was at this time that his translation of "Faust" appeared. It is entitled, "Faust: a Tragedy, by J. W. Goethe. Translated into English Verse, with Notes, and Preliminary Remarks, by John S. Blackie, Fellow of the Society for Archaeological Correspondence, Rome." Mr Blackie had taken upon him a very ...
— The Modern Scottish Minstrel, Volume VI - The Songs of Scotland of the Past Half Century • Various

... more especially of such as partake of an imitative character. When a juvenile and facile writer's taste is still unsettled, and his own style is as yet unformed, he eagerly tries his hand at the reproduction of the work of others; translates the "Iliad" or "Faust," or suits himself with unsuspecting promptitude to the production of masques, or pastorals, or life dramas—or whatever may be the prevailing fashion in poetry—after the manner of the favourite literary models of the day. A priori, therefore, ...
— Chaucer • Adolphus William Ward

... violin and orchestra, nine symphonies, four oratories, of which "The Last Judgment" is perhaps the best, ten operas, many concert overtures, etc.—in all more than 200 works, many of them of large dimensions. His best operas are "Jessonda" (1823), "Faust" (1818), "The Alchemist" (1832) and "The Crusaders" (1845). His orchestral works are richly instrumented, and the coloring is sweet and mellow, ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews

... congratulation to Mr. Bayard Taylor for his translation of "Faust," which occupies the same place, as regards German Poetry, that Mr. Bryant's translation of Homer does to Greek Poetry. The difficulty of the task which Mr. Taylor set himself, the task of rendering the original in the measures of the original, was never met before by any English translator ...
— The Aldine, Vol. 5, No. 1., January, 1872 - A Typographic Art Journal • Various

... came another stanza from the wine bibbers, now homeward bound. They were still howling about Margharita in long sustained cadences. And Spencer knew his Faust. It was to the moon that the lovesick maiden confided her dreams, and Mephisto was at hand to jog the elbow of his bewitched philosopher at exactly the ...
— The Silent Barrier • Louis Tracy



Words linked to "Faust" :   fictional character, fictitious character, character, Faustian, Faustus



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